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RADICAL NEW QUALIFICATION FOR BEING ON THE AIR: HAVE A 'RADIO VOICE'

Dan Rea, ex WBZ, Battenfeld on RKO friday nights Ex Fox25, Howie Carr, WNAC (?)back in the day, Darlene McCarthy was on TV first, a good percentage of 850's staff are former TV sports guys, Eileen Prowse rings a bell for some reason, Jimmy Myers was TV before radio too.

Who was the news babe that went to the Archdiocese of Boston and then the Red Cross that was doing Saturdays at WRKO? Donna Morrissey?

Mary Ellen Burns, ex WBZ TV,ex BPD spokesperson, ditto WRKO weekender.

Janet Langhart ring a bell?
 
MRBIboredop said:
Dan Rea, ex WBZ, Battenfeld on RKO friday nights Ex Fox25, Howie Carr, WNAC (?)back in the day, Darlene McCarthy was on TV first, a good percentage of 850's staff are former TV sports guys, Eileen Prowse rings a bell for some reason, Jimmy Myers was TV before radio too.

Who was the news babe that went to the Archdiocese of Boston and then the Red Cross that was doing Saturdays at WRKO? Donna Morrissey?

Mary Ellen Burns, ex WBZ TV,ex BPD spokesperson, ditto WRKO weekender.

Janet Langhart ring a bell?

So, you've come up with 4 full-timers (2 of which are no longer on the air.)

As far as I know, Donna Morrissey was never a news babe on TV. (I could be wrong.)

As far as part-time and weekenders, finding someone with ANY broadcast or media experience is a plus. So, if a Natalie Jacobsen wanted to do a weekend radio gig, she would be well qualified. They certainly have more marquee appeal than some guy from the Berkshires.

The time has passed when you are going to get good credible weekenders from the WEIMs, WCCMs or WGIR's of the world.

But, back to ChrisNH's comment.....The vast majority of radio people have never had a TV gig first.
 
I don't mind Howie's voice. Uptempo, not bad...I remember sometimes I'd tune in to Jerry Williams
before HC got his own show and hear his voice: "Good afternoon New England, this is Howie Carr of
the Boston Herald filling in for the Dean today" and I thought, great!
 
Ever heard NPR's Diane Rehm?

Rehm was on the radio for almost 20 years...nine of them hosting what would be eventually called The Diane Rehm Show...before her spasmodic dysphonia became so bad she had to take a hiatus for treatment in 1998 and eventually work out the structure she has now with botox treatments (which is one way to "treat" the seized throat muscles that cause SD) coupled with a regular series of fill-in hosts like Susan Page and whatnot.

I would agree that if Rehm had walked into WAMU with her voice sounding like it does today? Well, despite her considerable talent at booking guests and running interviews, she never would've gotten a job at all...much less one hosting one of the biggest shows on NPR. But she had a history and a legion of fans when the trouble started, so an exception was made. And the lack of any serious alternative to The DR Show was a major driving force, too. By the same token, that was a significant part of why WBUR took old The Connection with Christopher Lydon national when it did.

FWIW, if memory serves Rehm signed a five-year contract extension about 2 or 3 years ago, and at the time she said she'd do the show forever if she could (she is 74). AFAIK the ratings are still solid and, I believe The DR Show is on a lot more stations than its chief rival: On Point with Tom Ashbrook, so barring a major illness or injury, I don't see Rehm leaving anytime soon. I also think that NPR is sensitive to the not-without-justification charges that On Point has too much of a Boston focus. Rehm, of course, has quite a serious DC focus but that's more applicable on the national stage.
 
aaronread said:
Well, despite her considerable talent at booking guests and running interviews, she never would've gotten a job at all...much less one hosting one of the biggest shows on NPR.

We live in a country where people sue the Boy Scouts because it doesn't allow women. I suggest that if a radio station put "quality of voice" as a pre-requisite for employment, especially if someone is otherwise qualified, they'd end up in court.
 
I don't think I completely agree with the "radio voice" thing. Maybe if you want an "announcer" as opposed to a "radio personality" I will take the personality...delivery...sense of timing, humor etc. IMHO the 2 best radio personalities in Boston....Mike Hsu (who does have a GREAT radio voice) and Fred Toettcher...who is simply THE BEST RADIO GUY...he doesn't have that booming radio voice...but he has the best delivery, sense of humor and just a great way about him...I listen to T&R every morning on my way to work.... it is like radio is supposed to be...like hanging out with your friends in their living room.
John
Go Buckeyes!
 
The bottom line for me in this discussion goes back to a program Edward R. Murrow did, about a month before his death in 1965, called "Farewell to Studio Nine." He was talking about the now-legendary staff he hired to cover WWII, and said he was getting continual flack from CBS about these people, because they didn't sound like "announcers." His reply was always that he didn't care what they sounded like...he cared that they knew what they were talking about, "because I think in time the audience will come to appreciate that fact, and I think they did."
 
Early Byrd said:
Yes, folks, at one time, in order to get into radio, you actually had to sound better than the average person...call it a 'radio voice' if you will, but that's how you had to sound to get anywhere in the business...even in a small market situation.

Where did it all change?...especially when it comes to being on the air as a talk-show host? Another topic on this board concerns the voice quality of a soon to be let-go WTTK personality, so it might be a good time to raise this topic.

Sorry, but voice quality does matter to some listeners, including yours truly.

For commercial radio a "radio voice" may be an important factor, just as having the appearance of a model is an important factor to be a television "talking head", but I would rather listen to a radio host who is knowledgeable about the subject matter. Listening to an "on air personality" who is doing voice overs from scripts (and when they go off script demonstrate how out of their depth they are) to describe songs selected by a music director is not my cup of tea.
 
It really all comes down to credibility. Some get their credibility from the SOUND of authority. Some from their content. Jeff Foxworthy jokes that when he dies, he hopes God doesn't speak like a goober.
 
notlob said:
Early Byrd said:
Yes, folks, at one time, in order to get into radio, you actually had to sound better than the average person...call it a 'radio voice' if you will, but that's how you had to sound to get anywhere in the business...even in a small market situation.

Where did it all change?...especially when it comes to being on the air as a talk-show host? Another topic on this board concerns the voice quality of a soon to be let-go WTTK personality, so it might be a good time to raise this topic.

Sorry, but voice quality does matter to some listeners, including yours truly.

For commercial radio a "radio voice" may be an important factor, just as having the appearance of a model is an important factor to be a television "talking head", but I would rather listen to a radio host who is knowledgeable about the subject matter. Listening to an "on air personality" who is doing voice overs from scripts (and when they go off script demonstrate how out of their depth they are) to describe songs selected by a music director is not my cup of tea.

WUMB isn't changing its format back, so why don't you shut the hell up?
 
Mark Jeffries said:
WUMB isn't changing its format back, so why don't you shut the hell up?

Well, I know that post certainly raised the caliber of discussion here at Radio-info!
 
Someone who hasn't been mentioned who, it literally grosses me out if I happen upon his voice, Daddy Andelman....ugh! his voice sounds like it is full of food all the time and awful, I can't even listen to him. And he is a prime example for a "face for radio"....but doesn't have the voice
 
WEEI has made of his diction, clearing throat on air, etc. I remember the certain way he would pronounce "W": "You're next on the Sports Huddle on Dabba-you aytch dee aytch"
 
Mark Jeffries said:
WUMB isn't changing its format back, so why don't you shut the hell up?

Actually, they did to some degree go back to more folk music starting about six months after the change.
 
Best TV or Radio voices In Boston past/present (not necessarily in order):

Fred Cusick
Bob Wilson
Gil Santos
Tom Ellis
Diane Stern (WBZ anchor)
Dick Summer
Jess Cain
Jordan Rich
Liz Brunner
The guy who does the Bill Shea counter top radio commercials (????)
Bill Lawrence (who co-anchored with Diane Stern on WEEI and worked at WBZ)
Upton Bell
RD Saul
Randy Price
Chet Curtis
Robin Young
Paula Street
Don Orsillo
Rod Fritz
Austin Davis (WODS's "Austin Of Boston")
 
leegart said:
Best TV or Radio voices In Boston past/present (not necessarily in order):

Fred Cusick
Bob Wilson
Gil Santos
Tom Ellis
Diane Stern (WBZ anchor)
Dick Summer
Jess Cain
Jordan Rich
Liz Brunner
The guy who does the Bill Shea counter top radio commercials (????)
Bill Lawrence (who co-anchored with Diane Stern on WEEI and worked at WBZ)
Upton Bell
RD Saul
Randy Price
Chet Curtis
Robin Young
Paula Street
Don Orsillo
Rod Fritz
Austin Davis (WODS's "Austin Of Boston")

A few more among those currently heard in the area:

J.J. Wright (currently WODS, and liners on WBZ)
Ron Dwyer (currently WATD)
Joe McMillan (currently liners on WATD, WCAP, many other voiceovers)
David Allen Boucher (WMJX, perfect for his "Bedtime Magic" format)
Dave Palmater, Dick Pleasants (both WUMB, great "public radio" voices)

If I went into past hosts no longer heard, I could spend all night coming up with names that were attached to great voices...
 
leegart said:
Best TV or Radio voices In Boston past/present (not necessarily in order):

Fred Cusick
Bob Wilson
Gil Santos
Tom Ellis
Diane Stern (WBZ anchor)
Dick Summer
Jess Cain
Jordan Rich
Liz Brunner
The guy who does the Bill Shea counter top radio commercials (????)
Bill Lawrence (who co-anchored with Diane Stern on WEEI and worked at WBZ)
Upton Bell
RD Saul
Randy Price
Chet Curtis
Robin Young
Paula Street
Don Orsillo
Rod Fritz
Austin Davis (WODS's "Austin Of Boston")


The guy on the Bill Shea's commercials is John Carlson.
 
Many of the jocks that went through WRKO as a music station had great voices too.

One of the best was Dave Michaels, who came from the old WGNG, Providence to WRKO about 1975 and was there until about 1977. His real name was Richard Elmer Smith, Jr.

JJ Wright of WODS and Mike Addams of Magic 106.7 would have worked with him at that time.
 
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