She may well be the next Taylor Swift. She may well be a generational talent. But which generation are we talking about here? It’s surprisingly easy to discuss
Sour at length without stumbling upon any hints of departure from millennial culture. On some level, the album marks the broader advancement of Generation Z into adulthood. The critics engaged with the idea of zoomer succession in pop culture clearly expect to see some great clash. Writing for
The Washington Post, Molly Roberts, a millennial,
describes Rodrigo as “a new avatar” in “the war among generations” despite her own pertinent observation about
Sour: “We recognize ourselves in the music.” This isn’t a coincidence or a testament to universal appeal. Olivia Rodrigo is a Swiftie with
Riot! characteristics. She doesn’t sound particularly interested in creative emancipation from her forebears. She doesn’t seek out or represent any sort of generational break in popular music. In fact, she sounds rather determined to sound how pop radio has played since I—a critic twice her age—was in high school.