103.7 hd2 is not a jukebox, they play classic hits premium choice with jocksRadioStarOne said:Too bad not many people in the bay area have HD radios and the formats are nothing but automated jukeboxes without any personality! BORING!
103.7 hd2 is not a jukebox, they play classic hits premium choice with jocksRadioStarOne said:Too bad not many people in the bay area have HD radios and the formats are nothing but automated jukeboxes without any personality! BORING!
airpab said:Makes alot of sense, doesn't it? The 4th biggest market in the country and no Classic Hits/Oldies??
DavidKaye said:(3) Have you asked yourself why New York can't support a real JAZZ station while the SF Bay Area has done it continuously since 1959?
TheBigA said:DavidKaye said:(3) Have you asked yourself why New York can't support a real JAZZ station while the SF Bay Area has done it continuously since 1959?
Hmmm...ever listen to WBGO? Listener supported for 30 years. Plus Phil Schapp is an institution at WKCR.
travisl5678 said:About Classic Hits on HD Radio,96.5 HD-2 is an oldies station,and has less personality than the other two.Kool Oldies 103.7 HD-2 probably has the most personality because it is a network feed from Clear Channel with bumpers inserted.However the one that I listen to the most(even when I'm west of the tunnel and can pick all three of them up) is KFRC 106.9 HD-2.
On a slightly unrelated topic, I have been thinking that CBS kept the KFRC calls at 106.9 so they could still use the KFRC calls on 106.9 HD-2
DavidKaye said:airpab said:Makes alot of sense, doesn't it? The 4th biggest market in the country and no Classic Hits/Oldies??
Yes, it makes a lot of sense.
(1) Have you ever asked yourself why New York city can't support a commercial classical music station? The San Francisco Bay Area with 1/4th the population CAN.
(2) Have you asked yourself why New York can't support a moderate or left of center talkstation? SF CAN. Hell, WABC doesn't even have live and local talkshows, does it? Meanwhile, KGO is all live and local.
(3) Have you asked yourself why New York can't support a real JAZZ station while the SF Bay Area has done it continuously since 1959?
It sounds like our Bay Area audience is a lot more sophisticated than the NYC audience, so it's no wonder that they like to listen to re-treads from the 1960s.
BnRinBayArea said:2 things, IMO, that would be needed for "Classic Hits" to work (I should say 2 of the TOP, or course there are many factors):
1) PERSONALITY
2) DON'T call it KFRC
...us old timers will always have a soft spot for KFRC, and nothing done today will ever compare. So why not an entirely NEW spin on it. A few fresh ideas wouldn't hurt the market.
radioguy39nj said:DavidKaye said:airpab said:Makes alot of sense, doesn't it? The 4th biggest market in the country and no Classic Hits/Oldies??
Yes, it makes a lot of sense.
(1) Have you ever asked yourself why New York city can't support a commercial classical music station? The San Francisco Bay Area with 1/4th the population CAN.
(2) Have you asked yourself why New York can't support a moderate or left of center talkstation? SF CAN. Hell, WABC doesn't even have live and local talkshows, does it? Meanwhile, KGO is all live and local.
(3) Have you asked yourself why New York can't support a real JAZZ station while the SF Bay Area has done it continuously since 1959?
It sounds like our Bay Area audience is a lot more sophisticated than the NYC audience, so it's no wonder that they like to listen to re-treads from the 1960s.
To respond to your points:
NYC long supported WQXR. The Times sold it because they needed the money to fund their struggling newspaper. They wanted to make sure that whomever they sold it to would keep it classical and that was the WNYC Foundation, who made it a non-comm. The downside was WQXR had to give up the full-signal at 96.3, which was sold to Univision. 'QXR moved to 105.9, which in NY is a very limited signal. Despite their signal issues, 'QXR was only one-tenth of a point behind WPAT-FM (Amor 93.1) with a full signal.
New York could easily support a moderate talk station. WABC only does as well as it does because it has almost no competition. WOR could fill in the void with more local programming but chose to keep costs down and be content to make a living. There's a market to be tapped, but WOR's owners are choosing not to do so. They're trailing WABC by a full two rating points.
There is more than enough happening in the NY area to fill up a talk station! Last year you had a governor's race in NJ, a mayoral race in NYC, the Yankees won the World Series, NY State governement was in turmoil. This year, there's a governor's race in NY State. THERE IS NO PLACE TO TALK ABOUT IT ON NYC RADIO! WABC and WOR might as well be satellite stations! They never talk about New York! Other markets have talk stations that split 50-75% local/syndie, but not NY. I'm a native NYer, but talkradio in NY is the worst in the country!
As noted, WBGO is a non-commercial jazz station and doing well.
Also there is left-of-center talk available in NY, on WWRL (1600 AM), a station almost nobody receives!![]()
SFStatic said:It has been said before on this board, but with the PPM, call letters aren't necessary at all to get credit for listening.
icybluelake said:What does all this have to do with the Bay Area? KGO, of course -- I firmly believe that NYC is one market where the KGO model would work well. I'd make it live, very LOCAL a la KGO, center or left-of-center but definitely less politicized than its competitors -- and I think you'd have a lot of people finding a reason to tune in, in spite of the abysmal trends buffeting AM radio.
DavidKaye said:What I'm getting at in comparing formats and stations is that NYC and SF are different markets. The people have different backgrounds and they support different formats because their tastes are different. Oldies has been tried time and again in this region, and it just doesn't work well enough to bother with.
KFRC(AM) 1550 apparently works well enough to keep the channel open with inoffensive music between the ballgames. That's probably about as well as 1550 is going to do.
icybluelake said:Good analysis, Radioguy. Right about WQXR being viable, not a huge ratings or cume-grabber, but viable as a commercial station nonetheless. And doing pretty well as a non-comm, according to recent ratings, just a few months after changing frequencies.
I was just thinking about WOR vs. KGO recently, after visiting the Bay Area from NYC. Say what you will, but KGO never fails to impress me, and I wonder all the time why there is so much right-wing talk on NY AM airwaves (WABC, as well as WNYM (970...zzzz) and WOR). It's equally bizarre that the only local talk is on WNYC (NPR) for a couple hours a day, and a few short hours a day on WOR. Bizarre. It's not that New York is particularly short of people. For YEARS, WOR has seemed like a slumbering operation, content to stick with its aging audience and a strange melange of right-wing talk, non-political chitchat, and John Gambling. But current ownership, with a conservative predilection to begin with, seems content. Meanwhile, the other strong sticks in NYC all have great or decent gigs going -- WFAN with sports, the aforementioned WABC (to me, unlistenable), WCBS and WINS with all news (2 of 'em!), and then... there's WEPN, the ESPN/sports underperformer.
What does all this have to do with the Bay Area? KGO, of course -- I firmly believe that NYC is one market where the KGO model would work well. I'd make it live, very LOCAL a la KGO, center or left-of-center but definitely less politicized than its competitors -- and I think you'd have a lot of people finding a reason to tune in, in spite of the abysmal trends buffeting AM radio. If done imaginatively and well, it wouldn't do any worse than WOR, and maybe considerably better. (One thing that's interesting to me about SF versus NY is how much better KQED does in ratings and cumes versus WNYC. I would think that audience doesn't overlap greatly with KGO, but on the other hand, I think this says a lot about the differences between the two markets.)
I also wonder a lot where else a KGO might work in an America saturated with not-particularly-challenging right-wing talk. Conservative talk works, but it's so heavily syndicated and to me, it's mostly just lazy and unchallenging programming that turns its back on even trying to produce anything local and successful. So sue me, that's what I believe.
Back to the Bay area, and about WCBS-FM: It's strange to me that the SF market has A LOT of CHR now and feels to me like its skewed pretty heavily toward younger demos. I haven't lived in the Bay Area, have only visited frequently, so I don't know the intimate details of KFRC's long and storied history. But what's notable about WCBS-FM is that post-Jack, it's a classic hits format, not really oldies in the usual sense. Also what is surprising is how well the station has done recently not only in 25-54, but really also in 18-34. It's actually a player in younger demos. Who knows why? Anyway, CBS-FM seems to do a fair amount of promotion, and it's loaded with name-DJs that other "younger" stations have sloughed off over the years, most of whom are well known to New Yorkers.
If I were CC or CBS, I'd take a look at a KKSF or, say, KITS, maybe even Alice and ask whether a classic hits format couldn't be done quite successfully along those lines. "Heritage calls" like WCBS or KFRC might be helpful, but how helpful? However, I have no idea how those stations perform in terms of revenues, so feel free to question my choices of which stations might be good places to put a format like that.