FRR asked this in another thread, so I'm sure he'll be happy to see a whole new thread for the response.
According to the Rock and Roll Hall of Fame website, "The Foundation’s nominating committee, composed of rock and roll historians, selects nominees each year in the Performer category. Ballots are then sent to an international voting body of more than 500 rock experts. Those performers who receive the highest number of votes - and more than 50 percent of the vote - are inducted. The Foundation generally inducts five to seven performers each year."
This is what the Hall of Fame's website has to say about the Nominating Committee. If you follow the link, you'll notice that individual names are conspicuous by their absence.
Some investigating on the web turned up some names, including foundation director Suzan Evans, who is paid $300,000 a year.
Basically, the process is designed to help the people currently at the top of the heap in the recording industry stay there. As was pointed out in one of the other threads about the Hall of Fame, companies who have artists with a good catalog of old records to continue to sell are far more likely to get nominated and inducted than those who don't. Atlantic records founder Ahmet Ertgun was one of the founders of the HOF, so Atlantic artists get preferential treatment. Sony is very powerful at the moment, so their artists get preferential treatment.
According to the Rock and Roll Hall of Fame website, "The Foundation’s nominating committee, composed of rock and roll historians, selects nominees each year in the Performer category. Ballots are then sent to an international voting body of more than 500 rock experts. Those performers who receive the highest number of votes - and more than 50 percent of the vote - are inducted. The Foundation generally inducts five to seven performers each year."
This is what the Hall of Fame's website has to say about the Nominating Committee. If you follow the link, you'll notice that individual names are conspicuous by their absence.
Some investigating on the web turned up some names, including foundation director Suzan Evans, who is paid $300,000 a year.
Basically, the process is designed to help the people currently at the top of the heap in the recording industry stay there. As was pointed out in one of the other threads about the Hall of Fame, companies who have artists with a good catalog of old records to continue to sell are far more likely to get nominated and inducted than those who don't. Atlantic records founder Ahmet Ertgun was one of the founders of the HOF, so Atlantic artists get preferential treatment. Sony is very powerful at the moment, so their artists get preferential treatment.