Brevard is somewhat successful and somewhat insulated. WBCU is still chugging along trying to be as local as possible with news, sports coverage, community interviews, etc. Greenwood has a moderately successful FM but the two am stations are just hanging on. Wally's old Mighty 1090 is trying very hard to serve the african american community and the Ellers are keeping CRS on the air. At least they are trying. Long gone are the glory days of WCRS. WRHI seems to be rock steady and very locally active. WLBG is still ticking along with a lot of local news, talk shows and local sports. Jimmy and Powell work very hard at WKDK to be local and active and have a great on air product.I think Rick is still managing to keep WAIM on and WRIX is still very local. Not as comically hokey as it was in Matt's day but community minded nonetheless. Two small town upstate stations just went silent and another was shut down for a North Carolina station power increase.
So, Scooter is right. It can be done if you are willing to work your butt off. Here is what it takes:
News rounds at 3am, council and board meeting coverage 3-4 nights a week at 7pm. Writing, producing and recording in time for a 6am newscast..oh, and recording actualities.
That's just the news guy's job and if you don't have the payroll you can end up doing all of that and a live morning show on top. Get a kid to do it and the product sucks on air. Hire stringers and they let you down. It's tough.
Somebody has to handle traffic. Orders have to be entered, spots have to be produced and ready. Automation logs (or manual logs and carts if you are still living in the 80's) have to be handled.
At least two effective driven people that don't expect to get rich have to be on the street hitting every local business they can. Catch 22 here. You need the ad revenue to produce a quality product. You need a quality product to get the listener base so the ads are effective for the client.
If you offer something truly unique and listenership builds quickly you will still need 3-4 books out before you show enough numbers to get any agency attention. And if you have the capital to hire good people can you keep them long enough to show positive cash flow or do you have to result to second tier talent or untrained sales staff.
And lastly, you have all the initial fcc fees, annual regulatory fees, and license renewal fees eventually. Little things at an AM will eat at you like biannual NRSC measurements. Don't file quarterly reports on time, get a fine. Then the bank note, the power bill, phone and internet, website maintenance and hosting, IT and engineering, equipment maintenance, taxes, taxes and taxes and then....The blood sucking Music Mafia. Even under a blanket contract of a no music station the Mafia will eat you alive with their ridiculous licensing fees. Don't pay them, face a lawsuit. After La Cosa Nostra in Nashville get their cut....can you afford a salary? Can you work that hard for $20k a year.
I haven't even mentioned air talent, voiceover fees, jingle packages or remote equipment, promotional items and the cost of a sports crew if you are going to broadcast high school sports. What about a station vehicle with a cool wrap and a pneumatic marti mast. As soon as you sign the lease papers on it that old console in your production room takes a dump.
I had to get all of that off my chest. That's what it takes to make small town community radio work.Truth is I love this business. I have been at it for 20 years and can't imagine doing anything else. There is no other feeling in the world like raising money for a child to have surgery, hosting a school supply rally and hot dog party then personally handing those school supplies to a kid that has very little and seeing their excitement about getting a book bag or asking a vietnam veteran to come in and share his story and the phone lines light up with one listener after another thanking that vet for his service. Sometimes all that work is worth it.
Some people spend a lot of other people's money just to play disk jockey and can't keep a station on for more than a few months. We all saw that happen not long ago. We all wanted to be air talent when we were 16, and some of us got to live that dream but it really doesn't exist anymore. Scooter's favorite people, the consultants, ruined it for anybody with some intellect and a set of pipes. You have to love every aspect of it to make it work these days.