Well, we pretty much agree on KIRO, SRP ...
I think right now they're being saved by a historic election, a historic winter storm, a historic goodbye from Holmgren, etc. Once all the dust clears and the REAL numbers begin settling in, it should be very, very clear what must be done.
I've been at this a long time. Been a talent, a PD twice, music director, done every shift in multiple formats. One of the benefits of all this is seeing many things NOT to do. If I were an expert, I'd sit in the big chair but the #1 mistake I've seen station owners and PDs make over all these years - overreact.
At the risk of the ire of those who hate fast food/radio analogies - when Wendy's began sneaking up on McDonald's, what did big Mac do? Nothing. When BK began taunting and challenging, what was Big Mac's response? Basically nothing. Oh, maybe a new ad campaign, maybe a few product and price tweaking but ... the eagle does not hunt the fly.
KIRO has had - and still has - an excellent track record. When numbers slip or whatever "emergency" precipitates change, it's often haphazard. Everyone in the chain - The corporate suits, the GM, the Consultant, the PD - they all want to be perceived as "doing something." I actuall was at a party for a CHR station I worked, celebrating huge #'s across the board. We were an unquestioned #1 in a good-sized market. In the middle of the beer & burgers, the nimrod PD actually stood up and announced he had some news. He started by saying that it was the sign of a good company to strengthen something before it went wrong and was announcing a new clock and slogan for us - "Four In A Row No Talk."
Genius. We were a loose, happy bunch who had good chemistry and were feeling like we'd kick anyone's butt who messed with us to a quiet, confused, demoralized bunch - and it only took a few sentences. I went from really enjoying my gig, doing show prep and tons of energy to eating my lunch and reading the paper in the control room. And the PD was fine with it. Three stop sets an hour, each one about :20 of me. So they're paying me this good money for one minute an hour. But they paid the consultant $40k a year for this brilliant, cookie-cutter approach of "Four In A Row No Talk."
He made (IMO) the fatal error of believing listeners were really there for the music. That might have been the case in the Boss Radio era but hasn't been for a long time now. But that's another discussion. I'm rambling -
If KIRO would just relax, go with their strengths, completely forget about the under 30 crowd, they would be just fine. Or, if they insist on doing Spanky & Our Gang after 7PM, at least put a show in there that's interactive and gives one something to listen beyond three narcissists preening all night.