THIS IS A REPLY TO DAVID EDUARDO'S COMMENTS IN REPLY #13 ON THIS THREAD; PLEASE REFER TO THAT. (I THINK THIS IS BETTER THAN WASTING SPACE WITH A BOXED QUOTE OF THE ENTIRE POST!).
Actually, David, the facts do support my position – the facts in the book I cited in Reply #6 (Man of High Fidelity: Edwin Howard Armstrong, by Lawrence Lessing, now out of print but available used on Amazon at exorbitant prices; try inter-library loan!).
I know all about the the prewar band – and how television interests wanted FM moved to restore Channel 1 – which the FCC did, temporarily. I know how some TV people wanted the new FM band replaced with three more VHF channels (before the UHF band was opened in 1952).
Both network O&O’s and large independents simulcast their AM programming on FM not only to save money, but also to make the new band, where some stand-alone FM’s were making a go of it, less attractive to ordinary listeners because there would be less new and different programming and thus less incentive to buy an FM radio – and of course, the big boys wanted to hang onto those FM assignments to keep them out of the hands of potential competitors.
As late as the early 1960’s, the big guys still weren’t taking FM seriously. In fact, CBS didn’t object when the late Dave Kurtz, an engineer by training, applied for a short-spaced assignment in Philadelphia on 101.1, co-channel with WCBS-FM in New York. That station, now WBEB (B101), is a legend today—as is Dave’s surviving partner, Jerry Lee.
Now as for the consolidators’ investments in digital being merely seed money, you’re absolutely wrong again. The basics of today’s “HD” FM had been tried and found wanting, by no less than the NRSC, in the late Eighties. Of course, that was before the big boys had that body packed with their own representatives.
The consolidators invested because they wanted to keep IBOC alive. Why? Because they didn’t want competition from new broadcasters in an entirely new digital band in the UHF range (where digital broadcasting belongs)--just as their predecessors feared competiton from the then fledgling FM band.
And if IBOC equipment costs and the patent royalties are too pricey for small broadcasters like Bob Savage’s WYSL and the stations our friend TR1992 (from Reply #14) works for—and if those small stations are getting clobbered by the useless digital hash being generated by the blowtorch stations—that’s just icing on the cake for the greedy, rapacious consolidators!