Soft? You sure about that? And this one got radio airplay, too.:Nickelback is what is wrong with rock today. It's all soft.
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Soft? You sure about that? And this one got radio airplay, too.:Nickelback is what is wrong with rock today. It's all soft.
Nu-metal didn't kill the rock format. If anything, nu-metal and rap-rock extended its life a few years.Besides Foo Fighters what is there for rock that doesn't try to hard. Sure there is metal around, but what is worth radio play.
What killed the rock format was Kid Rock and Limp Bizkit. Korn had a nice run but rocks identity was lost in the mid 2000s.
Sales and being good music are not mutually exclusive. Sure there were some good bands in that era but a lot of it faded.Nu-metal didn't kill the rock format. If anything, nu-metal and rap-rock extended its life a few years.
The greatest sales and revenues in the US music industry's history, when accounted for inflation, were during the nu-metal and rap-rock years -- 1998-2001, the peak year being 1999.
What killed rock's top popularity was changes in generational music tastes.
Agreed that by the mid 2000's, rock started its decline.
I only personally know of one station that did this sort of thing. They were a classic rock station in a moderate sized city, that decided to announce that they would never touch music by Soundgarden, Alice In Chains, Pearl Jam, Stone Temple Pilots, or similar 90s-00s acts.Many radio stations have tried to differentiate themselves from their competition by bragging that they do not play a specific artist or genre. Think of the infamous pop rock stations that play "today's best music without the rap". How about the rock and alternative stations that have a No Nickelback Guarantee? In fact, an Edmonton pop station from yesteryear had a No Nickelback Guarantee, also. Let's not forget that KBIG was sued at one point in the 90s because they bragged about not having Barry Manilow on their playlist.
Is it effective? Results may vary.
But the sales are an indicator of the popularity all those artists. Staind, for example, sold $100 million worth of CDs in just one year. That is not an easy feat to accomplish if your music isn't good.Sales and being good music are not mutually exclusive. Sure there were some good bands in that era but a lot of it faded.
Limp Bizkit and Britney Spears sold a lot in that time frame too.But the sales are an indicator of the popularity all those artists. Staind, for example, sold $100 million worth of CDs in just one year. That is not an easy feat to accomplish if your music isn't good.
Are you sure that's not Metallica or Megadeth?Soft? You sure about that? And this one got radio airplay, too.:
In Greensboro NC Rock 92 seemed to be avoiding that kind of music. I think they did play it eventually.I only personally know of one station that did this sort of thing. They were a classic rock station in a moderate sized city, that decided to announce that they would never touch music by Soundgarden, Alice In Chains, Pearl Jam, Stone Temple Pilots, or similar 90s-00s acts.
Yes, that is very true. And those sales were an indication that they were producing some good music. Limp Bizkit had some good songs. Britney had one good song (in my opinion) in 2011 but earlier on she had a lot of hits that definitely were not my cup of tea, but if you were talking to a woman who bought those CDs in the late 90s / early 00s, you'd get a much different opinion.Limp Bizkit and Britney Spears sold a lot in that time frame too.
WKJV in Asheville NC uses designated King James Version, so any hymn that quotes from any other version would be verboten.There is an ultra-traditional Christian station in West TN that makes it known that they only play hymns and older Southern Gospel, but no CCM or even newer SG except for possibly some local groups that they consider "acceptable."
I remember that, as well. It was pretty common for a while. The problem with that sort of positioning is what happens when a song with some rap elements crosses over with their audience?Yes I remember several stations that positioned as "Today's Best Hits Without The Rap."
It didn't help that WLS's FM station was "Disco 'DAI." 94.7 in Chicago seems like a jinxed frequency. I'm not sure that it's ever been that successful regardless of format or call letters.If you haven't read John "Records" Landecker's autobiography, he recounts how the disco backlash affected WLS, to the point station vans were being harassed. Their solution was to re-wrap the vans as "Animal Stories Mobile Units". Animal Stories, with Larry Lujack and Tommy Edwards, was very popular, but WLS had been re-positioned as "disco" in the public mind. It was so bad there was no mention of WLS or signage at concerts they sponsored.
Disco had been slowly fading out by 1978. Saturday Night Fever propped it back up for awhile, but Disco Demolition was the final nail in the coffin.Some say the Disco Destruction thing -- especially the disco destruction event staged by Chicago's 'The Loop" -- literally killed Disco.
It indeed had a history of "format of the month" but has been mostly stable with some tweaks as Classic Hits for a number of years now.It didn't help that WLS's FM station was "Disco 'DAI." 94.7 in Chicago seems like a jinxed frequency. I'm not sure that it's ever been that successful regardless of format or call letters.