Yes, of course. It can be said of any credible, trusted air person.In your case, that's absolutely true. You hired credible and trusted local talent who people know and love.
Can that be said of the talent at Kiss?
Yes, of course. It can be said of any credible, trusted air person.In your case, that's absolutely true. You hired credible and trusted local talent who people know and love.
Can that be said of the talent at Kiss?
Live and local talent boosts stations to the upper echelon of the ratings in terrestrial radio. The "compelling content" on satellite and streaming is that they have hundreds of niche formats and ad-free music that some people are willing to pay for. Sirius/XM has about 35-million subscribers spread out over hundreds of formats. Terrestrial radio has more than twice that with far fewer formats. It's the live and local talent that is compelling that's outperforming satellite and streaming. The automated stations that slide down to the bottom of the ratings are simply jukeboxes - like satellite, but free, with ads (maybe).Didn't you just tell me how there's all this live & local talent in drive time? Maybe the live & local talent isn't compelling.
But there has to be a reason for someone to choose to pay money for something they can get for free. Where is the compelling content on satellite and streaming? Sure they can get fringe formats that isn't heard on commercial radio. But some of those formats are available on non-commercial NPR stations.
Live and local talent boosts stations to the upper echelon of the ratings in terrestrial radio.
Apples and oranges. Sirius/XM has that many subscribers... about 10% of the population. And it is mostly heard in the car, still. And at any given average time, less than 5% are using the service. We are down to about 1.5 million.Sirius/XM has about 35-million subscribers spread out over hundreds of formats. Terrestrial radio has more than twice that with far fewer formats.
Using Toronto in Canada is like using NYC or LA in the US or London in England...Of late in this thread there's been a bit of talk about air staff...and whether it's live, voice-tracked or off the satellite.
Here's a good example, though it's out of market: Toronto's CHBM(Boom 97.3), which runs a classic hits format. They are live and local weekdays from 5am-midnight, and at least 2 of the names have done radio in Toronto(Maie Pauts in middays and Kris James(aka KJ)in PM drive)for years and are known commodities; a third, morning man Stu Jeffries, is best known to us for hosting the CBC music video show Good Rockin' Tonight back in the day. I don't know the experience of the rest. But they do VERY well ratings wise: the most recent ratings data(late May to late August)puts Boom in the top 5 overall: 9.5 12+, 9.5 for women 25-54 and a 10.1 in men 25-54(full disclosure: that's my demo)and a 9.8 in adults 25-54.
Using Toronto in Canada is like using NYC or LA in the US or London in England...
That is a misleading statement.When Nielson says “ audio” is up in car, satellite is in that equation. I was told recently that if satellite radio was measured for ratings, satellite would win.
And if you look at significant players in other cities the size of Toronto just in this hemisphere, all of which have ratings, you see the same thing: Mexico City, Chicago, Houston, Dallas, San Francisco, Bogotá, Lima, Santiago, Buenos Aires, Sao Paulo, Rio de Janeiro you will see that a similar situation occurs.Exactly, and almost all radio stations in NY & LA have local air staffs.
Using Toronto in Canada is like using NYC or LA in the US or London in England...
In fact, Toronto's metro with nearly 17% of the national population is proportionally much larger than New York City's MSA, which has around 5% of the national population.
In another way that Canada is different is if you take the top 6 metros and you have just about half of the entire nation's population.
And in NYC and LA and London and Mexico City and Buenos Aires and, well, all the huge cities with commercial radio, the majority of radio is locally live... although much of it is networked or syndicated to many other markets and stations.
But when you get to Sault St. Marie, ON, or Great Falls, MT, things change.
This time I don't disagree. There is one thing to remember, which is that Canada has been far less prone to overpopulating the broadcast bands in the past, only allowing stations when there is a need and economics of the market support additional stations. If you compare the number of facilities in markets like Regina or Winnipeg or Calgary or Halifax with comparably sized ones in the US, you find fewer stations and better facilities.Noted, and I'm not going to disagree.
So let's try a station closer to my home base: CHTZ(97.7 HTZ FM)in St. Catharines, Ont. It's been running an AOR format for YEARS. They're live and local weekdays from 5:30am-11pm. Though the names have changed over the years(in fact, they used to have a Buffalo radio vet-"Iron" Mike Bensson-as part of the air staff), HTZ is a well-known commodity and people STILL tune in because they like the music. (Hell, I wish WBUF took some pointers from HTZ in how to do AOR RIGHT!)
Star 102.5 is fine. Their ratings are where they are normally atI think BIGA brings up a pretty decent point. However, STAR is tanking. Personally, I think it's because of their passive format. In my estimation, they will be the next to follow the WLKK model of syndication with everything
It probably comes down to content. The best content, local or syndicated will do the best.
It's an interesting insight BIG A brings up
There 100% is a correlation between local live talent and advertising. Advertisers love endorsements from trusted personalities. But in the same vein, a Howard Stern endorsement would probably do great as well.
Great discussion points
This time I don't disagree. There is one thing to remember, which is that Canada has been far less prone to overpopulating the broadcast bands in the past, only allowing stations when there is a need and economics of the market support additional stations. If you compare the number of facilities in markets like Regina or Winnipeg or Calgary or Halifax with comparably sized ones in the US, you find fewer stations and better facilities.
The US licensed many marginal or inferior facilities as well as too many in total. This put financial pressure on station owners to cut costs as the station counts increased over time while revenues barely kept up with inflation. Overall, while one can find problems with all government regulations, Canada did a much better job at it.
Buddy said:WYRK would still be in top spot. Totally different audience. Old country listeners do not like today country. New country listeners do not like the older stuff. Would make total sense.
I've never looked at the northern US border in the context of 80-90 (perhaps Scott can comment) but along the Mexican border the international agreement that supplanted NARBA seemed to have minimized the number of possible new facilities there. Of course, Mexico has many large border towns like Laredo, Juárez, Mexicali, Tijuana, Nogales and Reynosa which "sucked up" many channels making them unavailable in the US.If I remember right, the Docket 80-90 rule led to quite a few of those marginal/inferior facilities to sprout up. Rochester's WKGS/106.7 was one of them. For the most part, Buffalo escaped that fate.
It’s a schizophrenic format. They play more polish than country.WXRL Classic Country 1300, translator on 95.5 is an interesting station. Not a ratings contender, but a pleasant diversion.
Not true. They are not doing well. They should be ashamed with a 110000 watt signal. Their revenue sucks. That is the station next in line for automation in my opinionStar 102.5 is fine. Their ratings are where they are normally at
They basically got rid of most of their on air staffNot true. They are not doing well. They should be ashamed with a 110000 watt signal. Their revenue sucks. That is the station next in line for automation in my opinion