http://variety.com/2017/tv/news/miami-vice-reboot-nbc-vin-diesel-1202506455/
This time Vin Diesel is the host of Miami Vice.
This time Vin Diesel is the host of Miami Vice.
http://variety.com/2017/tv/news/miami-vice-reboot-nbc-vin-diesel-1202506455/
This time Vin Diesel is the host of Miami Vice.
The host?
NBC really needs to gut their current creative department. They resort to reality junk and bringing back stuff like Will and Grace (along with this story) and then wonder why their ratings are in the toilet.
http://variety.com/2017/tv/news/miami-vice-reboot-nbc-vin-diesel-1202506455/
This time Vin Diesel is the host of Miami Vice.
My first thought was, "Good luck getting Vin Diesel". At this point in his career, he likely wouldn't come cheap.
http://variety.com/2017/tv/news/miami-vice-reboot-nbc-vin-diesel-1202506455/
This time Vin Diesel is the host of Miami Vice.
I don't know why so many people are bothered by re-makes. Most TV police procedurals are derivative anyway. You know, CSI, and NCIS - they're derivative of each other, then you clone them for Miami, New Orleans, Los Angeles, etc., with a different cast. Consider Dick Wolf shows - he gave us a quarter century of New York, now he's flogging Chicago. It's all basically the same.
It's a generation thing. Let's take Dragnet for example, To older adults the Jack Webb editions are "fine" and "timeless" but not to the younger generation as they wan't a NEW Dragnet and none of this Jack Webb stuff either. It's the same with game shows, Family Feud for example a lot of the older crowd liked Richard Dawson and Ray Combs and cannot stand Steve Harvey but to the younger crowd it's the other way around.
Well, I'm an older adult, and I don't find Dragnet "timeless" - I find it silly and dated. Especially the late 60s-70s version. Webb - a conservative, was into addressing a lot of social issues of the time - drug use, hippies, etc. - and did it melodramatically - the crazed hippie on LSD, the pot-smoking parents who let their kid drown in the bathtub because they were high, etc. Also, it was very cheaply made - you can see that a lot of the actors are reading cue cards because their eyes are looking off to the side. So I like to watch Dragnet on occasion - but mostly to laugh at it. And I'd be very surprised to hear that the "younger" generation wants a "New Dragnet." It was parodied in a film - Dan Aykroyd playing Joe Friday's son, IIRC - and that was in 1987 - 30 years ago.
One of Joe Friday's bosses also noted in one Dragnet episode spoke in disgusted terms about how "acceptance of homosexuals" (or words to that effect) had become commonplace. In the episode about the kid drowning because the parents were high, the father had earlier spoken about how marijuana laws would be changed, which causes Harry Morgan's character to dismiss it with a simple, "I doubt that."
To say those 60's episodes were cheaply made was an understatement. Webb and Harry Morgan wore the same clothes in virtually every episode in order to make it easier to use stock footage from previous episodes. Also, when they would visit a crime scene, many of their arrivals looked like they took place on the same street, LOL.
Finally, Alan Alda briefly talked about how Harry Morgan had given him a sense of just how no-nonsense Webb was on the set:
https://www.youtube.com/watch?v=rvINEYS50qE
Webb also used stock players more than most producers. Actress Virginia Gregg was an acquaintance of my father - she told him that she liked working for Webb because it was an easy and quick paycheck. Webb would call her a few times a year, without much notice, but she was always happy to oblige. Gregg usually played the wacky old lady (victim or witness) who Friday couldn't get to focus...i.e.: "Just the facts, ma'am." . Another was Howard Culver - usually the Medical Examiner or some other official. He was a radio news anchor in Los Angeles. Actor Olan Soule was another frequent coroner on Dragnet.
Let's take Dragnet for example, To older adults the Jack Webb editions are "fine" and "timeless"
Referring to the 50's series, a person would today have to be in their mid to late 70's or older to find the show timeless and "fine".
I did not watch the first run of the b&w series; I downloaded one to view and found it totally dated and un-exciting. I suppose you had to "have played them when they were currents" to appreciate the show today.
Referring to the 50's series, a person would today have to be in their mid to late 70's or older to find the show timeless and "fine".
I did not watch the first run of the b&w series; I downloaded one to view and found it totally dated and un-exciting. I suppose you had to "have played them when they were currents" to appreciate the show today.
Along the same line, a reboot of CHP's on TV is likely on the horizon.
But you are forgetting those younger than the 70's remember series from the 50's. Because they were on tv in the 60's and 70's. Some of us in our 50's remember and like these shows.
As for rebooting shows like Will&Grace, Miami Vice, etc., more power to them. It all comes down to content and quality. BTW, "Highway Patrol" is one of Hulu's most successful classic shows, rooted in the 1950's. Along the same line, a reboot of CHP's on TV is likely on the horizon.