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WROR, Unchallengeable?

I figure WXRT/Chicago is one of the AAAs. Whose the other? I can’t think of any AAA stations in markets large enough to bill that much? KINK?
Denver
 
Here's a thread from 2011 that was titled "Is WODS doomed?" At the time, WODS was #10 in 6+. Probably lower in 25-54.


Most of the chatter had it flipping to talk.
WODS was definitely one of, if not CBS’s lowest rated classic hits stations so it makes sense. WROR seemed to be more in touch with the market than WODS - granted, WROR’s classic hits format at the time was very rock oriented compared to now. You wouldn’t have heard Cyndi Lauper, Prince, Michael Jackson, Belinda Carlisle, and associated acts on WROR until around 4-5 years ago.
 
Musically it sounds like a good way to piss off everyone. Fans of alternative have already demonstrated that they don't like the pop sound. That attempt hurt a bunch of alternative stations. Meanwhile the new wave and classic alt stuff is already getting played on 92.3. You can see the results. If that's what people want, Beasley already has those bases covered.
92.3? Wrong city
 
They are Classic Hits, but they are not solely 80's. During the past couple of days while listening, their 70's stuff is starting to become a deterrent to me. Is it possible that somebody may decide to take take them on and take a piece of their pie, if for nothing else, to stop them from being either at or near the top with a much more 80's focused format, 1983+ instead? Inquiring minds want to know!
This is the problem station programmers face today:
Do we go after the desirable market that largely does not listen to music on terrestrial radio.
Or do we go after the far less desirable (ad-wise) market that actually DOES listen to music on terrestrial radiol
Its tough.
 
This is the problem station programmers face today:
Do we go after the desirable market that largely does not listen to music on terrestrial radio.
Or do we go after the far less desirable (ad-wise) market that actually DOES listen to music on terrestrial radiol
Its tough.

If you're a programmer who works for someone else, they make the decision. If you work for yourself, then you decide.

There are examples of both being done in Boston. For example WMEX or WPLM focus on older listeners. Compare what they do and the quality of advertising you hear over there with what you hear on WROR. So maybe you hear the music you like, but you get hammered with ads about medical and financial issues. Maybe a weekend infomercial tossed in. That's the choice.
 
If you're a programmer who works for someone else, they make the decision. If you work for yourself, then you decide.

There are examples of both being done in Boston. For example WMEX or WPLM focus on older listeners. Compare what they do and the quality of advertising you hear over there with what you hear on WROR. So maybe you hear the music you like, but you get hammered with ads about medical and financial issues. Maybe a weekend infomercial tossed in. That's the choice.
WPLM doesn’t have WROR’s signal coverage. So it’s hard to compare advertisers. Moreover, since COVID, WPLM has made the conscious effort to focus more on where its signal strength is - Plymouth County and suburban Boston.
 
WPLM doesn’t have WROR’s signal coverage. So it’s hard to compare advertisers. Moreover, since COVID, WPLM has made the conscious effort to focus more on where its signal strength is - Plymouth County and suburban Boston.

Which is what they're supposed to do. Meanwhile WROR focuses on ITS core. You're not going to get a full signal FM playing niche music aimed primarily at senior citizens.
 
Most people thought ROR couldn't survive the loss of Loren & Wally. In fact it's doing better without them.

All they did was change the anchor, and they were well-prepared for that, with Bob having worked with Cadillac at iHeart New York.

As for going after WROR, who would you get for an airstaff? And what would you play that they don't play?

Format holes get tiny very fast when most Urban contemporary and Latin flavors aren't choices.
 
One reason WROR has become so successful is 103.3 left the format years ago to go CHR. Didn't 93.7 also dump Variety Hits around the same time?

Variety Hits is the perfect format for 103.3.

CHR was a perfect format for 103.3 too. Audacy is so poor, they couldn't have just held out two more years for Matty's retirement. They had the airstaff in place, but decided to have hundreds of mediocre stations, instead of dozens of good ones like Beasley does.
 
Which is what they're supposed to do. Meanwhile WROR focuses on ITS core. You're not going to get a full signal FM playing niche music aimed primarily at senior citizens.
Respectfully, sir, have you ever listened to WPLM? Have you seen its playlist? The median song from its playlist comes from the 1980s. It’s nearly impossible to say that the station is aimed at “senior citizens.” Furthermore, WPLM plays plenty of 1990s music and even some songs from the 2000s and 2010s.
 
Maybe WBZ AM get listeners of all ages with the news by day. Rea and White are getting older as are their audiences.
WJIB and its various other MA and Maine
stations prob has a lot of older listeners though some under 55s may enjoy the soft oldies and easy listening.
 
Maybe WBZ AM get listeners of all ages with the news by day.
Not really. All news on AM is not a format or delivery method that anyone under 55 or so is likely to use.
WJIB and its various other MA and Maine
stations prob has a lot of older listeners though some under 55s may enjoy the soft oldies and easy listening.
And aren't they listener supported? Advertiser shun those older demos, with the exception being those that are either small business owners who like the station or businesses that appeal mostly to older seniors.
 
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