BRNout said:
Sort of, but that's overly simplistic. Consultants are often utilized to sample a very small - supposedly representative - slice of the public. So you end up with overly researched playlists that tend to be too narrow. Thus, although stations may boast that this is the music that the audience wants to hear, most of that audience complains about repetition and "why don't they play that song?"
Consultants do not do research. Research companies do research.
A sample is validated by a process called replication. I can't, briefly, explain the whole thing, but the idea is that if you have a sample of a certain size, and take another sample the same size and they get the same results, over and over, you have an adequate sample. When dealing with music, a sample of 80 to 100 persons who like a particular kind of music (as determined by station use or by picking multiple artist clusters., etc) can produce replicable results, so no futher sample increase is needeed.
When a music test may cost $25 k to $50 k, depending on how many titles are tested (I've done them up to 1500 titles), adding sample, at $150 to $200 per person on average, is not an option.
There is no such thing as being overly researched. Preferences change, often quite frequently even with gold based formats, so a station needs to know what to rotate faster, what to slow down and what to drop or hold. Current based stations add call out research to music tests, too. And the idea is to track the songs that the broadest group of listeners like to hear, without playing those that few listeners like and which will cause many to go away.
Then why do about 93% of teens listen to radio?
They do, but their TSL is WAY down from what it used to be. It's no longer their favorite place to hear music.
No, it is one of the places to hear music. But since advertisers do not support teen radio, there is no way for it to be any other way. Same with those over 55.
In any case, radio does not program to teens, as there is no advertising revenue for teen audiences.
Well yes, the new slate of CHRs does try to target teens and 20s as a way to break into that market.
New slate? Other than a couple of CHR launches in places like NY, LA and Las Vegas, there is not anything like a groundswell of new CHRs... but there are plenty of established ones. And nearly every one started at the young end and built upwards, eventually nearly abandoning teens. It's been that way since, at least, the 70's.
As do many of the younger-skewing Spanish language formats.
Huh? There are no Spanish language teen formats. The newer pop formats are targeted at 25-44. Nobody targets younger in Spanish, as there are zero dollars for young Hispanic demos.
Advertisers don't specifically look for 16-17 year olds, but telling them that you're solid in the lower half of 18-34 is a great way to sell them - as they know they're getting those HS kids too. It's a freebie for them. Opposite logic here versus how older demos are (mis)treated.
Very young leaning stations don't get bought. 18-24 is not desirable, and there are almost no buys against it... 18-34 gets buys, but unless you are in the top 5 (in top ten markets... even fewer outside them), forget it... the buys don't go deep.
Older demos, specifically 55+, does not get bought because advertisers tell their agencies what demo to target and there is seldom a 55+ buy.