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February '22 trends

Audacy has just made some promotions in their country leadership, with responsibility over WLKK and WBEE:

https://news.****************/cgi-bin/rol.exe/headline_id=n41990

Audacy makes two promotions in its Country format leadership, elevating Mark Anderson to Regional Vice President and Chris Michaels to Regional Brand Manager. Both will offer support for WLKK-FM (107.7 FM and 104.7 FM The Wolf) in Buffalo, WPAW-FM (93.1 The Wolf) in Greensboro, WDSY-FM (Y108) in Pittsburgh, WBEE-FM in Rochester, NY and WGGY-FM (Froggy 101) in Wilkes Barre, PA. Both moves are effective immediately.

The other stations listed in that release are pretty successful in their markets. Perhaps they'll bring some helpful advice to Buffalo.
 
Bob Barnett programed WBEE, Rochester's top rated country station for years. You'd have thought that while there, he had input to the structure of Audacy's co-owned country formatted 107.7 Buffalo, after all, he was just down the road a spell. He's now the PD of Townsquare's WYRK. The Wolf has major negative issues, the first being that WYRK is a leagcy Country station, the second being it has a highly experienced, successful Country PD who for many years worked with Entercom/Audacy.
Perhaps they'll bring some helpful advice to Buffalo.
It couldn't hurt, but perhaps is the key word.
 
Bob Barnett programed WBEE, Rochester's top rated country station for years. You'd have thought that while there, he had input to the structure of Audacy's co-owned country formatted 107.7 Buffalo,

You'd have thought. But if he didn't, that might have also been a reason why he left.
 
You'd have thought. But if he didn't, that might have also been a reason why he left.
It might also be that Audacy has become a less desirable place to work these days. He's not the only one who's fled the company as it's "evolved" and found new "synergies."
 
It might also be that Audacy has become a less desirable place to work these days. He's not the only one who's fled the company as it's "evolved" and found new "synergies."

However, they seem to be on the other side of that right now, hiring and promoting a lot of programming people. I posted the article about country format promotions, but they've also added staff in the alternative format. Two years ago, both of those formats were being consolidated.
 
However, they seem to be on the other side of that right now, hiring and promoting a lot of programming people. I posted the article about country format promotions, but they've also added staff in the alternative format. Two years ago, both of those formats were being consolidated.
The article looks to me like they're still "consolidating." I don't see many new hires there. For the most part, they're plugging the holes from departing people with people already on staff. If they're adding staff in the alternative format it's because they essentially "consolidated" it so much that some of the people who were left decided it was time to move on instead of shouldering an impossible workload. TSQ has had similar issues.
 
some of the people who were left decided it was time to move on instead of shouldering an impossible workload.

Who has left because they were "shouldering an impossible workload?" Maybe you can point out someone.

I'm not aware of anyone from talent to management, who is doing more than their scheduled shift.
 
Who has left because they were "shouldering an impossible workload?" Maybe you can point out someone.

I'm not aware of anyone from talent to management, who is doing more than their scheduled shift.
TSQ in Buffalo lost three managers on the programming side for just that reason. All three cited burnout and excessive workload between the on-air product and online posting requirements for both themselves and in overseeing other talent as the reason they left. Audacy has also upped the responsibilities of pretty much all personnel post "merger." A number of people in all departments have simply moved on - some in the business, and some out of the business.
 
All three cited burnout and excessive workload between the on-air product and online posting requirements for both themselves and in overseeing other talent as the reason they left.

Anyone who can't handle an airshift and posting one story a day on a website or Twitter is probably ready for retirement. I know several staffers at the TS websites. Those sites have fulltime staffs that create all of the fresh content every day. The station people are not overburdened by the website work. It's done by a separate staff.
 
The station people are not overburdened by the website work. It's done by a separate staff.
Former Buffalo TSQ employees have stated that air staff are required to post multiple times across multiple social media platforms, including station websites each day.
 
Former Buffalo TSQ employees have stated that air staff are required to post multiple times across multiple social media platforms, including station websites each day.

That's not unique to TS. It's expected of most DJs in other companies. If you're in the communications business, you should communicate. Get used to it. It's not the 70s any more. They're not cuing up records or doing transmitter readings any more.
 
That's not unique to TS. It's expected of most DJs in other companies. If you're in the communications business, you should communicate. Get used to it. It's not the 70s any more. They're not cuing up records or doing transmitter readings any more.
Responses like that are why people are fleeing the business, and not all of them are "ready for retirement." They are ready for careers that have a lot more upside and value their communication skills more highly than a lot of corporate radio spreadsheet jockeys.
 
Responses like that are why people are fleeing the business, and not all of them are "ready for retirement." They are ready for careers that have a lot more upside and value their communication skills more highly than a lot of corporate radio spreadsheet jockeys.

Fantastic! They can either leave the business or go work for Buddy! But if they want to be communicators, they should want to communicate. That means across multiple platforms. That's what they're teaching in college right now. The resumes I get demonstrate abilities that go beyond back-announcing records. So I encourage all the one-dimensional radio stars of the 60s to leave the business, and open jobs for the next generation.

Meanwhile, if things are so awful at Townsquare, why would Bob Barnett leave a great job at Audacy where he ran the #1 station in Rochester to work for a company that requires "excessive workload?" Why would Ed Wise stay at WBLK for 16 years? Obviously the workload isn't too excessive for Ed.
 
Meanwhile, if things are so awful at Townsquare, why would Bob Barnett leave a great job at Audacy where he ran the #1 station in Rochester to work for a company that requires "excessive workload?" Why would Ed Wise stay at WBLK for 16 years? Obviously the workload isn't too excessive for Ed.
And, of all the groups, Townsquare has made the biggest progress of transitioning from traditional radio to being a company where radio is part of a larger marketing plan, particularly for local direct accounts.
 
Former Buffalo TSQ employees have stated that air staff are required to post multiple times across multiple social media platforms, including station websites each day.
That's not unique to TS. It's expected of most DJs in other companies. If you're in the communications business, you should communicate. Get used to it. It's not the 70s any more. They're not cuing up records or doing transmitter readings any more.
99.9 percent of those posts on social media are totally worthless. Tweets about "what's your favourite cheese" and other mindless blather. That's not content. It's waste product.

Yeah, cuing up records is obsolete. However, there was a time when segues, intelligent presentation, and the "vibe" of a station mattered. Now you get stale formats like WBUF and they wonder why they have a 1.5 share...
 
Fantastic! They can either leave the business or go work for Buddy! But if they want to be communicators, they should want to communicate. That means across multiple platforms. That's what they're teaching in college right now. The resumes I get demonstrate abilities that go beyond back-announcing records. So I encourage all the one-dimensional radio stars of the 60s to leave the business, and open jobs for the next generation.

Meanwhile, if things are so awful at Townsquare, why would Bob Barnett leave a great job at Audacy where he ran the #1 station in Rochester to work for a company that requires "excessive workload?" Why would Ed Wise stay at WBLK for 16 years? Obviously the workload isn't too excessive for Ed.
The next generation has a demonstrable lack of interest in radio. They're more interested in learning how to make money on Tik Tok than working for iHeart.

Bob Barnett likely left Audacy in Rochester for a couple of reasons. First, he was a VP there and likely saw a train coming that wasn't a light at the end of a tunnel. Secondly, he's from Buffalo and his parents aren't getting any younger. Thirdly, he negotiated a deal with TSQ that gives him a lot more control than the average PD with responsibilities that are defined to fit his approach to radio. They're desperate to halt the bleeding at WYRK which has seen more than a 25% decline in share in the last few years.

Ed Wise has been at WBLK mostly as a jock for 16 years. This is his first time as a PD. We'll see how he shoulders the workload as he picks up that burden.

Nobody in radio these days sits around in a studio back-announcing recordings. Everybody wears multiple hats and in many cases VTs multiple stations, often while on the air live at their "home" station. The only people who are "4 and out the door" are PT people who get paid about the same as fast food workers, and a lot of them are asked to VT 4-6 hours for 1 hour's pay. If they can RVT, at least they can save some gas.
 
99.9 percent of those posts on social media are totally worthless. Tweets about "what's your favourite cheese" and other mindless blather. That's not content. It's waste product.
"99.9" is rather high, but the point is well made that a substantial number of social media posts qualify as vapid fluff, serving as nothing more than click bait.

The next generation has a demonstrable lack of interest in radio. They're more interested in learning how to make money on Tik Tok than working for iHeart.
A quote from a (female) Comm major commenting at a local business luncheon, "Why would I work for chicken feed at a radio station when I have college loans to pay back? I can put a video up on Tik Tok that gets a thousand times the impressions in ten minutes than the recognition I'd get on radio in a year. I'd make money, and a TV producer might see my work."

There have been countless posts here about the inevitable obsolescence of transmitters and the next stage of what we call 'radio.' The kids are geared to video, making money and being in control. They know they can be a barista and make as much or more than an entry level radio DJ. Although I personally believe RF will always have its place, the quote from the (former) college student gives credence to the theory of obsolescence.

...why would Bob Barnett leave a great job at Audacy where he ran the #1 station in Rochester to work for a company that requires "excessive workload?" Why would Ed Wise stay at WBLK for 16 years? Obviously the workload isn't too excessive for Ed.
Presuming what once may have been a great job at Audacy Rochester remained great. Word is it wasn't. As to Mr. Wise, good for him! More than likely, he deserved the shot; but it's curious that he's been there 16 years and wasn't given the chance ten years ago... or five years ago. It appears his number finally came up on the TSQ Wheel of PDs.
 
The next generation has a demonstrable lack of interest in radio. They're more interested in learning how to make money on Tik Tok than working for iHeart.

And yet, some choose to work in radio. Just as some choose to work for Townsquare, even though you say people quit because of the excessive workload. No one forces them to work there. No one forces them to stay.

Nobody in radio these days sits around in a studio back-announcing recordings. Everybody wears multiple hats and in many cases VTs multiple stations, often while on the air live at their "home" station.

Yes I know. That's what I said in post #51. You make like this only happens at Townsquare.
 
And yet, some choose to work in radio. Just as some choose to work for Townsquare, even though you say people quit because of the excessive workload. No one forces them to work there. No one forces them to stay.



Yes I know. That's what I said in post #51. You make like this only happens at Townsquare.
No, I said it's happening particularly at TSQ and Audacy. We already know about the deep cuts at iHeart. Fortunately, they're not in Buffalo. Rochester isn't as lucky. At this point, it seems that Cumulus is the most stable of the big corporations locally. Of course, they went through their cuts and multiple bankruptcies under previous regimes.
 
No, I said it's happening particularly at TSQ and Audacy.

It's not just big companies. You travel outside of the big cities and you'll hear radio stations that run satellite music formats. The big companies are in better shape than the single station owners.
 
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