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Bulletin to watch: CBS-FM days from switching back to OLDIES!

justareporter said:
Just a passing nasty comment to all those salespeople who claim you can't get any agency buys by trying to seel the over 50 demo.

The demo in question is not "over 50" but "outside of 18-54" which is where nearly 100% of agency buys are directed.

If you can deliver to a client tens of thousands of interested listeners for his/her 30 second spot they will stand up and pay attention.

95% of US spots are 60's. And agencies are ordered by their cleints to buy specific demos, based on th eproduct appeal, packaging design, and other marketing concerns and the return on investment that advertising to different demos gives. Seledom, if ever, is over-55 allowed (unless it comes as spillage on a 25-54 buy of a station that also has lots of 55+... but they don't pay for it.)

Unfortunately MANY (not all) agency reps don't know radio from rocks.

Are you talking about the sellers and rep firms that call on agency buyers? (buyers don't determine demos, by the way) Or are you calling agency buyers and planners "reps?" In either case, you are wrong. Radio sellers and rep firms know radio well, and agencies buy radio by CPP, so they don't have to know the formats or intracacies of stations to buy.

I recall a number of years ago a rep telling an advertiser not to advertise on my show but instead to go to the classic rock station down the street.

What did you do to the rep that made them dislike you? And what does this have to do with anything? Most agency buys are not by the show, but by the station, anyway.

The client sold Lincoln automobiles. You know...those land arks with four wheels. Since it had been a long time client of the station I called him and just asked if he thought 20 somethings REALLY wanted to drive his cars.

Showing how little you know. Classic rock listeners are predominantly in their 40's and 50's, prime real estate for Lincolns and Caddys and such... and those $25,000 Harleys, too. I don't imagine calling the Lincloln a "Land Ark" helped your case much, either.

He told me the agency rep had said the classic rock has more listeners then I did.

Probably true. And you continue to use the term "rep" ambiguously. Agencies do not have "reps." They have AE's, media directors, biuyers and planners. No reps, though. Perhaps your misunderstanding of the business is what is hurting you... along with that Land Ark comment that reflects an attitude.

I politely suggested the audience for the very good rock station down the street was in its 20's. My audience for the talk show was in its 40s and 50s.

Most talk shows are in the 50's and 60's, while classic rock is NOT in the 20's. Has not been for 30 years.

WCBS-FM will be a "hit" again if they bring back some great talent (Dan Ingram where are you now?) tweak the music, promote the living daylights out of it and get some salespeople who sell and don't sit.

If they are smart, they will capitalize on the hiatus to go classic hits.
 
DavidEduardo said:
Robert Bass said:
DavidEduardo said:
The only gold format based on pop (not country, or r&b or whatever) that will work for a prolonged period is 70's based, with very few late 60's songs and some early 80's. Early 60's and 50's is a kiss of death to station demos and to revenue.

We have been spinning All 70's on KEOM for almost a dozen years now. From my vantage point, all the true oldiees stations that are just now putting emphasis on the 70's, missed the boat.

The time is ripe for a 70's and 80's only station, with nothing before 1970 and nothing after 1989. Maybe even very little after 1986. 80's has appeal to those who are in their 30's and 40's today.

R

Here we agree 100%. See, if we post enough times, we will eventually agree on something!!!!

LOL yeah, but the odds are still stacked against me. ;D

R
 
DavidE: I've lurked for ages and respect your knowledge, but I gotta tell you, it's time to do the "oaktree" ::)

You have managed to regurgitate every industry cliche about agencies, clients, 55+, etc. And it was all true at one point... because it was a self-fulfilling prophecy.

Boomers don't do this; boomers don't buy that. Not a month goes by, in which we don't read some new survey which proves that that's ridiculous; this ain't your father's "older demo"! Why do you think they're even rolling-out all these "surveys", in the first place? They're quite aware that all the conventional media-buying BS... is based on nothing but industry folklore. But it takes a lot of battering down the doors to make the Suits listen.

Clients who aren't selling computers and SUV's and sports cars and iPods and iPhones and all that trendy consumer madness garbage to post-55's are missing out on dollars from that market. Period.

Now, you could bury that inconvenient fact, when the economy was (you'll pardon the expression) booming. But after Bush and his private contractor buddies looted the American economy and national debt levels started to resemble a monster from the id... you're left with an economy that doesn't support conventional wisdom instructing us that a whole, big area of revenue is to be overlooked.

JACK is gone, because you can no longer take $35 million in billing, and say, "Well, there's a limit to what we can expect here anymore... so we're gonna blow it all up, now, and be satisfied with half the revenue... because we're building for the future!"

Yeah. Build THIS. CBS, and rightfully so, wants its $19 mill in smoked money BACK. You can keep the conventional wisdom. Can't sell it? We'll just have to start hiring better sales reps.

It's time for the practitioners of all this Brave New Futurism to retire. Go to your nice vacation homes. Learn to fish. Get the heck out of media, altogether. You incompetent boobies screwed it all up; you honked off millions of listeners; you put all the talented, experienced people in this industry out of work, and... "bottom line", as you hard-nosed business types are so fond of saying... you lost money for your various corporations. Now, honestly, is there really anything left, about which we should trust your judgment, at this juncture?

Now son, step back and let the buggy whip salesmen show you How It's Done.
 
As a jock who's worked mid-days and afternoon drive in Classic Rock, Classic Hits and an Oldies station that has successfully morphed into an uptempo Mix format, I'm more than hooked on this thread. With family in 'Jersey, I'm also familiar with what CBS-FM means to listeners. This is coming from a guy who remembers B. Mitchell Reed on WMCA, The Good Guys, Cousin Brucie and Big Dan Ingraham as much as Howard and Opie and Anthony. My age doesn't matter. I'm a radio junkie who works in the business and also knows how programming decisions are made in the 40th floor corner offices and implimented on the local level.

A lot of good points have been made, but I suspect that if CBS-FM flips back to "Oldies," it won't be Oldies the way so many posters here remember it or want it to be. As such, there's bound to be a group that's P-O'd by the "new" format because it isn't exactly what they want or expect it to be. Just look at the WXRK threads that bear this out.

Cary Pall, Dave Eduardo and Oldies Cat have made valid points from one perspectective about the commercial viability of the Oldies format. Purists from the opposite camp have made some good observations as well. But I'd bet that The Chiffons, Gene Chandler, Leslie Gore and The Diamonds probably won't be part of the overall CBS-FM Monday-Friday mix, while (70's) Elvis, Beatles, Four Tops, Donna Summer, Elton John, Bruce, Billy Joel and Classic Hits from the 70's, 80's and 90's that are targeted specifically to New York, Long Island, New Jersey and Connecticut find their place. Most likely, CBS-FM takes a Classic Hits approach with the WOGL Philly platform, carefully modified to meet NYC standards, looking like a good bet.

The air personalities are equally important, but I wouldn't be surprised if some of the "heritage" WCBS-FM favorites come back only as specialty-weekend entertainers, while mainstays like Bob Shannon find a secure Monday-Friday primetime slot. As I said, there's bound to be a group that's P-O'd by the "new" Oldies format, but in the end, people will be elated that Jack has left the building.
 
Classic Puker said:
Boomers don't do this; boomers don't buy that. Not a month goes by, in which we don't read some new survey which proves that that's ridiculous; this ain't your father's "older demo"! Why do you think they're even rolling-out all these "surveys", in the first place? They're quite aware that all the conventional media-buying BS... is based on nothing but industry folklore. But it takes a lot of battering down the doors to make the Suits listen.

Let's face realtiy... since the mid-50's, radio has not been the dominant medium in most ad campaigns. Sure, there are exceptions. Buut, generally, raido supplements with frequency (about to change with PPM) campaigns in other media. And that is only when an audio campaign is felt appropriate to supplement a tv, internet or print campaign that is mostly visually-focused.

Clients, especially the larger ones who put the most money on the table nationally, give very precise marketing goals and consum er profiles to their agency. One or two out of demo stations or formats are ont going to change the demo of a campaign and the directive from the client.

Like the "steps" programs, we have to have the ability to know what we can change and what we can not change. Changing agency demo specs on a capmpaign is generally not going to be possible as the agency has little or no control over the process.

Clients who aren't selling computers and SUV's and sports cars and iPods and iPhones and all that trendy consumer madness garbage to post-55's are missing out on dollars from that market. Period.

Radio has little access to the client. In fact, most agenccies regard client contact to be a breach of ethics, and doing so is a sure way to get on a particular agency's blacklist and find all your other buisness cancelled.

The main reason clients do not agressively go after 55+ is that there is no ROI. It takes more ads and money to sell the older consumer than the profit on the sale. Since many formats have spillage into 55+, like country, AC, classic rock, news/talk, etc., clients get enough exposure for free that they do not specifically buy 55+. Pricing on radio is determined by cost per point (CPP) in the target... the spillage on either side is not paid for.

Secondarily, many campaigns are created and tested with a specific demo in mind... placing a campaign for 30-somethings on a 55+ station is an absurd idea, of course.

Now, you could bury that inconvenient fact, when the economy was (you'll pardon the expression) booming. But after Bush and his private contractor buddies looted the American economy and national debt levels started to resemble a monster from the id... you're left with an economy that doesn't support conventional wisdom instructing us that a whole, big area of revenue is to be overlooked.

When advertisers take an interest in 55+ or even 55-64, you will see a bunch of format changes to take advantage of this change. we would all howe that this would happen, since it expands the area where a market full of stations can find new opportunities for some. However, until clients find the ROI is adequate, this is not happening.

Yeah. Build THIS. CBS, and rightfully so, wants its $19 mill in smoked money BACK. You can keep the conventional wisdom. Can't sell it? We'll just have to start hiring better sales reps.

Better sellers will not change agency demo specs. Better sellers take money from other stations and get it for theirs by giving better CPPs and more merchandising and value added bonuses. Better sellers do not get to change the demos the client requested.

It's time for the practitioners of all this Brave New Futurism to retire. Go to your nice vacation homes. Learn to fish. Get the heck out of media, altogether. You incompetent boobies screwed it all up; you honked off millions of listeners; you put all the talented, experienced people in this industry out of work, and... "bottom line", as you hard-nosed business types are so fond of saying... you lost money for your various corporations. Now, honestly, is there really anything left, about which we should trust your judgment, at this juncture?

Gee, according to this changing one staiton, CBS-FM, destroyed the industry. Owners and managers and programmers have been making programming and marketing mistakes for decade upon decade. Most of us lear from the ones we make and the ones we see. Those of us with experience can point to "in the flesh" disasters we have created or been part of... and those who survive the axe are better for it.

One thing we learned: don't go against agency requirements if your market is significantly agency driven. Agencies do not negotiate anything but rate and whether you ar eon or off the buy... they don't negotiate demos, they don't negotiate format dictates ("no talk, no controversy") and they don't go back to the client about the wishes of some older demo radio station in one market. Get real.

Now son, step back and let the buggy whip salesmen show you How It's Done.

Whatever.
 
As a jock who's worked mid-days and afternoon drive in Classic Rock, Classic Hits and an Oldies station

If CBS-FM does return to an oldies based format I agree with Jim Pastrick that it will be a more modern format.
I also, agree with Jim they should bring back Bob Shannon, whom I remember from his Syracuse days. But, they should give a close look at Mr. Pastrick, as well. He is an extremely well regarded programer and jock. He may not be interested in moving to the Big Apple, but New York's gain would be Western N. Y.'s loss. If anyone could make it work, he would.
 
Changing agency demo specs on a capmpaign is generally not going to be possible as the agency has little or no control over the process.

I think you missed the gist. CLIENTS... not "agencies"... are going to be demanding more bang for their buck, in a tighter economy. And in an age where pundits are always paying lip service to "alternative revenue streams", it seems contrarian to the point of retarded that these same, dollar-grubbing clients somehow will be comfortable, foregoing previously-foregone sources of revenue... like those unclean "older demos"... just because Everybody's Doing It.



The main reason clients do not agressively go after 55+ is that there is no ROI. It takes more ads and money to sell the older consumer than the profit on the sale.


May I please have the exact month and year, that an agency (yeah, I know, "client"!) last made an "I", on which to expect an "R", when it came to courting those old, sedentary, indigent seniors? I believe the expression is, "Don't know it, 'til you've tried it". C'mon, these advertisers haven't spent a minute or a dime courting 55+ in decades. And when they did, it was ... as I thought I had pointed out... an older demographic with a considerably different lifestyle than the older demos of previous decades. And they stopped courting that demo, just in time when it would have paid off big. Same as the way they killed the upper demo format of Oldies on CBS-FM's main analog channel, and put the Brave New Format on it instead... while moving the upper demo music to a younger-targeted technology (HD-2)!

David, you know the Radio bidness. Is that thinking not the product of exactly the kind of visionary this racket produces on a regular basis? :p



Better sellers do not get to change the demos the client requested.

Wrong. Again, as no sales weasel has mouthed the word "wrong" to a client in 20 years... so how would you know?

I personally know (admittedly maverick) marketing reps who are dying to go after clients aggressively and break their kneecaps, to sell Oldies. Because: [a] they know they're good; they know they can do it; [c] they know that, in the end, the reluctant client's gonna get results. And then, down goes another nugget of Radio folklore!



Gee, according to this changing one staiton, CBS-FM, destroyed the industry.


Oh. You honestly don't think it was one of the contributing factors? Really??

Tell you what... get out yer wallet.

Put ten bucks on the table.

Here's MY ten bucks.

Now... what do you say... by January 1, 2008, 50 American radio stations, minimum, flip to, or back to, some semblance of "Oldies"?

I'm sure the lemmings won't at all be following CBS-FM's lead. Nope. Nuh-uh. ;)




One thing we learned: don't go against agency requirements if your market is significantly agency driven.


See above. When non-agency clients start seeing substantial dollars from the "non-traditional" source of those forgotten geezers, your sales reps aren't going to have to "go against" the agencies. The agencies will have religion, because their clients are going to be on the phone to them, giving them religion.

The go-go age of post-consolidation Radio worked fine in a go-go economy. When the animals start starving to death, look out. A lot of CW will be eaten for lunch.
 
DavidEduardo said:
Don said:
Y'know, Mr. Eduardo, I've read your posts all over these boards, and one common thread is in all of them: you are decidedly anti 40+,

I am neither for nor against any demo. However, in the rated markets, commercial radio must program to the age groups advertisers require And advertisers seldom request listeners under 17 or over 55, which is why commercial radio seldom tailors formats for those age groups. .

and you come across as if you, and ONLY you, know anything about radio.

This would only be the impression of someone who thinks they have a different answer. Do you?

No, it's the impression of one who perceives an outrageous level of pompousness from you! And, I've listened to radio for about 43 years now, and I know what works, and what doesnt...I've seen the bad stuff fade away.

I'm 47. I grew up with Sixties AM radio, the true golden age of Top 40.

You were then a pre-teen at the time. In general, persons in their 40's are more attracted to 70's music and not 60's... you are an exception. Face it.

Again, Mr Know it all is WRONG. I have lots of friends my age, and not a one of them hates late 60's tunes. NOT ONE!

.

One of the reason terrestrial radio is faltering is its failure to program a broad spectrum of formats. Cheap, er Clear Channel is feeling the fallout of being a homogenized radio company, as is CBS. I say BRAVO to CBS for restoring K-Rock to NYC (Eduardo: It'll fail, it doesn't appeal to slightly post pubescent females).

The format is in the 18 to 54 year old sales demos. If it gets ratings, it will do well. If it does not, it won't.

Note that Mr. El Supremo consultant doesn't refute the main sentiment of my statement, only my sarcasm. Hmmm.
.

There's this little station on the central Jersey shore, known as the Breeze (99.7 WBHX Tuckerton/107.1 WWZY Long Branch; both class A's) that format heavily with 60's music, presented by jocks with personality. Disproving your theory, sir, the combo is pulling very good numbers.

The station bills itself as soft AC, not oldies. WBHX has no ratings at all, although the other does well in Monmouth... quite well for a Class A FM in fact.

I know how it bills itself. I didn't say it was an oldies station. But, it is heavy with late 60's stuff. As for WBHX, it fills a gap in coverage on the southern side of WWZY. I was referring to the total package, not just WBHX, which, in all honesty, could not survive alone, due to signal issues. The listenership is not only in Monmouth...it's the Monmouth/Ocean book, and there are listeners in Ocean. I'm one of em.

I feel that you, and people like you, are why terrestrial radio is dying a painful death. Honestly, most listeners don't care what you think. We just want radio that is fun to listen to.

That is what the group I am with does... more live personality than probably any other major group in the country.

If that is really true, then you're doing a service. Doesn't change my opinion of you, though. Chock full of yourself.
 
From a Canadian perspective:

CHWO (AM 740) in Toronto aims at a much older demographic, airing adult standards along with a few oldies. They have a 4.1 rating in the market (as of October 2006), while the top station in the highly competitive market has an 8.7. The format has only been on 740 since 2001.

Also, most Canadian markets have AM oldies stations. While most do not get exceptionally high ratings, their ratings are high enough to keep the format viable. And yes, satellite radio is growing up there.

The point is that advertisers can get the older demographics if they try.

Now, more relevant to WCBS-FM itself, even if they had a more contemporary sound than their pre-Jack station, there is no reason why they can't have oldies programs on weekends with some pre-Beatles music.

I am 21 years old and I very much like the oldies format, including songs from the 50s through the 80s. So just because I'm under 55 doesn't mean I don't like oldies.
 
"Most likely, CBS-FM takes a Classic Hits approach with the WOGL Philly platform, carefully modified to meet NYC standards, looking like a good bet."

That's a good bet, if San Francisco is any indication. As some of you no doubt know, CBS blew up their longtime San Francisco Oldies station (KFRC) last September for the MOViN format. MOViN has been a loser, but since Free-FM here was an even BIGGER loser, KFRC has come back on Free-FM's old frequency.

About a year before the change to MOViN, CBS had almost ruined KFRC by changing it from Oldies to a dull soft-rock-70s and early 80s sound, and lost ratings as a result. But in the few months before the CBS brain-trust blew it up, KFRC had switched to a very entertaining mix of lively DJs and 70s-80s Classic Hits. Ratings were on the rise. Not surprisingly, it was the Classic Hits format that returned to the air recently, not Oldies. Naturally, KFRC has been without DJs since it's return - the new morning show starts next week with Dave (the Duke) Sholin, a veteran KFRC jock from their 70s-80s top 40 days. Local listeners are hoping they bring back other veteran Bay Area DJs.

So you can probably expect similar things in New York.
 
In a recent post, I have indicated that we have a unique trend of college age and up discovering the oldies catalogue. In our case, one which we present, hand picked, from its roots, encompassing The Sound of Philadelphia. Despite what some, armchair know it alls think, the consummate oldies catalogue presentation can attract, and may be one of the rare formats that does attract, a broad demographic range. As we are demonstrating, it is not necessarily your fathers’ radio station any more. Oh, wait a minute, actually in my case, it is.
 
What you do not get is that "Classic Hits" and "oldies" are two separate formats. One is increasingly unviable today, save a few isolated instances and small, unrated markets.

I can think of one market that is an exception to the rule -- Detroit.

When WOMC went much more 70's based, sprinkled in some early 80's tunes, and dropped the "Oldies" moniker, the ratings dropped (including 25-54).

Dan Mason has undone those ill-advised music changes. WOMC is once again known as "Oldies 104.3," is using Randy Reeves for its voiceovers once again, and is doing some great specialty programming on the weekend. Gary Berkowitz (who consults Fresh in New York) is consulting WOMC. One downside to that -- he muzzles the air talent. Longtime listeners are complaining about that on my message board. A couple weeks ago, they hired a new PD. It's longtime WOGL programmer Scott Walker.

I suspect Berkowitz will be consulting the new WCBS-FM.
 
Classic Puker said:
I think you missed the gist. CLIENTS... not "agencies"... are going to be demanding more bang for their buck, in a tighter economy. And in an age where pundits are always paying lip service to "alternative revenue streams", it seems contrarian to the point of retarded that these same, dollar-grubbing clients somehow will be comfortable, foregoing previously-foregone sources of revenue... like those unclean "older demos"... just because Everybody's Doing It. .

As I mentioned, clients of agencies and bigger direct advertisers do sales research... some is enormously sophicticated, like that of the package goods manufacturers like P&G and Lever and Coke. They evaluate different ad strategies (not stations.... each medium) for the best media mix. They look as PRISM groups and ethnicities and all kinds of other factors to determine the media to use and against what different demos do they get the best return on investment.

In the case of companies like P&G we are talking about hundreds of millions in consumer research for existing products, new products and developmental test products. These folks are not fools and they know who the consumers are and they know where ad and merchandising an dpromotional money brings the greatest returns.

I siad, "The main reason clients do not agressively go after 55+ is that there is no ROI. It takes more ads and money to sell the older consumer than the profit on the sale"

May I please have the exact month and year, that an agency (yeah, I know, "client"!) last made an "I", on which to expect an "R", when it came to courting those old, sedentary, indigent seniors? I believe the expression is, "Don't know it, 'til you've tried it". C'mon, these advertisers haven't spent a minute or a dime courting 55+ in decades..

Your lack of respect for the marketing skills of major advertisers is amazing. A little respect for the people we do business with is appropriate, not statemets that show you think some awfully good companies are staffed with morons.

Many of these companies do constant measurement of consumers, ranging from in-store or telphone surveys to focus groups and the staple of the package good industry, the antry check. Many combine to do omnibus studies of evolving consumer patterns to determine trending and attitudes. These are companies that know how many tubes of toothpaste sold in every county of the US by the next morning. Or companies like Wal Mart that can change the merchandise mix in a stoor overnight based on salse patterns or have goods produced in Asia on 12 hour notice to meet demand for trendy items.

You think they do not know what the ROI on advertising to 55+ is? And that it is a negative or barely break even number? Of course they do.

In general, clients of agencies advertise with the same theory that a fisherman uses: go where the fish are. This is why beers seldom market to over 50 or 55 and seldom to women... the return on marketing to 21-34 and 21-44 is vastly better, and demand from those cells is what gets facings, end aisle displays and other merchandising supoort at retail and in bars.

And when they did, it was ... as I thought I had pointed out... an older demographic with a considerably different lifestyle than the older demos of previous decades. And they stopped courting that demo, just in time when it would have paid off big..

I am sure that P%G or Budweiser or Coke or McDonalds can produce data on the first week of July showing sales vs. ad expenditure by demo for each product, type of packaging and down to the metro and county level for the entire US. The will know share of voice in each category and the ROI for advertising against each population group.

Since nearly all media has spillage beyond the demo any particular cleint buys, advertisers that do research will also know, compared to campaign delivery of other demos... including over 55... how much is generated in sales vs. the amount spent. In other words, if Bud buys men 21-44 for a "Summer Six Pack" campaign, they can also look at all media for delivery of women, men over 44, men over 55, etc., and see what they got for the spillage. If they were to see fabulous returns against a 55+ investment, every advertiser would be calling for 55+ CPP presentations tomorrow. They aren't.

Same as the way they killed the upper demo format of Oldies on CBS-FM's main analog channel, and put the Brave New Format on it instead... while moving the upper demo music to a younger-targeted technology (HD-2)!.

Advertisers do no look at specific fomat moves of individual radio stations (except for local agencies buying a single market, maybe) because they are buying campaigns across multiple media types with many radio, TV, and cable stations as well as, possibly print and outdoor and web or direct mail. We have to understand that what such agencies want is pricing and value added, not an explanation of how great Frankie Vallie was.

David, you know the Radio bidness. Is that thinking not the product of exactly the kind of visionary this racket produces on a regular basis? :p.

I was GSM for a decade in a top 15 market where there were around 140 local ad agencies, ranging form McCann to Saatchi & Saatichi to "one man bands" and where any account of over $50 k had an agency. I increased sales by over 30% every single year, and became the market leading biller and rate setter the second year... and we did it by having good sellers who could show that our audience delivery vs. our rates was efficient for what the advertiser wanted.

We never tried to push the station against demos we did not perfom well in. In fact, we frequently turned down business for advertisers who were buying our #1 ratings without thiniing if our audience had any affinity with the product or service.

I mention this because raido has to work with the cleints and agencies, not against them. Working with agencies for the success of the clients is a win-win relationship... you make the agency look good, and you build relationships based on trust and confidence.

I said, "Better sellers do not get to change the demos the client requested. "

Wrong. Again, as no sales weasel has mouthed the word "wrong" to a client in 20 years... so how would you know?.

Most direct advertisers do not want to buy. Selling is a process of showing that the investment in advertising on your staitons produces results in excess of the investment... a good ROI. Selling to agencies consists of pricing at the CPP established for a campaign, or giving value added to compensate for a high CPP on the spot rate. In neither case does one argue with the customer. The objective is to help the direct account to sell, or the agency to meet cost goals. Arguing is counterproductive, and remembered long and negatively.

I personally know (admittedly maverick) marketing reps who are dying to go after clients aggressively and break their kneecaps, to sell Oldies. Because: [a] they know they're good; they know they can do it; [c] they know that, in the end, the reluctant client's gonna get results. And then, down goes another nugget of Radio folklore!.


They will be selling Ricoh copiers by the end of the year.

I siad, "Gee, according to this changing one staiton, CBS-FM, destroyed the industry"

.
Oh. You honestly don't think it was one of the contributing factors? Really??.

The industry is not being destroyed, and one station, even in NY is of no consequence in the advertising community. In many cases, large campaigns are bought without even knowing the formats of the stations... they can pretty much optimize a campaign running different combinations against reach and frequency. In LA, we still get plenty of orders for KLVE with English copy or recordings... despite being in Spanish for 30 years and being top 5 for the last 13 years. The agencies buy on the numbers, not the format.

Now... what do you say... by January 1, 2008, 50 American radio stations, minimum, flip to, or back to, some semblance of "Oldies"?.

In rated markets, and among full signal FMs, for Classic Hits, maybe 5 or 6 will switch, and that will mostly be from oldies. At most, new 60's based oldies stations might be one or two mistakes by operators in smaller rated markets who do nto get the difference between oldies and classic hits.

The only interest in Classic Hits right now is due to the PPM. Only one more market is going to be added by January 1, 2008, and that is NY. In 2008, we will add the top 10 markets, where at most, we might see an oldies staiton or two go classic hits. But no new oldies stations, and unlikely any non-oldies station trying classic hits.

It will take 3 years from 2008 to roll out the top 50 markets with the PPM. As for diary markets, we know how oldies does, and that is why so many have died or moved classic hits.

See above. When non-agency clients start seeing substantial dollars from the "non-traditional" source of those forgotten geezers, your sales reps aren't going to have to "go against" the agencies. The agencies will have religion, because their clients are going to be on the phone to them, giving them religion..

This is not happening. There is little interest in reaching 55+ due to proven and ongoing poor ROI for radio advertising against older demos. The 55+ group will not suddenly become fertile for advertising... change takes a generation, and it is not happening now.

The go-go age of post-consolidation Radio worked fine in a go-go economy. When the animals start starving to death, look out. A lot of CW will be eaten for lunch.

Actually, the economy is quite fine. The market is up for several consecutive years, Dow and NASDAQ at highs, unemployment near historic residual minimums, etc. And radio is still growing, albeit slowly (some radio sectors are up 10% to 12%, though). There is no economic doom and gloom
 
Don said:
No, it's the impression of one who perceives an outrageous level of pompousness from you! And, I've listened to radio for about 43 years now, and I know what works, and what doesnt...I've seen the bad stuff fade away. .

I've been watching soccer for over 50 years, and I still can't beat beckham or Maradona, and neither Manchester United nor real Madrid wants me. I have, however, been running successful radio stations for 48 years, with few exceptions. None of my experience matches your commentary, particularly in the sales area. If telling you that is pompous, I guess that is the price I pay.


Again, Mr Know it all is WRONG. I have lots of friends my age, and not a one of them hates late 60's tunes. NOT ONE!.

We have now gone from sample size 1 to sample size 5. Let me know when n=5000 or so, and you will start having some credibility. How much radio research experience do you have, exactly?

Note that Mr. El Supremo consultant doesn't refute the main sentiment of my statement, only my sarcasm. Hmmm..

That is because anyone who looks knows that radio revenue is growing and that th eindustry is not faltering. Adjusting; definitely. faltering, no.
.
I know how it bills itself. I didn't say it was an oldies station. But, it is heavy with late 60's stuff. As for WBHX, it fills a gap in coverage on the southern side of WWZY. I was referring to the total package, not just WBHX, which, in all honesty, could not survive alone, due to signal issues. The listenership is not only in Monmouth...it's the Monmouth/Ocean book, and there are listeners in Ocean. I'm one of em..

Wonderful This has absolutely nothing to do with oldies stations or, the main topic, whatever CBS-FM will do.

If that is really true, then you're doing a service. Doesn't change my opinion of you, though. Chock full of yourself..

It is 100% true. And for that reason, and another thirty-some years of experience confirms it, I disagree with your assesment of raido, ad agencies, American business and the economy. It must be hard being so negative all the time. Smile, it's just radio.
 
CBS-FM

My goodness- you'd think another 9/11 had hit New York City by the tone of some in this discussion. God forbid we do anything but suggest the good old' CBS-FM of 20 years ago playing 50s to 70s music and haul out 72 year-old DJs to bring the glory back. The realities of radio in 2007 means nothing so many of you, who yearn for the glory days of "the way radio USED TO be" yet in the next breath piss & moan that radio has gotten boring and formulated.

I hate to break the news to our beloved New Yorkers (and Oldies fans) but there may have been more people whining and carping about CBS-FM dropping Oldies on these boards than there were in New York City itself 2 years ago (what was that "massive protest" crowd after the flip to Jack- about 300 people?).

Do I hope they bring the format back? Sure. But the tone of some of you attacking anybody who'd even suggest it won't be the same as the good ole days, please- get some Valium or some counseling. It's just another radio station changing format to music most New Yorkers didn't say was their #1 station even in it's heyday. Even a Top 5 ranking still means 90+% of the market had a different favorite radio station than CBS-FM.

A little realistic perspective, please. "Happy Days" has been over for more than a generation.

;)
 
As we should all have learned by now, just because it works elsewhere, doesn't mean it will work here in NY. The new "Oldies" format here will have to have a big playlist, and include at least 3 tunes an hour from the pre Beatles era. No one will mind if the format reaches far forward in time for tunes as long as what's played fits the overall "feel" of the "CBS-FM Oldies" Format... just like it was in the '70s. Gold, Future Gold, and whatever "fit the sound" in between.
 
Barry45RPM said:
As we should all have learned by now, just because it works elsewhere, doesn't mean it will work here in NY. The new "Oldies" format here will have to have a big playlist, and include at least 3 tunes an hour from the pre Beatles era. No one will mind if the format reaches far forward in time for tunes as long as what's played fits the overall "feel" of the "CBS-FM Oldies" Format... just like it was in the '70s. Gold, Future Gold, and whatever "fit the sound" in between.

But it's not the seventies anymore. Three songs per hour pre-Beatles means a too-old era balance. Unless they want to attract the exact same crowd that had their median audience age around 60, they'll play very little pre-1967.

I understand that a bunch of disc jockeys on these board insist it won't really be Oldies unless they get to play The Shoop Shoop Song, but let it go, boys- the world around you is changing and if all you do is dip your toes in the water you'll never know what a real swim feels like. Sticking to the original Oldies model is why this format is under siege around much of the country. GIVE IT UP!
 
Barry45RPM said:
No one will mind if the format reaches far forward in time for tunes as long as what's played fits the overall "feel" of the "CBS-FM Oldies" Format... just like it was in the '70s. Gold, Future Gold, and whatever "fit the sound" in between.

I would sort of like to piggyback on Barry45RPM. The other key ingredient to insuring that overall "feel" in WCBS's comeback will be making sure it's got that LOCAL New York "feel" to it again.

When the flip occurs, the first song obviously should be "Hit the Road Jack." The second song, should be old blue eyes singing New York, New York.

CBS 101 was all things New York. JACK killed that Big Apple "feel" WCBS-FM had. As another poster said early on in this thread, one can only hope that WCBS-FM has not become "damaged goods" over the past two years destroying any hopes of a succesful resurrection.
 
JimPastrick said:
But I'd bet that The Chiffons, Gene Chandler, Leslie Gore and The Diamonds probably won't be part of the overall CBS-FM Monday-Friday mix, while (70's) Elvis, Beatles, Four Tops, Donna Summer, Elton John, Bruce, Billy Joel and Classic Hits from the 70's, 80's and 90's that are targeted specifically to New York, Long Island, New Jersey and Connecticut find their place.
Ah, but take note of how beige the latter selection sounds compared to the former. And it's nothing to do with the merits of specific artists (though how the Four Tops especially figure into 70s80s90s, I don't know); it's more that we're getting away from the Golden Age of Top 40 and into the Pyrite Age of Adult Contemporary. And don't think that doesn't carry a stigma; that is, of an over-55 square's wishful conception of how under-55's behave. You might wind up with a station that's mired even deeper in what it's trying to escape.

And as "targeted specifically" goes, well, it just reminds us of how, going on 30 years ago now, WKTU won the war and WABC lost it...
 
adma said:
And as "targeted specifically" goes, well, it just reminds us of how, going on 30 years ago now, WKTU won the war ...

Very, very temporarily.
 
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