I miss "The Big 8", CKLW. A great signal shot right at the Greater Cleveland, Ohio area... so much so, that I remember a few ads for Cleveland area businesses running. In 1970 or 1971, there was one chart, including extras, in which I liked every song. CKLW had some Canadian and Detroit area content that would not be heard elsewhere...
"For Better or Worse" by The Bells (after "Stay Awhile"). "Funky Music (Sho' Nuff Turns Me On)" by Edwin Starr (Gordy/Motown records). This one packs a wallop, and on an Edwin Starr website, it was used as front page music. All 3 Keith Hampshire records on A&M Records, although I may have heard one or, maybe, two of them elsewhere too. "Awaiting On You All" by Silverhawk (A Detroit, Michigan band). On Westbound Records, this was a good remake of the album track from "All Things Must Pass" by George Harrison.
WIXY 1260. Cleveland's great Top 40 giant through 1972-1973. The only place to hear, for a few weeks, "Mississippi Mama" by Owen B., an Ohio band (on Janus Records) "Stop, Wait and Listen" by Cleveland's own Circus (On Metromedia Records), "Dance Master" by Willie Henderson" (1973-1974) on Playboy Records in the U.S., "Try" by Pepper Tree. I didn't really like this one, but I have a strong memory of it, and got a copy around a decade ago.
WHLO 640AM in Akron, Ohio. The only place to hear "Child of December" by Larry Saunders on Stonehenge Records out of (I think) Massillon, Ohio. "Pistol Legged Mama" by Tommy Roe (1971). I really liked this one, but could not find a copy to buy back then. My brother got it for me as a birthday gift some 20 years ago from a dealer in Canada.
ON ALL OF THE ABOVE 3 STATIONS, I WOULD LISTEN TO THEIR COUNTDOWN SHOWS EVERY WEEK. I would write down each song and artist, in order, and hang it up on the wall next to my bed.
WABQ 1540AM. One of my two sources in 1969 and the early 1970s for R&B music. They played a lot of music not heard anywhere else. I would save my money and, occasionally go to downtown Cleveland to visit the record stores near Terminal Tower. I would buy records I could only find there. Titles I heard include, among others:
"What About Me" by Ruby Carter & The Exceptional 3 on the Cleveland Way-Out Record label (located on E 55th Street). Just wonderful! Not every record on Way-Out was produced well. This one was.
"I Know A Man" by The Rance Allen Group. For awhile, WABQ incorporated cross-over quality Gospel tunes to their regular format. This was the best one. It's on Stax Records' "The Gospel Truth" subsidiary label.
"What Time It Is" by General Crook. A rockin' R&B record with a dynamic, punchy, horn arrangement. The label, out of Chicago, was the Down To Earth label. I've got a copy and occasionally blast it on my stereo system.
"Funky L.A." by Paul Humphrey and His Cool Aid Chemists. The follow-up to their instrumental hit "Cool Aid" on Lizard Records.
An "out-there" hard Funk record. My dad, who worked in Cleveland, went to a store and bought a copy for me. The store proprietor hated it.
WJMO 1490AM. I didn't listen to this Soul station as much as it didn't come in as clearly as WABQ, and I found it later.
There were a few songs I heard only on WJMO. My favorite was "We're On The Right Track" by Ultra High Frequency on Wand Records (A subsidiary of Scepter Records). Using a choo-choo train sound as part of the percussion was inspired. Upbeat, fun.
"Slip The Drummer One" by Lunar Funk. The follow-up to the bigger hit "Mr. Penguin". Quite frankly, this was an uninspired, mostly instrumental, Soul-Funk piece that I like anyway... Bell Records.
CHYR in Lemington, Ontario, Canada. Always dialing around. If our family wasn't watching TV, we'd likely have the radio on and I would, occasionally, put on this station whose night pattern on its night time frequency was very clear in the Cleveland area. At the time they were an Adult Contemporary Top 40 station. One time they played "I Can See For Miles" by The Who which struck me as a, surprisingly, hard rock song for them to play.
I'd like to know when they stopped changing frequencies at sundown. When going from one to the other, they'd introduce a beeping sound, and asked you to dial over and listen for that sound. They'd play it for a bit and than say: "You're back in the beam with Cheer".