Um no. Usually I'm typing fast, and it isn't as much of a pet peeve for me as it appears to be for you.Doesn't anybody check the spellings of names anymore? It's Nielsen!
If you just look at K Love from a purely presentation stand point, it is a very well executed station. The personalities are friendly. In this hate filled world, they are an escape. And the proof is listeners support it by opening up their wallets in droves.K-Love does not discuss politics, so being conservative has nothing to do with their listenership.
Living in the southeast, I’ve heard more religious stations than anyone should probably ever hear. If a signal has to go to a religious operator, be glad it’s EMF. Polished sound, great jingles and voiceovers, engaging jocks, great processing. Only WAY-FM comes somewhat close and is decent also.If you just look at K Love from a purely presentation stand point, it is a very well executed station. The personalities are friendly. In this hate filled world, they are an escape. And the proof is listeners support it by opening up their wallets in droves.
In these ratings, it's odd to see WNYC 93.9 FM with a 4.4 share because I remember their ratings were much lower than that a few years ago. And WNYC rose by more than 1 point between August and October 2023, which means it succeeded more than I ever expected.
Both points are true, but haven't we also discussed how the Nielsen panels are underweighted in certain populations, leaving them at risk of being statistically invalid? And how Nielsen, as a workaround for this problem, "overweights" certain underrepresented parts of the population to correct for this problem? When this occurs, it may only take a few new panelists with different tastes, say for WNYC or WPLJ, replacing the former panelists whose tastes were for other stations. The result being big shifts like that described by @johndavid237.Some people attribute the jump in ratings on the fact that the station is non-commercial.
The other thing is that NPR tends to excel in international news coverage, and there's been a lot of international news lately.
Not true. The PPM is a panel, not a random probability sample. It is designed to always be proportional on all the age, gender, ethnicity, income, education and county population counts. The minor variations due to panel turnover are balanced by weighting.Both points are true, but haven't we also discussed how the Nielsen panels are underweighted in certain populations, leaving them at risk of being statistically invalid?
Not in a panel, in theory. In the event of an under or over sample in a cell, then weighting is done to balance the sample. In a panel, it is as likely to have a slight oversample as undersample.And how Nielsen, as a workaround for this problem, "overweights" certain underrepresented parts of the population to correct for this problem?
Wrong. There are around 4,000 panelists in the the NYC Metro Survey Area PPM, so one or two will not have a significant difference.When this occurs, it may only take a few new panelists with different tastes, say for WNYC or WPLJ, replacing the former panelists whose tastes were for other stations. The result being big shifts like that described by @johndavid237.
Since I'm wrong about everything, why don't you provide your definitions of a panel, a cell, an under/oversample. Because a universe of 400 in a total population of 18 million (or whatever the current number if for the tri-state market) does not strike me as adequate, especially when that sample is sliced and diced into counties, ethnicities, racial minorities, etc. Maybe even sex. Your statistical universe might work for the population as a whole -- and even there I'm skeptical -- but not when it's carved into little statistical subsets.Not true. The PPM is a panel, not a random probability sample. It is designed to always be proportional on all the age, gender, ethnicity, income, education and county population counts. The minor variations due to panel turnover are balanced by weighting.
Not in a panel, in theory. In the event of an under or over sample in a cell, then weighting is done to balance the sample. In a panel, it is as likely to have a slight oversample as undersample.
Wrong. There are around 4,000 panelists in the the NYC Metro Survey Area PPM, so one or two will not have a significant difference.
There was recently a poll of 800 people that the entire media is taking as an accurate representation of who a nation of 331 million people would vote for President a year from now. Compared to that, I'd say a survey size of 400 people in a metro area of 18 million has a far better shot of being accurate.Because a universe of 400 in a total population of 18 million (or whatever the current number if for the tri-state market) does not strike me as adequate,
Not to the same extent andWhat does one thing have to do with the other? FYI They play new music on K-Love. The CCM business is very active, with lots of new music being released. Contemporary Christian Music is every bit as relevant to young people as contemporary hit music.
New music or not, when a religious station beats urban stations, urban being the more popular format in a city like New York, it is clear to me that the majority of youth is getting it's music from other sources than terrestrial radio. Spin it however you want.What does one thing have to do with the other? FYI They play new music on K-Love. The CCM business is very active, with lots of new music being released. Contemporary Christian Music is every bit as relevant to young people as contemporary hit music.
New music or not, when a religious station beats urban stations, urban being the more popular format in a city like New York, it is clear to me that the majority of youth is getting it's music from other sources than terrestrial radio. Spin it however you want.
Remember, the "city of New York" does not have radio ratings. The "New York Metro Survey Area" does haveNew music or not, when a religious station beats urban stations, urban being the more popular format in a city like New York, it is clear to me that the majority of youth is getting it's music from other sources than terrestrial radio. Spin it however you want.
Perhaps related to this, WKTU's new evening host will be "DJ Prostyle." According to RadioInsight, he has worked at WWPR, and other Urban outlets.Remember, the "city of New York" does not have radio ratings. The "New York Metro Survey Area" does have
ratings, and that area includes the City, the Boroughs, all of Long Island, part of a county in CT, several counties all the way up to Putnam in NY, and 9 counties in CT.
The market is 43% non-Hispanic white, 17% Black, 13.3% Asian and 27% Hispanic. With nearly 50% Hispanic and Black, there is a huge market for rhythmic based formats, and not such a large group for formats that appeal only to non-Hispanic whites.
The market is 43% non-Hispanic white, 17% Black, 13.3% Asian and 27% Hispanic. With nearly 50% Hispanic and Black, there is a huge market for rhythmic based formats...
and not such a large group for formats that appeal only to non-Hispanic whites.
It sure looks close to half to me. Add in the fact that in every market with large Black and Hispanic percentages, the non-Hispanic white audience tends to lean rhythmic due to the overall flavor of the market, and you have a weak audience base for mainstream CHR, rock and other formats.17% Black + 27% Hispanic = 44% combined, not "nearly 50%".
Asian and first generation non-Hispanic immigrants are another 20% roughly. That leaves only about 20% for those "white only" formats. And, again, the flavor of the market majority determines the overall music mood of a market, as we can see comparing very white markets with those with large ethnic components everywhere in the US.That's not to say it's not a good market for rhythmic formats but there is no need to exaggerate the statistics. Or, to trivialize the importance of serving the remaining 56% of the market that is not Black or Hispanic.
It sure looks close to half to me.
Add in the fact that in every market with large Black and Hispanic percentages, the non-Hispanic white audience tends to lean rhythmic due to the overall flavor of the market, and you have a weak audience base for mainstream CHR, rock and other formats.
Asian and first generation non-Hispanic immigrants are another 20% roughly. That leaves only about 20% for those "white only" formats.
That's a perfect example of comparing radio data with elections, sports events and gambling. A station in the NYC market that ranks 20th very likely is quite profitable.Does it? Ask the politicians if they can win an election with 44%
I'm saying that the sum of non-rhythmic formats is growing and large compared to the non-rhythmic ones. And, as I mentioned, a lot of the rhythmic listeners don't use FCC licensed radio due to the lyric restrictions.Are you trying to gaslight?
CHR - Z100 is currently #2 across all the major demographics,
Rock - Q104.3 is often in the top 5
In this case, about 20% of the market is first generation that is neither Asian, Black or Hispanic. Those groups don't listen to classic rock, alternative rock and other purely "American" formats. That 43% includes those first generation immigrants who are not members of the 3 ethnic groups that Nielsen enumerates.Again, your statistic says 43% non-Hispanic white, not Asian or "other".
There aren't nine counties in Connecticut, in total. (And you already included the part of Fairfield that's adjacent to the New York line.) You meant New Jersey.Remember, the "city of New York" does not have radio ratings. The "New York Metro Survey Area" does have
ratings, and that area includes the City, the Boroughs, all of Long Island, part of a county in CT, several counties all the way up to Putnam in NY, and 9 counties in CT.
Or, we could say that the market is 4% Jews-that-haven't-yet-decamped-to-Florida and 96% other. @Theater has a point. You see the statistical world through a lens that many of us don't necessarily agree with. As demonstrated with my somewhat ridiculous example, those same stats can be sliced and diced in different ways that don't divide the population into, effectively, Hispanics and everyone else.The market is 43% non-Hispanic white, 17% Black, 13.3% Asian and 27% Hispanic. With nearly 50% Hispanic and Black, there is a huge market for rhythmic based formats, and not such a large group for formats that appeal only to non-Hispanic whites.