vchimpanzee said:But the difference is I only like him when he does. 'When the Sun Goes Down" is an exception.
Unless you're a pretty girl, Kenny doesn't care if you like him or not. Neither do I.
vchimpanzee said:But the difference is I only like him when he does. 'When the Sun Goes Down" is an exception.
Thanks. I do remember the name of the group was Gloriana, now that I see it.crainbebo said:#3 this week on Lon Helton's Country Countdown USA is "Kissed You Goodnight" Gloriana. ACC/CT40 is "Come Over" Kenny Chesney. Which one was it?
-crainbebo
vchimpanzee said:I don't like either song.
weve noticed! that demo they target resides in major market urban cities. that demo they target has very little country listening history/education before 2000. hence, the instant appeal pop production, and dumbing down of the single releases, via the centralized programming power brokers. hence, the charts stacked with 50%+ crap, and mediocrity. let us talk about a mass watering down, and black balling of country production, to fit an uncountry, urban 35-45 female template. let us talk about the potential main stream death of America's proud country music and its culture. just because radio and industry calls it country music, doesnt mean its country! its like comparing a chevette, to a corvette. yep, i guess they are both chevrolets, but?TheBigA said:That's OK...country radio's target demo is women 35-45.
scott salvatori said:weve noticed! that demo they target resides in major market urban cities. that demo they target has very little country listening history/education before 2000.
let us talk about the potential main stream death of America's proud country music and its culture. just because radio and industry calls it country music, doesnt mean its country!
One C/W song with a "pop" sound, Smoke, Smoke, Smoke That Cigarette, Tex Williams, 1947. So pop sounding was this number that it was later copied by none other than Sammy Davis Jr, hardly considered an icon of country.TheBigA said:So what? Why do you think country fans in the 80s loved Anne Murray and Olivia Newton-John? Kenny Rogers and Ronnie Milsap? You think those folks grew up on Tennessee Ernie Ford and Stonewall Jackson? No! Come on! Grow up. There's always been pop in country, going back to Jimmie Rodgers and Eddy Arnold. In his time, Hank Williams was a pop star. Same with Johnny Cash. That's what everyone aspires to be. And they do it in the way that works...by getting airplay on the radio.scott salvatori said:weve noticed! that demo they target resides in major market urban cities. that demo they target has very little country listening history/education before 2000.
And, in the context of this thread, I don't expect we would see mention of as many Worst Songs On Country Radio from TW's era as we would from today's charts.crainbebo said:I had "Never Trust A Woman" and "What It Means to Be Blue" by Tex Williams on a Capitol Americana 78, now it's in storage. I think I also had a few other country artists from the time, Bob Wills, etc. Also had a Decca with some lovely polka music on it, forgot who it was.
-crainbebo
crainbebo said:Of course! There are some good songs today, but in the '60s, very few were bad. Most of country sounded like country.
crainbebo said:Yes I do know that Chet Atkins and several others got string seconds for country. But it wasn't like today with all the country rock, country pop, teenage, twenty-something stuff that takes over the radio most of the time.