I've listened to some of his archives. I'm too young to have heard him. His monologues weren't funny, and he'd start playing music and singing. I don't know why people love his show.
I've listened to some of his archives. I'm too young to have heard him. His monologues weren't funny, and he'd start playing music and singing. I don't know why people love his show.
I know he narrated that. I think his audience was baby boomers, not the WWII generation.
He didn't start on WOR until the mid-1950s and broadcast until the 1970s, and baby boomers listened to him. I know about "In God We Trust, the Rest Pay Cash."He did more than narrate it. It's based on his characters and his story.
Maybe some older boomers heard him. But his stories and music came from the 40s.
He didn't start on WOR until the mid-1950s and broadcast until the 1970s, and baby boomers listened to him. I know about "In God We Trust, the Rest Pay Cash."
Yes I know all of that. As I said, his stories and music came from the 40s.
Wasn't that the 40's?You said he was for the WWII crowd.
Not the radio show.Wasn't that the 40's?
You said he was for the WWII crowd.
He was known for having teenagers listen to him.Who do you think listened to WOR in the 60s and 70s? Teenagers?
I meant "wasn't WW II in the 40's". In other words, referring to WW II is rather the same as referring to the decade in which the war occurred.Not the radio show.
Jean Shepherd was a genius. Read about “I, Libertine.” Your honor, I rest my case. Excelsior!I didn't think he was funny and his singing annoyed me.