A huge amount of the "final product" of classical music is in the arrangement and the conductor. So I can enjoy the same work as if it were entirely different when played by different orchestras and conductors.
I find this particularly evident with less famous works. One of my favorites is Holst's The Planets, which has around 60 recorded versions. The original, conducted by the composer, is faster-paced than most recent versions (but it was recorded on gramophone gear about 100 years ago). The versions I have heard each have an interesting and distinguishing characteristic; it seems to be a work where conductors like to "personalize" to some extent and that can be quite exciting to hear when a new recording is discovered.
I liked "Jupiter" so much that a piece of it from about 3 minutes in was the sign-on theme for my HCTT1, "Buena Música en Quito", 95.7 FM.