is it likely we will hear even more voicetracked jocks or syndicated jocks in years to come.?
Or---- stations with music ----------& No Jocks at alll ? Its sad to think of.
A high profile example was LA's Easy Rock KNX-FM, which used a PDP minicomputer with various remote terminals to allow talent to (among other things) optionally hear the song intros as they recorded. IGM, which made that system, also included VT / music source linking in their lower cost machines like the Basic A, which is how Delilah got her start in Eugene.
This is a question that started to be asked about 45 years ago when automation gear became capable of doing what we now call voice tracking using cartridge and reel tape synchronized with music.
Many people today do not realize to what a great extent many leading stations in certain formats were voice tracked in the 70's.
I've heard more voicetracking on FM these days & even on HD FM subchannnels.
At least its better than no jock at all. These voicetrackers are being employed.
my concern is syndication & voicetracking & jukebox FM with no jock---
are putting local people out of work. And it willl likely continue at a higher pace in years to come.
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stilll seems to me local stations are cutting costs a lot by using syndication & low cost
voicetracking instead of hiring local air talent. I simply feel bad for all the air
'people who are out of work. Many that I know.
We who were part of radio before automation have this warm, fuzzy feeling about 'live and local'. Truth be told, it was at the time, something of a pain in the butt. You showed up for work and figuratively, they handcuffed you to the console and you were stuck there until your shift was over. But a lot of jobs are that way. You either had a comfort level with "the short leash" or you found something else in life to do.
I prefer the one who sounds the best on the air, whether he is from right next door, or across the country.I've heard more voicetracking on FM these days & even on HD FM subchannnels.
At least its better than no jock at all. These voicetrackers are being employed.
BUT----- of course I prefer ----- local, live air talent.
I worked at a station in the early '90s, where the FM was STILL they way that you described. By then, we probably had two FM listeners for every AM listener that we had. But yet we were still live on the AM, and voicetracked on the FM. Made no sense at all to me.The jukebox is much like many FM stations in their early days where the station was 3 or 4 reel to reel decks and a few carousels of carts. Not really anything new except this was done because there was so little revenue for the FM dial at the time. Today it is more a format option versus required by a lack of money. Many FMs in the early days were financial burdens that were virtually forced on the cash cow AM station and the idea was to keep it alive until FM caught on. Lots of interesting stories about how the small market stations pulled this off.
Management bears some fault here, too. Every manager that I have ever worked for thought that his station was the absolute BEST in the business (certainly within the listening area) and that a listener would have to be absolutely CRAZY not to just tune in, and rip the knob off! So many of them had an exaggerated sense of how "great" their station was!Some will say that supervising such people guaranteed new people coming into the business. But all I ever saw was an attitude towards overnight jocks that went something like "as long as they show up every night, don't ask for raises and leave me alone, they are great!"
I'd add to the list of showing up on time things like not getting drunk or high in the studio, not falling to sleep, not playing their own song list, not being arrested while on the air, and not leaving pubic hairs on the console or roaches inside the console (all based on personal experience). Euw.
There is a certain relief in having voicetracking in those shifts... my first experience with that was back around 1978 so that shows that this is not a new situation, too.