What do you mean by "false ending"? An early fade on a repetitive ending of a song like some stations did with "Suite: Judy Blue Eues" or one of those songs that has a tiny silence as it changes tempo or goes into the hook?Past or present just curious
Example?David E I mean a song that stops for 5 sec then fades out
Perhaps the most famous song with a false ending was Suspicious Minds by Elvis Presley. The original recording featured a long fade-out at 3:36. Dead air for a few seconds, and then the band fades back up for another minute. I doubt its a song KRTH would play today for a lot of reasons.
A lot of us carted those songs with the start of the fade potted up, followed by a fast fade when noise was going to be noticeable.And when KRTH did play it, you didn't know the fade was there because the processing is very aggressive. It was the same way on KHJ and KFRC when the record was new.
I've heard stories about processing/loudness wars back in the day, but didn't realize some stations took them THAT seriously?Ah, and did you ever see the processing rack at KRTH? A full height rack with a heavily tinted glass door with a lock on it. The access behind the rack was in a locked access passageway.
Of course. Anything you do in radio is serious.I've heard stories about processing/loudness wars back in the day, but didn't realize some stations took them THAT seriously?
At WQII San Juan, I had a prototype Gregg Labs tri-band AM processor in the studio. It had a plexiglass lid with a lock. Whenever I'd get a new replacement board, I'd flip to the old LA3-A's with a crossover, swap the board and then call Greg to do the adjustments.I've heard stories about processing/loudness wars back in the day, but didn't realize some stations took them THAT seriously?
www.aes.org
And when KRTH did play it, you didn't know the fade was there because the processing is very aggressive. It was the same way on KHJ and KFRC when the record was new.
Those three (KRTH, KHJ and KFRC) played it all the way through, didn't need fill and you could not tell there was a false fade. That's just how aggressive the processing was.Some stations would throw an ID or a bit of imaging to fill. Most didn't play the reprise.
I've heard stories about processing/loudness wars back in the day, but didn't realize some stations took them THAT seriously?
There were two promo 45s of "Let 'Em In"---both mono/stereo. The first was 5:08 with a 23 second intro. The second (when radio balked over time) was 3:43, but with a 31 second intro. Very odd edit, adding time at the beginning."Let 'em In" by Wings is another. I think the radio edit removes the false fade, however.