TheBigA said:
Bongwater said:
Playing ASCAP/BMI tunes on a 100mW transmitter without permission isn't like serial killing or running a meth lab in any way. And trying to enforce these royalties from Part 15ers is really like trying to tax air.
A crime is a crime regardless of the amount of money you steal. The punishment won't be the same as if you were a serial killer or running a meth lab. But it's still a crime. Air isn't taxed. But using someone else's property without their permission is illegal. You can try to justify it any way you can, if it makes you feel better. But if you get caught, none of those justifications will work.
I read a lot of comments on this board from Part 15 operators who take a lot of pride in what they do, and are offended when they don't get the same respect as other broadcasters. They feel what they do is as professional as any other operation, just on a smaller scale. If you have pride in your work, you will follow the law, whether it's FCC law or copyright law. Otherwise, you're no better than the kid with the speakers blasting out of his dorm room window.
You still haven't illustrated just what IS the fundamental difference between somebody playing ASCAP/BMI/SESAC music on an iPod transmitter and a Part 15 station.
Because technically, there isn't any. Anyone can hear the broadcasts from either source if they are inclined to tune in. Are you going to go after the MILLIONS who own iPod transmitters and demand THEY pay up?
To be perfectly honest, this is actually where you should START. Because anyone within a given range of such a device can tune in to what the neighbors are playing next door (and WITHOUT said "permission" I may add.) But people like you would NEVER attempt to do anything about THAT. Because you KNOW the particular can you would be opening with the general public if you did that-
don't you? And there's FAR MORE of THEM than little Part 15 hobby stations......
So if anything, YOU should show the same respect to Part 15 stations and leave them alone. Because what they are doing is no more a threat to the livelihoods of pop stars than the iPod transmitter itself.
Yes, Part 15 stations take GREAT pride in what they do. But you know what? Even if they paid PROs for the privilege of playing music, will they also suddenly get a membership to the state association of broadcasters too? Or the unanimous respect of licensed local station owners?
Not bloody likely.....
And as far as "permission" goes, I can't think of ONE single recording artist out there who would not want to have their music played on the radio. Whatever the station may be. Can you name me ONE recording artist who would INSIST their music NOT be played by these little Part 15 stations because of no/next to no royalties, which even if you were successful in getting EVERYBODY to pay up, after PRO administrative costs, would STILL be essentially NOTHING anyway?
Commercial radio stations with thousands of watts, huge ratings and dozens of advertising accounts are one thing. Somebody with an iPod/computer automation and a 100mW transmitter in their bedroom with no advertising whatsoever and a signal that only gets out a couple blocks at best (which is about as noticeable as a gnat at a Metallica concert.) isn't even REMOTELY the same. I don't see people playing Lady Gaga MP3s on personal (yet SOOO public) iPod transmitters paying PRO fees and keeping logs of what they play and furnishing them.
I am also sure Tom Petty is not pacing the floor at night, worrying about that $1.98 check he's (allegedly) supposed to be getting from these all tiny microwatt stations (combined) that play his music.
But YOU certainly are my friend.

And THAT is what we're REALLY talking about here, isn't it Big A?
Even if all of these royalty fees were all applied fairly and uniformly to everyone with a Part 15 transmitter (which they are not.) Would he or anyone else STILL see any significant financial advantage after the PROs have taken their share?
I doubt it.
Because the subject of right/wrong, moral/immoral, legal/illegal historically has a constantly shifting frame of reference in the music industry itself, depending on who stands to actually gain the most from it. (Hint: It often isn't the performers. Or even songwriters/composers, but the hierarchy of middlemen - including the major record labels.)
And before anyone debates MY ethics on this issue, I encourage anyone here to open any book on the American music industry: It's uglier than you think........