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Talent defecting from The Ticket to The Freak?

Five bucks says these guys land at 97.1 after any non-compete period expires:

 
Jake Kemp has plenty of experience with the Mavs, having previously hosted the post-game show on The Ticket.
🤔
 
while everyone is assuming they are o the way to "The Freak" you got remember, the other non-Ticket sports talker in Town is still 105.3 The Fan, it might be possible one of them might be going to the fan instead, it's also possible Dan may be ready to retire from Radio and go full podcasting, we don't know.
 
The freak is switching their line up around and beginning their local broadcast day at 6:00 instead of 7:00. This is from the freak’s Instagram page
 

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My handle portrays my affiliation (if not betrays it). I am a P1, but I am fine with and support multiple options for sports talk in DFW. The mothership remains the 800-pound gorilla.
 
As I've said in multiple posts, the following is JUST and opinion - as I do not claim to be the expert on all things radio.

Having said that, a talk radio station, especially one like the Freak needs a Program Director who is from this market or who has spent time in this market. Zaccagnini was in very different markets than Dallas. A PD like that can guide on basics, prep, content, etc. but he will not have an ear for what will work here. The lineup is weak. I WILL say this, I listened to the morning show the other day and thought it sounded really good. It had some structure, it had content, and the basics were absolutely on point. THAT is something I'd yet to hear since the flip on any of the shows on the station.

It's very hard for me to comment on this station with so much emotion tied into it. I know most of the people there are sweethearts and are liked by many - but so far I'm just not hearing anything that really gets me amped.

I'm very familiar with the News Junkies - I was on in Orlando. WTKS is a fantastic talk station. Not sure if I agree with them being on here in Dallas though. WTKS is geared 100% to Orlando, which is why it's so unbelievably successful. I also at the same time wonder why GUY talk always seems to work in Florida but not really anywhere else. Thoughts?
 
As I've said in multiple posts, the following is JUST and opinion - as I do not claim to be the expert on all things radio.

Having said that, a talk radio station, especially one like the Freak needs a Program Director who is from this market or who has spent time in this market. Zaccagnini was in very different markets than Dallas. A PD like that can guide on basics, prep, content, etc. but he will not have an ear for what will work here. The lineup is weak. I WILL say this, I listened to the morning show the other day and thought it sounded really good. It had some structure, it had content, and the basics were absolutely on point. THAT is something I'd yet to hear since the flip on any of the shows on the station.

It's very hard for me to comment on this station with so much emotion tied into it. I know most of the people there are sweethearts and are liked by many - but so far I'm just not hearing anything that really gets me amped.

I'm very familiar with the News Junkies - I was on in Orlando. WTKS is a fantastic talk station. Not sure if I agree with them being on here in Dallas though. WTKS is geared 100% to Orlando, which is why it's so unbelievably successful. I also at the same time wonder why GUY talk always seems to work in Florida but not really anywhere else. Thoughts?
I do wonder how ihm didn’t wrestle away fox sports radio from the ticket and put it on 97.1?
 
I do wonder how ihm didn’t wrestle away fox sports radio from the ticket and put it on 97.1?
That's a great question. Maybe there is a contract or something to that affect.
 
A PD like that can guide on basics, prep, content, etc. but he will not have an ear for what will work here.

On the other hand, he's working with a staff that HAS heritage in Dallas, who know the market, has had success at other stations, and they're the ones who are doing the talking, not the PD. He brings a fresh ear to the conversation.
 
So then the market knowledge of the PD isn't the reason for where they are, right?

Having a talk station involves more than just talk show hosts from within the market. It needs a PD who KNOWS the market to identify if the goal of the station is on the right track. It isn't. If the hosts from 'within the market' either suck, or don't match and hyper target the demo with actual content - then it's moot anyway.

97.1 has a MAJOR identity crisis. It touts itself as being this outrageous station and that it's an inside club - and it's everything BUT that.
 
if you can provide some sort of actual data that says 97.1 is doing something correct, please indulge me. I'd be thrilled to see it.
97.1 has a MAJOR identity crisis. It touts itself as being this outrageous station and that it's an inside club - and it's everything BUT that.

This is a station that had been operating without an actual PD since its inception. So it's not surprising that it's a mess. The one positive I saw was they're monetizing their personalities, which is a good thing. When you don't have ratings, sell the demos. When you don't have demos, sell the talent, and that's what they've done.

My comment to you was that a PD doesn't have to come from the market. He needs to know the format. I like the fact that he has knowledge of both the rock and talk formats. He's been there a month. He has a lot of work to do.
 
Why would you not hire a PD at the inception of such an enormous task of switching a top 5 market radio station from "Active Rock" (which it wasn't) to TALK?

It was public knowledge in September of last year that this was going to happen. There were rumblings Months before that. I'd ASSUME that some of the brass locally knew probably in January-March. So lets think about that, they knew, or they were tinkering with the idea - went ahead with it - and here we are 16 months later and they're just now hiring a PD - who's never lived in Dallas. Awful decision. If it were almost any other format, great, but not with this.

They put all their eggs in the Rhyner basket, which I knew wasn't going to work from the jump. They thought that by hiring him it would instantly create a brand. I think what it really did was just piss off Ticket listeners and made them more loyal to The Ticket. ZERO Ticket listeners have gone to 97.1. ZERO. In fact, I think it's safe to say that more Eagle people went to the Ticket and Alt than anything.

@TheBigA - you wrote, "they're monetizing their personalities, which is a good thing. When you don't have ratings, sell the demos. When you don't have demos, sell the talent, and that's what they've done." We don't know how well that's working numbers-wise. However, to your point, yes they are obviously selling the personalities, but it's at a MAJOR cost to programming. Have you heard the length of the stopsets? Have you heard how many recorded endorsements there are in one break? A station like that, typically, should have TSL through the roof. You can have incredibly low cume with high tsl and rake in the ratings.

This happened in Detroit when I worked at WKRK which was a MALE TALK station. They sold all these endorsements and loaded up the stop sets, and not only did the ratings go down drastically, but all of those sponsors were extremely short-lived because they weren't effective at all. At all. At all. At all. If you're the 12th spot, how effective do you think it's going to be. I'll never forget, they sold MONDAY NIGHT FOOTBALL to a nightclub which typically played dance music. So a TALK SHOW (us) every Monday went down and did a show from the night club on the main stage - and we did it for the entire season. There was never more than five people that showed up. We sat there embarrassed as Hell every Monday night. The station got paid, but do you think they ever did anything with the station again? And with social media now - if you flub something like that up - that badly - people will know.

This post is way too long. As I've said more than once on my posts, these are just my opinions. I am not the God of radio.
 
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