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KSWD The Sound to stunt a KMET Weekend (11/1 - 11/3)

Saw this posted in a group I belong to on Facebook. Thought I'd pass it around to you good folks. The last time The Sound stunted a KMET day this was on a just a Friday. This time they are pulling an entire weekend. Hopefully this time they give The Good Doctor a full shift rather than the paltry hour they gave Dr. D last time. And since Jim Laad is out of the clutches of KLO$ he will be available to show up too.

For those outside of LA airwaves, The Sound does have a streaming app you can put on your smartphones to gear up for next weekend.

Cynthia Fox said:
Alright, this is one of those messages to people in L.A., who once lived in L.A., who might be in L.A., or who knows someone who is or might be in L.A. next weekend (of November 1 to 3)! Please be patient, LOL!

Whoo-ya! I want you to be among the first to know, before our official announcement: November 1 through 3 (next weekend) will be Mighty Met Weekend on 100.3 The Sound.

KMET
Gonzer & Ace will kick it off at 3 PM Friday (11/1). Then your favorite KMET DJs will be rockin’ all weekend right up until Dr. Demento at 6 PM Sunday (11/3). The on-air schedule is still taking shape – and we’ll be announcing more details soon – but, for now… Jeff Gonzer, Ace Young, Demento, Jack Snyder, Paraquat Kelley, Rick Lewis, Rick Scarry, Billy Juggs, Dr. Leon, Frazer Smith, Rauool, David Perry, and yours truly are IN! Oh, and… What would a Mighty Met Weekend be without the return of Jim Ladd to local FM, on loan from our friends at SiriusXM Satellite Radio?

Here’s what you can do to help make Mighty Met Weekend a mighty success:
Tell somebody! Forward this email to your friends, post about it on Facebook, or use #KMET on Twitter and Instagram. Or you could even tell someone in person. (Imagine that.) Share your photos from back-in-the-day here. We’re building a KMET Online Scrapbook. Leave a voicemail with your own Mighty Met memories by calling 888-993-9994. We may use yours on the radio. Sign up for Mighty Met Weekend emails. We’ll send you updates about what’s happening behind-the-scenes this week.
If you’re like me, you’ve waited a long time for this. I’m literally tearing up with joy and excitement right now.

Cynthia Fox
 
It's always amusing to see something like this. Not because it's not worth listening to, but because IF it is SO exciting for everyone, why not update the idea to current times? Why not have the "format" 24/7??? WHY? ... because most ppl in SoCal who would appreciate this have LONG abandoned OTA rock music radio in LA/OC. Good luck to The Sound but their 25-54 #s will be the same as usual.
 
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How can you say such a thing? Don't you still have an upside-down KMET bumper sticker on your car? :)
 
To Super and LARadio: Balderdash! This is the best idea The Sound has come up with since, well..., that's right, the last time they did KMET rewind day in July 2009. To a lot of us, KMET represents something that was totally awesome: the right station at the right time with the right jocks playing the rock and smoking something or other. Some of their causes were really ridiculous (against the "moral majority" and the "no nukes" movement, and pretty much anything Jim Ladd has to say) even at time, and even more so now given 20/20 hindsight. But for both good and bad, it is now gone and can never be (nor should be) replaced. It is something that belongs to it's own time place.

But all that said, what is wrong with letting some old rockers take a stroll down memory and try to recall the good times in the midst of the calamitous mid-life crisis, which is of course the result of the life choices many of their listeners made during those times, that has been brought to bear in the here and now? Throw the geezers a bone! Dr. Leon, and the Fish Report with a Beat, and Paraquat Kelley doing the surf report BEFORE the weather report in the TOH newscast may not make your day in 2013, but it was great fun back then. And reliving those moments sure beats another Sound "Triple Play Weekend" where you get to hear Santana Sing "Evil Ways", "Black Magic Woman" and "Oye Como Va" back to back.

And yes, I have lost nearly all of my old upside down KMET bumper stickers now, but I do have the bright blue KMET shirt with the upside down logo and every time I wear it out (which isn't too often) I still get people who give me positive comments and conversation. I never worry that those people are old enough to be my father, and worse, my grandfather.

So I look forward to the event and whatever slimy underhanded stunt KLOS pulls to try and undermine it. Geezers rule! (I think...)
 
Hey, I love all the reunion specials that various radio stations have done. I'm looking forward to hearing "the mighty 'Met" again. I taped several hours of the KHJ/KFWB/KRLA re-creations that KRLA did on April Fools Day for a few years. I taped several hours of KMET in 1972 when they brought back several KFWB DJs to re-created KFWB's "glory years" (1958-63). Unfortunately, KMET ran the usual commercials---It was very jarring to hear Ted Quillen play a 1958 jingle, followed by Elvis Presley's Don't and the Elegants' Little Star...and then a commercial for Waterbed Warehouse!
 
Even the youngest of the audience that has any emotional connection to KMET is now well over 50...

Wrong. I am still well south of 50 my friend. Even though I was young, I remember the Sam Bellamy era KMET very well. Before that I was too young and only knew that the music "we listen to" (i.e. my parents who were in charge of the radio buttons) was on 94.7 and 95.5. I took to rock music basically out of the crib (no "Sesame Street" crap for this pre-K kid) and knew the stations and music but was too young to know the jocks. By the time the Bellamy era came, I was older and made it a point not just to listen to the songs, but to the DJs as well.

That is why when these specials come around, I always want them to include the pre-Bellamy era jocks such as Shadoe Stevens, Jimmy Rabbit and others who may still be around. The Bellamy-era jocks think that they were the reason for the success that KMET had at its peek, and that may be true, but the Bellamy era could not have come without the others that came before, such as Shadoe and of course, Tom and Rachel Donahue and B. Mitchell Reed. The fact that they rarely, if ever, acknowledge that fact reduces them a bit in my eyes.
 
I always want them to include the pre-Bellamy era jocks such as Shadoe Stevens, Jimmy Rabbit and others who may still be around. The Bellamy-era jocks think that they were the reason for the success that KMET had at its peek, and that may be true, but the Bellamy era could not have come without the others that came before, such as Shadoe and of course, Tom and Rachel Donahue and B. Mitchell Reed. The fact that they rarely, if ever, acknowledge that fact reduces them a bit in my eyes.
I too am under the half century mark and listened to 'Met before I ever realized what it was I was hearing. From the age of 8 or 9, I gravitated to Dr. D like a lightning rod. Wacky oddball tracks that predated even my own parents? Sign me up! While I have vague recollections of Paraquat Kelly, Mary "The Burner" Turner and Ace I do very much remember Jim Ladd, Frazier Smith and of course The Good Doctor.

Wasn't Uncle Joe Benson a part of 94.7 back in the station's waning years too?

Sometimes, it's nice to go back and I look forward to this stunt. We've all dreamt of going back at one time or another... whether it be that first kiss or having a catch with your dad or some other personal milestone that today seems so trivial but meant so much in that brief snapshot of time.

I don't want to live in the past, but I wouldn't mind visiting it every once and awhile
 
Radio columnist Richard Wagoner says that excerpts of old KMET airchecks will be played, including one of Paraquat Kelly setting off an M-80 in the studio. I wonder how long it took for Kelly to regain his hearing. :)
 
I too am under the half century mark and listened to 'Met before I ever realized what it was I was hearing. From the age of 8 or 9, I gravitated to Dr. D like a lightning rod. Wacky oddball tracks that predated even my own parents? Sign me up! While I have vague recollections of Paraquat Kelly, Mary "The Burner" Turner and Ace I do very much remember Jim Ladd, Frazier Smith and of course The Good Doctor.

Wasn't Uncle Joe Benson a part of 94.7 back in the station's waning years too?

Sometimes, it's nice to go back and I look forward to this stunt. We've all dreamt of going back at one time or another... whether it be that first kiss or having a catch with your dad or some other personal milestone that today seems so trivial but meant so much in that brief snapshot of time.

I don't want to live in the past, but I wouldn't mind visiting it every once and awhile

KMET was perhaps peaking in 1981. Journey, AC/DC, Eagles, all the old Zep and Doors still huge. A kid who heard that age 10 is still only low 40s. Granted their 30 year old listeners are now pretty up there.

I only heard KMET for a few months. Moved out here in September of 86. I still remember being shocked that Dr. Demento was live on Sunday nights, like a normal DJ even giving away concert tickets and such.

Also remember the KLOS/KMET rivalry, in particular a Genesis Forum concert where one side of the place was yelling "KMET" and the other side "KLOS," both in an effort to score "ticket upgrades."

KMET was struggling then - playing too much new music. KLSX showed up playing some GREAT old stuff, which at the time was very novel, and did them in. With three rock stations, one had to go. The term "classic rock" had just been invented a year or so earlier east coast. With new rock pretty weak at the time, even younger rock fans like myself got into all this previously forgotten music by Traffic, CSNY, Procul Harum... KLSX was pretty great first couple years.

Still remember the day KMET switched to the "Wave" - it was noon on a Sunday I think. Last song was "The End" by the Beatles.

Even though I never really heard KMET in its golden years, you could sense its past importance even in 1987. Very cool it's being honored again, and great to hear actual jocks talking on the air right now in a non-canned way.
 
KMET became KTWV at noon on Valentines Day, 1987. It was a Saturday. First song played was the grammatically-incorrect If You Love Somebody Set Them Free by Sting. I don't know who chose that song but I'm sure it was played as a way to say "Hey, we love KMET and we're setting them free---heh heh heh."
 
KMET became KTWV at noon on Valentines Day, 1987. It was a Saturday. First song played was the grammatically-incorrect If You Love Somebody Set Them Free by Sting. I don't know who chose that song but I'm sure it was played as a way to say "Hey, we love KMET and we're setting them free---heh heh heh."

I remember the day well. I was working that day and my shift began right at 12:00 pm . I got there about a half an hour before and listened in the breakroom right up until the end and then through the first 15 minutes of the new station, which of course turned out to be the Wave. I remember the Sting record being played and thought that maybe the new station wouldn't be "that bad" until I started hearing some of the other new age music they were playing (and "new age" was really new at that point). Not knowing much, if anything about new age, my thoughts were "What in the hell is this?" I moped all day at work and didn't care about getting into trouble for showing up 15 minutes late.

They called it the Valentines Day Massacre, but in fact all the jocks were let go a week before and the station ran automated for the last week with an ominous voice coming on at the breaks saying the number of days, and then on the last day, the number of hours left until ??? (well of course you knew what it was). The whole episode was so depressing. Of course management (as ususal) wouldn't let the jocks say goodbye, so the Friday they were all let go they were on KLOS later that day talkinig about the end and "passing the torch". Since KLOS was always represented the corporate rock and station ownership the KMET jocks always railed against, it was a bit, shall we say uncomfortable...which in some ways leads us to today. I'll elaborate in my next post.
 
OK Review of the 2nd KMET Weekend: Short story - they promised more, delivered less. Now would probably be a good time to leave KMET where it belongs - in the past.

Pros:

By having it all weekend instead of just one weekday, more people probably had a chance to catch a bit of it. I was able to take most of the day Friday off last time, but I bet many others could not.

They gave Dr. Demento his full two hours in his Sunday timeslot, with only one short commercial break in the whole two hours, which really allowed him to talk about the history of his show and how it got to and then prospered on KMET, while playing many of the demented greatest hits we all know and love, plus a few that may not be remembered as well. He took the time to make sure all of his supporting staff were recognized and got quality airtime. He also mentioned some names from the earlier regime that I am sure rarely if ever got mentioned the rest of the weekend, particularly Steven Clean, and how they helped shape KMET and his show in particular. Some of this stuff I didn't know even as a long time Dementoid. These two hours were the highlight of the weekend for me.

It was clearly done not for the sake of doing it again, but to help Pat "Paraquat" Kelley who is really suffering from life debilitating MS and currently has a book describing the rise, fall, and career makeovers he and his wife Melody Rogers (of "2 on the Town") fame have underwent. I read the book over the weekend ($9.99 online download from Amazon). It is a very nice easy to read book and I highly recommend if you were a fan of Paraquat or KMET in general. Clearly the weekend was set up to promo the book and help out a friend who is clearly in need. I think I have mentioned before that Paraquat was really one of my childhood heroes and by far my favorite KMET jock. He was, in my mind, the smartest, funniest, and wittiest one of the bunch. He was by far the "cool one".

Cons:

The biggest one of all is my continuing complaint that they don't include, or even acknowledge, the pre-Bellamy era jocks and history. I have dwelled on this in the past and don't need to do it again here. A full discussion by the board community relating to the last time they did this is here (http://radiodiscussions.com/showthread.php?560970-KMET-is-back-!!). But that said, they hardly had even all of the Bellamy-era jocks on board this time. Unless you're name is Gonzer, Ace, Cytnthia, Ladd, Frazer, Lewis, Pat, or Dr. D, you most likely were not there. A few did call in, but it is just not the same. And Gonzer and Ace seemed like they were on the whole time. Also, they were not on the whole weekend as advertised. I tuned in on Sunday morning only to hear the usual Sound Sunday morning slate including Mimi's Peace, Love, and Woodstock show. With so many less jocks participating over more days, it is understandable, but certainly not clear from their promotion. Speaking of Sunday mornings, next year will be the 30th anniversary of Breakfast with the Beatles. Since it is currently on KLOS, I am sure not a word was spoken about this extraordinary achievement that was actually launched by KMET and of course dear-departed Dierdre O'Donoghue. That is a true feather in KMET's hat that should be recognized whenever they get a chance. 30 years of anything is a tremendous accomplishment in radio and it does matter where it started.

For the last time, can we please get this straight. Jocks hanging out together on the radio telling each other how great they were back in the day and congratulating themselves and patting each other on the back is *bad radio*. When Jim Ladd is leading the discussion, it is *horribly bad radio*. (You know, Jim's usual schtick: "We 'got it' then, and we still 'get it' now and nobody else but us ever seems to get it. We're still the only ones!") The worst came during the Saturday night "get together" where they all did this for about three or four hours straight. Around 6:30 pm, They're going on about their exploits back in the day when it is time to cut to the next song and of course Jim has the Doors all cued up. And then to lead into the song he makes the really bad segue by saying "It's like a Roadhouse in here" and immediately spins "Roadhouse Blues". Man, I tell you, the more things change, the more they stay the same.

What would have been (much) better would have been to give each jock their own shift and let them share their own stories and memories directly with the audience, share their own on-air clips and take calls from the audience. That way it is a more intimate experience with the jock talking directly to the listener/audience without all the "we were just so bitchin" pretentiousness. They set it up more like this the first time which made that day so much more enjoyable and rewarding...

Which is the ultimate conclusion - so much more air time devoted to it this time, but not nearly as well executed as last time, and even that could have been better. In my life, I have found that meeting up with old classmates and friends is rarely a good idea. The memory of them as they were then is almost always better then their reality now. And so it is with KMET. I enjoyed the clips, bits, re-airing of some stories that I had forgotten about, but the reality then is better than the story-telling today. It is now time to just remember KMET as it was and quit trying to recapture it now. Or as Tom Petty sings on his Highway Companion CD, "You can look back babe, but it's best not to stare".
 
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I remember the day well. I was working that day and my shift began right at 12:00 pm . I got there about a half an hour before and listened in the breakroom right up until the end and then through the first 15 minutes of the new station, which of course turned out to be the Wave. I remember the Sting record being played and thought that maybe the new station wouldn't be "that bad" until I started hearing some of the other new age music they were playing (and "new age" was really new at that point). Not knowing much, if anything about new age, my thoughts were "What in the hell is this?" I moped all day at work and didn't care about getting into trouble for showing up 15 minutes late.

They called it the Valentines Day Massacre, but in fact all the jocks were let go a week before and the station ran automated for the last week with an ominous voice coming on at the breaks saying the number of days, and then on the last day, the number of hours left until ??? (well of course you knew what it was). The whole episode was so depressing. Of course management (as ususal) wouldn't let the jocks say goodbye, so the Friday they were all let go they were on KLOS later that day talkinig about the end and "passing the torch". Since KLOS was always represented the corporate rock and station ownership the KMET jocks always railed against, it was a bit, shall we say uncomfortable...which in some ways leads us to today. I'll elaborate in my next post.

I remember as a listener waiting around, thinking maybe something exciting would happen. What killed it for me quite quickly were these little recordings they threw in of couples chit-chatting about yuppie-ish things (yuppie being a term at the time.) One "joke" was that since Lincoln's birthday was coming up soon, did that mean everyone should drive around in "Lincoln Town Cars." It was very stereotypically 80s. To each his own, but "smooth jazz" was certainly not for me.

Looking back there was some interesting radio going on then. KROQ was still independent, and jocks could still choose a song or two per hour. I think KNAC had started its metal format. KLSX brought back a pretty deep playlist of older tracks KLOS wouldn't play. KLOS, as corporate as it was, had some pretty funny moments with Geno M, and Coburn had a great noontime show. (Still on Sunday nights amazingly, and freer than ever.) And speaking of Sunday nights, on the way back from your weekend, you could listen to 7 albums in a row with Uncle Joe.
 
OK Review of the 2nd KMET Weekend: Short story - they promised more, delivered less. Now would probably be a good time to leave KMET where it belongs - in the past.

Pros:

By having it all weekend instead of just one weekday, more people probably had a chance to catch a bit of it. I was able to take most of the day Friday off last time, but I bet many others could not.

They gave Dr. Demento his full two hours in his Sunday timeslot, with only one short commercial break in the whole two hours, which really allowed him to talk about the history of his show and how it got to and then prospered on KMET, while playing many of the demented greatest hits we all know and love, plus a few that may not be remembered as well. He took the time to make sure all of his supporting staff were recognized and got quality airtime. He also mentioned some names from the earlier regime that I am sure rarely if ever got mentioned the rest of the weekend, particularly Steven Clean, and how they helped shape KMET and his show in particular. Some of this stuff I didn't know even as a long time Dementoid. These two hours were the highlight of the weekend for me.

It was clearly done not for the sake of doing it again, but to help Pat "Paraquat" Kelley who is really suffering from life debilitating MS and currently has a book describing the rise, fall, and career makeovers he and his wife Melody Rogers (of "2 on the Town") fame have underwent. I read the book over the weekend ($9.99 online download from Amazon). It is a very nice easy to read book and I highly recommend if you were a fan of Paraquat or KMET in general. Clearly the weekend was set up to promo the book and help out a friend who is clearly in need. I think I have mentioned before that Paraquat was really one of my childhood heroes and by far my favorite KMET jock. He was, in my mind, the smartest, funniest, and wittiest one of the bunch. He was by far the "cool one".

Cons:

The biggest one of all is my continuing complaint that they don't include, or even acknowledge, the pre-Bellamy era jocks and history. I have dwelled on this in the past and don't need to do it again here. A full discussion by the board community relating to the last time they did this is here (http://radiodiscussions.com/showthread.php?560970-KMET-is-back-!!). But that said, they hardly had even all of the Bellamy-era jocks on board this time. Unless you're name is Gonzer, Ace, Cytnthia, Ladd, Frazer, Lewis, Pat, or Dr. D, you most likely were not there. A few did call in, but it is just not the same. And Gonzer and Ace seemed like they were on the whole time. Also, they were not on the whole weekend as advertised. I tuned in on Sunday morning only to hear the usual Sound Sunday morning slate including Mimi's Peace, Love, and Woodstock show. With so many less jocks participating over more days, it is understandable, but certainly not clear from their promotion. Speaking of Sunday mornings, next year will be the 30th anniversary of Breakfast with the Beatles. Since it is currently on KLOS, I am sure not a word was spoken about this extraordinary achievement that was actually launched by KMET and of course dear-departed Dierdre O'Donoghue. That is a true feather in KMET's hat that should be recognized whenever they get a chance. 30 years of anything is a tremendous accomplishment in radio and it does matter where it started.

For the last time, can we please get this straight. Jocks hanging out together on the radio telling each other how great they were back in the day and congratulating themselves and patting each other on the back is *bad radio*. When Jim Ladd is leading the discussion, it is *horribly bad radio*. (You know, Jim's usual schtick: "We 'got it' then, and we still 'get it' now and nobody else but us ever seems to get it. We're still the only ones!") The worst came during the Saturday night "get together" where they all did this for about three or four hours straight. Around 6:30 pm, They're going on about their exploits back in the day when it is time to cut to the next song and of course Jim has the Doors all cued up. And then to lead into the song he makes the really bad segue by saying "It's like a Roadhouse in here" and immediately spins "Roadhouse Blues". Man, I tell you, the more things change, the more they stay the same.

What would have been (much) better would have been to give each jock their own shift and let them share their own stories and memories directly with the audience, share their own on-air clips and take calls from the audience. That way it is a more intimate experience with the jock talking directly to the listener/audience without all the "we were just so bitchin" pretentiousness. They set it up more like this the first time which made that day so much more enjoyable and rewarding...

Which is the ultimate conclusion - so much more air time devoted to it this time, but not nearly as well executed as last time, and even that could have been better. In my life, I have found that meeting up with old classmates and friends is rarely a good idea. The memory of them as they were then is almost always better then their reality now. And so it is with KMET. I enjoyed the clips, bits, re-airing of some stories that I had forgotten about, but the reality then is better than the story-telling today. It is now time to just remember KMET as it was and quit trying to recapture it now. Or as Tom Petty sings on his Highway Companion CD, "You can look back babe, but it's best not to stare".

Well put.

In a collision of media eras, I streamed the Dr. D show on the plane yesterday. His stories were indeed riveting, and like you, despite listening to his show every week from perhaps age 8 to 16, I learned new things. I've always wished the good doctor would have a non-novelty based show - his knowledge of music history and radio history is fantastic, and he is just a class act on the air. Total joy to listen to. He made his name on the novelty tunes, but there is a whole other side to him, and not hearing that is a loss.

I would add to your beefs that the playlist was basically the Sound's current playlist, albeit with anything post 1986 removed. KMET definitely was tightly formatted, but there were TONS of other songs played back then.
 
Everything that goes around comes around, I guess. In 1972, KMET did a KFWB tribute for 2 days, the common denominator being B. Mitchell Reed, I assume. You can find it on reelradio.com.

It's strange when you consider that the rock and roll version of KFWB had only been gone for 4 years at the time of the KMET retrospective, but KMET has been gone for 26 years.
 
Lew, I taped several hours of that tribute. "KFWB: The Glory Years" aired on November 11, 1972, and featured Ted Quillin, Gary Owens, Joe Yocam, Elliot Field, B. Mitchel Reed and Bill Ballance. With the exception of "Garish," all the DJs worked the same time slot that they had on KFWB. I suppose the time has long since passed for any station to want to do a Boss Radio 93/KHJ tribute. *Sigh*
 
I worked for promotions in the late 70's. early 80's, but it still broke my heart.
It is so good to be getting part of the gang reconnected to eachother.
 
Hey y'all! Just wanted to share some news. A group of us have decided that it is time to bring back The Mighty Met! It will be a cyber station, at least for now. We have set up a web page, but being less than a week old, it's still under construction. We have a link to The Sound, and a link where folks can listen to our broadcasts. We aren't ready to start broadcasting yet, but it will happen! We will be staying true to the progressive spirit of KMET, and play new progressive rock, along with some classic stuff. I was a devoted KMET listener from just before the Shadoe years thru the Bellamy years, and I know that there are many out there who loved it as much as I did. If anyone out there would like to be a part of bringing it back, join us! http://themightykmet.forumotion.com/register?agreed=true&step=2
 
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