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Magnus replaces Cecil on KKJZ – and triggers an echo

Johnny Magnus has replaced Chuck Cecil (on KKJZ -in Long Beach?) --- after the latter decided in January to hang up the earphones at age ninety. I remember when Ceci's "Swingin Years" replaced the canceled NBC Bandstand on KFI nearly sixty ears ago - it had a long run. Magnus of course was part of Gene Autry's team at KMPC.

Both Cecil and Magnus are, as has been pointed out in another thread, old time jocks who actually did programs (this as the old fashioned way) rather than being part of a format (which has been the style of recent decades). As has been noted, millennials and generation x’ers don’t think the way their grandparents (read “my generation”) did.

Its true. I have 30-something “kids” who borrow my car, whose radio push buttons have a variety of AM stations pre-selected. Inevitably when I get it back the console has been switched over to FM or cd media – grandpa’s news and talk they don’t want to hear because they’re not information junkies like me.

This doesn’t apply to all the younger generation of course. I know of exceptions. But “in the dsays” of vinyl options were more limited – now we have digital and social media, with AM radio and sard copy publications (newspapers and magazines) taking the hit. Netflix has displaced Blockbuster just as Wikipedia has ousted the home in-home encyclopedia that my parents thought was so modern.

My question – granting that formatted programming makes more money for station owners because it capitalizes on peoples “herd instincts,” is this “new approach” really the best for us as a society? Or were we better when we had stations owned by local entrepreneurs who were required to have a mix of news and public service as well as “equal time” for viewpoints in their programming?

Sure, they needed to make a profit to survive – but their reason for being in radio extended beyond just money. It was the difference between Paley and Tisch at CBS, to use an example many in this audience may pick up on.

Alex Drier was a liberal, Paul Harvey a conservative, Lowell Thomas somewhere in between. Personally I found their newscasts more interesting than much of what we hear today. The same applies to the DJ’s of yore – they were indeed presenting programs to share with an audience rather than adhering to a station’s “format.”
 
I remember when KFWB, during its top-40 days, had two newscasts each hour, aired reports of stolen cars, gave high school sports scores, and offered consumer tips. KRLA used to air phone calls from local high-schoolers who would talk about school events. KKZZ in Lancaster used to broadcast "lost and found" reports and news of local events. I could listen and actually learn things. Radio nowadays (with the exception of news/talk) is all about music and commercials. More specifically, radio is about 20-minute blocks of music followed by ten minutes of commercials. Just as the interstate highway system led to the homogeneity of American towns, where we can now find a McDonald's, a KFC, a Taco Bell, a Petco and a Starbucks in almost every city, syndication and satellite technology have brought us to the point where we can hear Beck, Savage, Stern, Hannity and Limbaugh on the radio in every city in America. Yes, Mr. Landing, whether we like it or not, we are all now part of a "herd."
 
...we can hear Beck, Savage, Stern, Hannity and Limbaugh on the radio in every city in America. Yes, Mr. Landing, whether we like it or not, we are all now part of a "herd."

What's the difference from hearing Amos & Andy and Major Bowes in every market?
 
Amos and Andy, along with Major Bowes befoere Ted Mack succeeded him, were network programs on the station along with many other local programs - they were not part of a non-stop format. Local stations had other things - KFI for instance started the original Richfield Reporter with Sam Hayes until the network took over in 1938. As noted they also local competitions - Young America Sings and Young America Speaks from southland schools, the Boy Scout Jamboree. the Standard School Brasdcasts from San Francisco piped into classrooms, Art Baker's notebook in the afternoon and about two hours of daily farm priogramming and four local radio commontators with different vews, etc. And this was in radio's "golden age.",
 
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