Perfect.Those of us on the radio side have seen this movie before. There was a time when radio was in the hands of the creators. Admittedly it was a brief time, and wasn't very successful. But radio programming was about freedom of expression and varied musical perspectives. Then the corporate guys came in, streamlined the sound, took out all the variety, and came up with Album Oriented Rock, overseen by consultants who do the music research and come up with consensus music that drives ratings and revenue. We all know how that's done.
That's what's happening here. For a while, news was left to news people. They were kind of nerdy looking people with glasses and suits, speaking in complete sentences, and asking tough questions. But that made the rich & powerful nervous. They'd go on 60 Minutes and get taken to the cleaners by Mike Wallace. Now that the rich & powerful run the government, they want to change that. They want to replace the nerdy news people with smiling, happy people. They did it when Ted Koppel left Nightline. Have you watched it lately? It's more like Inside Edition. That's what we can expect from David Ellison.
We saw this in a more limited form in the 1980s with radio news, first getting watered down as "lifestyle news", then ultimately going away in only a few years, with just a few exceptions, when there was really no reason to listen to it any more. We also saw it in television with Van Gordon Sauter, bringing "moments" to CBS news in that decade and trimming back on hard news. Those tensions have already been around. Books have been written about them, especially when it comes to CBS. (See attached photo of bookshelf with several titles about CBS and the news media.) At least then, there were still outposts of more meaningful forms of journalism in the mass media.
Because of the level of resources required for investigative, in-depth journalism, it's likely to become something that's accessible only to people willing and able to spend money for it, in the form of subscriptions and/or contributions. Their paywalls will restrict distribution of their work, so it won't go viral the way the lower-quality stuff does. For example, the New Yorker regularly publishes investigative pieces. But they get very little distribution aside from the magazine's subscriber base. They're behind a paywall. The New York Times is not quite as stringent about this, but much of its work is accessible only to subscribers. Subscriptions to either publication are far from cheap. What's available for free in the mass media is likely to be of lower quality.
One example: the one mass-media organization in Denver that does investigative journalism on a regular basis is Tegna's KUSA (9News). The Denver Post has been hollowed out by a hedge fund; local commercial radio news is just a brief headline service; Colorado Public Radio will go in-depth but isn't really investigative. Sometimes it confuses length for quality. While 9News is creative in overcoming the limitations encountered by television's essential need for pictures, it still faces time constraints, even though it will run four-minute pieces if needed to explain a story. But it's a local TV station, owned by a chain that's cutting back. I wonder how long that investigative journalism will last.
The First Amendment is no guarantee against economic pressures. The fact that those pressures also help advance a retrograde agenda is just icing on the cake.
Edit: And I forgot the danged picture:

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