• Get involved.
    We want your input!
    Apply for Membership and join the conversations about everything related to broadcasting.

    After we receive your registration, a moderator will review it. After your registration is approved, you will be permitted to post.
    If you use a disposable or false email address, your registration will be rejected.

    After your membership is approved, please take a minute to tell us a little bit about yourself.
    https://www.radiodiscussions.com/forums/introduce-yourself.1088/

    Thanks in advance and have fun!
    RadioDiscussions Administrators

I wonder what program directors would want to play?

"Research" is simply a term for asking listeners to your station or to your format how much they'd like to hear each song on the radio today.

If a song is loved by everybody, it gets played more often than a song that is "liked" by nearly everyone. And songs that have a significant percentage of "dislike" or "hate" scores just don't get played at all.

I've never been in a situation where playing fewer well-researched songs lost to a station playing more un-researched songs. In my favorite case, with an Emmis station in a market of about 18 million, we had over a 20 share with a local rock format and about a 600 song playlist. A competitor came on saying "we play three times more different songs". They did not realize that two out of every three songs they were playing had stiffed out. They never even got a 2 share and lasted just one year.
There's certain types of stations that lend themselves to a wider playlist. Adult hits, AAA (even commercial stations), and sometimes soft ac. Bob fm in Pittsburgh has a pretty wide range as does kckc in Kansas City (kind of an ac/adult hits cross.)
 
There's certain types of stations that lend themselves to a wider playlist. Adult hits, AAA (even commercial stations), and sometimes soft ac. Bob FM in Pittsburgh has a pretty wide range as does kckc in Kansas City (kind of an ac/adult hits cross.)
Every format has a finite library size. During 25 years of researching a Spanish AC in LA, the library seldom was greater than about 260 and never less than about 220. Yet a classic rock station I did in another market always had around 600 songs that passed. And a Spanish CHR in the Caribbean had no more than 80 to 110 songs over a two decade period I was involved.

You will find that each kind of format, even across national borders and languages, will have very similar library sizes. And each kind of format will have a different average library size when compared to other formats.
 
Every format has a finite library size. During 25 years of researching a Spanish AC in LA, the library seldom was greater than about 260 and never less than about 220. Yet a classic rock station I did in another market always had around 600 songs that passed. And a Spanish CHR in the Caribbean had no more than 80 to 110 songs over a two decade period I was involved.

You will find that each kind of format, even across national borders and languages, will have very similar library sizes. And each kind of format will have a different average library size when compared to other formats.
Kckc is technically an ac station, but has the library of something like either an adult hits or soft ac station.
 
The station I mentioned has about 8000 in their main library, but they dug into the "vault" on Saturday nights and about 800 rest of the time. One of the people in our amateur radio club is the chief engineer for that station.
 
The station I mentioned has about 8000 in their main library, but they dug into the "vault" on Saturday nights and about 800 rest of the time. One of the people in our amateur radio club is the chief engineer for that station.
Saturday night is a good time for hauling out those "deeper" cuts, as listeners are few (but enthusiastic) and advertisers aren't figuring weekend nights into their plans. Weekday drive times are their happy hunting grounds, with middays also important.
 
Saturday night is a good time for hauling out those "deeper" cuts, as listeners are few (but enthusiastic) and advertisers aren't figuring weekend nights into their plans. Weekday drive times are their happy hunting grounds, with middays also important.
This is true. Not because the Pd didn’t care but knowledge that ratings were not so important during these day parts. As I said, I screwed around the format at a Seattle top40 in the 80’s. Never was blatant but would play requests that fit the format. I think secretly the Pd was ok with this after 7pm. Or maybe he was just not listening!
 
One station up here overplays "Jessie's Girl" at least 3 or 4 times daily. There's another station that has a lot wider playlist and you hear stuff no one plays. That's my to go station!
Yeah, that's just overkill. There are plenty of radio stations around the United States that have those wider playlists. Most of them are in the smaller markets or in areas where retirees live (Florida, for example) and all songs are game. I hear so many nice 1976-1982 tunes around here, its a refreshing change to the "Jessie's Girl" example you mentioned. That song is 41 years old, it's not a current and by no means should it be played four times a day. Maybe twice, if it's really that popular, once in morning drive, another in evening daypart.
 
Last edited:
Let me ask a question. Do P-1 listeners still command radio ratings? I think their importance has diminished due to how radio listenership is measured today. But I retired several years ago and don’t know what is going on today.
 
Last edited:
Yeah, that's just overkill. There are plenty of radio stations around the United States that have those wider playlists. Most of them are in the smaller markets or in areas where retirees live (Florida, for example) and all songs are game. I hear so many nice 1976-1982 tunes around here, its a refreshing change to the "Jessie's Girl" example you mentioned. That song is 41 years old, it's not a current and by no means should it be played four times a day. Maybe twice, if it's really that popular, once in morning drive, another in evening daypart.
And those stations, when facing competition with a tight, researched list, fail miserably.

And...why would you not want to play a song your listeners all love as often as possible?
 
Let me ask a question. Do P-1 listeners still command radio ratings? I think their importance has diminished due to how radio listenership is measured today. But I retired several years ago and don’t know what is going on today.
P1 just means people who listen to one station more than any other. It always applies, and P 1's represent about 50% of a station listeners and about 90%of all listening time.
 
And...why would you not want to play a song your listeners all love as often as possible?

Because classic hits stations are not CHR stations. Yeah, you can play the loved hits, but not in the league of a radio station playing currents. If you're playing "Jessie's Girl" 4x a day, that means other loved songs are being played as frequent, which makes the station sound like its currents and fewer classic hits overall get played. That's where the concerns of repetition and stagnation come in by some listeners. They love "Jessie's Girl" but I don't think I'd want to be oversaturated with it over the long run. Personally I'd rather hear "Don't Talk to Strangers".

But yes, you've told me several times why certain songs get played as much as they do.
 
P1 just means people who listen to one station more than any other. It always applies, and P 1's represent about 50% of a station listeners and about 90%of all listening time.
Why am I thinking P-1 could stand for Preset 1?
 
Why am I thinking P-1 could stand for Preset 1?
No, it means "Preference Level". A P1 listener to a station listens to them more than any other. A P2 gets the next largest number of quarter hours... and so on as deep as it goes. The average PPM panelist hears 6 different stations a week.
 
Because classic hits stations are not CHR stations. Yeah, you can play the loved hits, but not in the league of a radio station playing currents. If you're playing "Jessie's Girl" 4x a day, that means other loved songs are being played as frequent, which makes the station sound like its currents and fewer classic hits overall get played. That's where the concerns of repetition and stagnation come in by some listeners. They love "Jessie's Girl" but I don't think I'd want to be oversaturated with it over the long run. Personally I'd rather hear "Don't Talk to Strangers".
The average listener to a station gives it about 3 to 4 hours a week. The P1 listeners give it 6 to 7 on average. Even a heavy P1 only does an two or three hours a day. So if you play a song 20 times a week, that average P1 will hear it about every two weeks.

Rotations are determined in part by library size and in part by which need more weekly play than others. If you play 12 songs an hour that is a bit over 2000 plays a week. If the library is 500 songs, you will play the average song 4 times. But really you will want to play the "loved by all" songs several times a day, and the weaker ones once or twice a week.
But yes, you've told me several times why certain songs get played as much as they do.
And listeners who tune in perhaps an hour a day want to hear big favorites each time, not secondary songs. So the limiting factor is how many songs even test well enough to play.
 
What was the common research method before the 70s?
The Postal Service? Or did they attempt to read people's minds with a device? 🤣
 
Status
This thread has been closed due to inactivity. You can create a new thread to discuss this topic.


Back
Top Bottom