I‘m no gambler, but would feel safe betting there’s a damn good reason that won’t happen.and more celine dion
I‘m no gambler, but would feel safe betting there’s a damn good reason that won’t happen.and more celine dion
Worth mentioning that a handful of those songs listed are already in rotation.DJs don't program the music.
Will they let Bill Lee Be Bill Lee at night or will he be forced to the same Bland Routine Joe Causi was forced into. ?Time marches on. It's really very simple. It's not just radio.
You mean "it did not pass the music test"?I‘m no gambler, but would feel safe betting there’s a damn good reason that won’t happen.
He’ll get right on that…Jesse Addy, welcome aboard. You're now the WCBS-FM weekday afternoons at 3-7PM.
Time to add songs like:
Mr. Mister's Kyrie
Journey's Who's Crying Now?
Bon Jovi's Bad Medicine
Michael Jackson's You Rock My World
Madonna's I'll Remember
U2's Beautiful Day
Edwin McCain's I Could Not Ask for More
Patty Smyth and Don Henley's Sometimes Love Just Ain't Enough
Gloria Estefan's Live for Loving You
Cher's I Found Someone
Pat Benatar's Invincible
Aerosmith's Rag Doll and Jaded
Santana's Maria, Maria and The Game of Love
Don Henley's The Heart of the Matter
Tina Turner's The Best
Heart's Never
Sting's Fields of Gold
Marc Anthony's I Need to Know
Bryan Adams' Have You Ever Really Loved a Woman?
Nicki French's Total Eclipse of the Heart
Celine Dion's That's the Way It Is
I’ve been surprised by many things in my life. Celine Dion’s melodramatic songs testing well enough with the target audience here in 2024 to earn a spot in a classic hits rotation would be up there among the big ones.You mean "it did not pass the music test"?
Soft AC is the only format she still has a presense.I’ve been surprised by many things in my life. Celine Dion’s melodramatic songs testing well enough with the target audience here in 2024 to earn a spot in a classic hits rotation would be up there among the big ones.
I enjoyed listening to Jesse Addy when he was the bridge between Scott Shannon & Fox & Annie. I know it’s only day two but it seems Like They Tightened up the Format on his afternoon show.. He sounded rushed with everything he did. How will he connect with a younger crowd ? When he only gets 4 words in at a. time ?![]()
Jesse Addy Joins WCBS-FM For Afternoons; Broadway Bill Lee Moves To Nights
Audacy Classic Hits 101.1 WCBS-FM New York has announced that Jesse Addy will join the station as Music Director andradioinsight.com
TL;DR - WCBS-FM is shuffling its weekday schedule, seeing Jesse Addy slide into afternoons, with Broadway Bill Lee shifting to nights. Joe Causi will move into a fill-in role. Both Bill and Joe have been in those dayparts since the station's relaunch in 2007.
Reading between the lines: "retirement transition" comes to mind, while also keeping the personalities in key dayparts on the younger side.
How will he connect with a younger crowd ? When he only gets 4 words in at a. time ?
That was how Drake and Jacobs beat KRLA and KFWB in the 60's: "whatever you need to say, do it in very few words and roll the next song."BTW that was the formula used by Boss Radio in the 60s. Quality, not quantity.
Alright didn’t know that. Thanks 😊The research on GenZ is they're impatient. You need to be brief and punchy to make an impression.
The longer you talk, the slower the pace, the older the demo becomes.
BTW that was the formula used by Boss Radio in the 60s. Quality, not quantity.
The research on GenZ is they're impatient. You need to be brief and punchy to make an impression.
The longer you talk, the slower the pace, the older the demo becomes.
Then why is radio still running :60 second spots, and 12+ minute commercial breaks?
You don't see many :60s any more. Except in older targeted formats like news and talk.
You have long breaks because it's the only revenue stream and people want to get paid. Ad time is sold to the advertisers, so its their time, they're responsible for it, and it's up to them to hold the audience through their spots. Not me.
Who is THEY?? There is no minister of radio, and radio is not one thing. You want radio to rethink? Give me another revenue stream. Can I sell your personal information the way YouTube does? Will you give me your credit card number the way you do with Sirius? I need another way to make money from you. Listeners are the ones killing radio by using big tech.Honestly it's probably way past time for the radio business to re-think it. But they won't because "that's the way we've always done it".
Selling time destroys radio.
I need another way to make money from you.
Listeners are the ones killing radio by using big tech.
Here's the truth: The big companies already know the days are over for towers & transmitters. That's why they're all investing in non-broadcast alternatives.
Not true. If no one sold time, then all of radio would become religious. No long breaks there. Just preaching.
The problem is that such a system does not work in ad-supported media. It ain't called "mass media" fer nuttin'.I would like to see less of the worn-out strategy of stations/groups aiming for the lowest common denominator and then selling "time" to the worst hucksters preying on the low intellectual level of audience that strategy attracts. How about raising the quality of the programming, attracting a higher quality audience who may actually become fans of what the station stands for, and then sell sponsorships, not time, to good companies that want to be seen as supporters of that? Be involved in the kind of messaging that will entail.
And there is a percentage of each market that wants that, and they are well served by a variety of NPR affiliate stations. That void is filled, irrespective of how it is financed.NPR does this, but it's part of their noncom license terms and the content of the sponsorship messaging is limited by FCC rules.
And that service has nearly zero audience, and is a reaction to Black Lives Matter movements and civil unrest and strife. It is a public relations move and worthy of commendation, but it is not going to be a profit center. And advertisers buy into the "cause" and not to sell anything.iHeart is dabbling with this on a commercial level selling sponsorships as opposed to just ads on its Black Information Network.
That is the case with talk stations as they appeal to over-55 listeners that agencies don't seek. So they find other accounts. It is not what you hear on Urban or CHR statioins.I think this is the kind of direction things have to go on a wider basis. 12-minute breaks full of debt relief, bogus supplements and scam charities is not sustainable.
Yet 85% of Americans use radio.Especially not when -- as has already been mentioned -- younger audiences are using platforms that do not make them sit through 12-minute breaks of that crap.
How about raising the quality of the programming, attracting a higher quality audience who may actually become fans of what the station stands for, and then sell sponsorships, not time, to good companies that want to be seen as supporters of that?
NPR does this, but it's part of their noncom license terms and the content of the sponsorship messaging is limited by FCC rules.
You see how popular it is. I thought you said nobody has any ideas.iHeart is dabbling with this on a commercial level selling sponsorships as opposed to just ads on its Black Information Network.
Blame the user. Always a great strategy.
I believe many of the sales managers and industry leaders know they have a big problem with the commercials but their short-term view is it's making them rich as things stand right now.