Thanks RIAA ! ! !

Webcasters and others who transmit music digitally say a recent ruling that raises the royalty rates for online music could put them out of business. The claim comes in the wake of higher royalty rates for Internet radio sites and other groups that stream music online that were recently announced by the Copyright Royalty Board.
The new rates set by the board, a three-judge panel appointed by the Librarian of Congress, are retroactive to last year.
One group that pushed for the higher rates is Sound Exchange, the non-profit entity created by the Recording Industry Association of America to collect royalties for music played via the Internet, satellite radio and other digital outlets.
John Simson, the president of Sound Exchange, says the market should determine who can afford to stay online.
Sound Exchange distributes 50 percent of the royalties it collects to record labels.
Greg Scholl is president and chief executive of The Orchard, a Web-based company that represents artists and labels providing digital music to online retailers. The Orchard collects revenues and royalties for those companies and musicians.
In the long run, Scholl says, the new online royalty rates will hurt his clients.
Aside from the short-term gain of more money, Scholl says, "higher rates means less diversity of programming."
Webcasters have until April 2 to file motions for a rehearing with the Copyright Royalty Board.
If the board decides to stand by the current rates, Internet radio and other digital music providers can lobby Congress; some may take their case to the courts. The new rates are set to take effect on May 15.
Webcasters and others who transmit music digitally say a recent ruling that raises the royalty rates for online music could put them out of business. The claim comes in the wake of higher royalty rates for Internet radio sites and other groups that stream music online that were recently announced by the Copyright Royalty Board.
The new rates set by the board, a three-judge panel appointed by the Librarian of Congress, are retroactive to last year.
One group that pushed for the higher rates is Sound Exchange, the non-profit entity created by the Recording Industry Association of America to collect royalties for music played via the Internet, satellite radio and other digital outlets.
John Simson, the president of Sound Exchange, says the market should determine who can afford to stay online.
Sound Exchange distributes 50 percent of the royalties it collects to record labels.
Greg Scholl is president and chief executive of The Orchard, a Web-based company that represents artists and labels providing digital music to online retailers. The Orchard collects revenues and royalties for those companies and musicians.
In the long run, Scholl says, the new online royalty rates will hurt his clients.
Aside from the short-term gain of more money, Scholl says, "higher rates means less diversity of programming."
Webcasters have until April 2 to file motions for a rehearing with the Copyright Royalty Board.
If the board decides to stand by the current rates, Internet radio and other digital music providers can lobby Congress; some may take their case to the courts. The new rates are set to take effect on May 15.