9 am and it’s underway.
Very fun. Good way to get additional mileage out of it.
Now, this is not something I generally notice (more like white noise to me at this point), but what’s up with the song tags? Having the male voice reappear at Christmas isn’t brand new, but I’m noticing a mix of three, including what sounds like a new female voice.
Yeah, I heard the new female voice on a U2 tune I know with near certainty they’ve played for years. I recall some years ago, the male
voice was used for all holiday song tags, then back to the normal ones come December 26.
Now that I hear the TOH jingle without the montage....eh, it feels weirdly rushed. I like it conceptually as a change of pace, but it could use a bit more spacing between the first and second parts. Just my unwelcome unsolicited opinion.
No one but the most, ummmm, uptight people care. I’d prefer some variation of the Philadelphia’s Christmas Station jingle with the spoken letters/CoL they served for the ToH, since it’s not like the use the letters outside of that. Might have offered some additional creative options.
I’ll praise the Breeze here (Davey, that OK?)—personal issues with the voice aside, I think their ToH is pretty solid.
I think it just came to me after hearing it again, what I’m not liking about the ToH jingle. The WBEB part sounds like the end, going down. Then the sung Philadelphia sounds like it’s just tacked on. I know how silly it sounds, but conceptually I think if the final B was going up and there was an extra beat before Philadelpha it would flow much better.
I get why this was put together the way it was since the "legal" thing is calls followed by city of license but............does anyone really care about that anymore? If they (somehow) sang "WBEB is B101.1, Philadelphia's Official Christmas Music Station," I have a feeling no one would end up in prison.