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B101 Drops Delilah again.

So would you pay someone to build the show with her various voicetracks for overnights which happens to bring in no money?
When you cut an expense, you don't do it half way.

Shows like this are all automated... you build the log once and done. .and the files are imported automatically by FTP or satellite and then ingested into the machine.

I worked for a country station that carried Alan Kabel overnights and they were delivered in the same way. John Tesh is delivered that way too
 
Shows like this are all automated... you build the log once and done. .and the files are imported automatically by FTP or satellite and then ingested into the machine.
Not from what I've seen with Delilah or Tesh. The voice tracked files are FTP'ed to a folder, but the individual station is responsible for dropping them into the place in the clock/playlist prior to the show airing. Breaks at different stations fall at different times.
Its still a manual process to place the tracks in the place appropriate for that station/format. Otherwise, it sounds a bad version of voicetracking.
 
Because you're a guy. The show does well with women.



This way they don't have to share revenue with iHeart. Apparently they're replacing her with nobody. Just non-stop music and imaging until dawn. Nothing cheaper than nobody.
No doubt. They could just shut it down at midnight and fire it up at 5A. Not worth running all that electricity. Imagine how many millions could be saved if all the big corps did that. That might solve all the financial issues. (Somewhat said in jest, but... look at all the businesses that have changed their hours since Covid.)
 
I don't know (I suppose I don't care to know) the economics that make stations want to carry such a sickly-sweet-bordering-on-saccharine-overdose show in the first place, but B101's on-again, off-again affair with her seems to make even less sense. I suppose the numbers are good and it allows the station to cut an airshift (or a VT shift)? But if that were the case here, why would B101 change direction yet again? At any rate, in case you couldn't tell, I find the show so egregiously pandering that it borders on disgusting.
We just did an episode on Delilah. I respect what she does, but it certainly ISN'T my cup of tea. I was never a fan of John Tesh either, or anything else that plays SAFE, warm fuzzy music. I likened it to 'a bowl of soup for your ears.'
She has a fascinating history, so I am not going to knock HER, but the music could definitely use an upgrade, and it could be done in a way that makes it less boring while still providing that 'radio as therapy' draw that makes her popular with some demos.
 
Not from what I've seen with Delilah or Tesh. The voice tracked files are FTP'ed to a folder, but the individual station is responsible for dropping them into the place in the clock/playlist prior to the show airing. Breaks at different stations fall at different times.
Its still a manual process to place the tracks in the place appropriate for that station/format. Otherwise, it sounds a bad version of voicetracking.
It's been a while, but when MY mid day used to go into Delilah, it was a satellite feed, with everything but our local commercials and liners fired remotely from their feed. I am not sure if that's how they still do it, but as long as out automation system was not paused or stopped, at the top of the hour, the satellite would do all the work from there!
 
It's been a while, but when MY mid day used to go into Delilah, it was a satellite feed, with everything but our local commercials and liners fired remotely from their feed. I am not sure if that's how they still do it, but as long as out automation system was not paused or stopped, at the top of the hour, the satellite would do all the work from there!
They stopped delivering Delilah via satellite years ago. They deliver the raw voicetracks via FTP over the Internet.
As I mentioned, the station likely plays different music than another plus different clocks. That's why individual tracks need to be tailored for a particular station' clock.
 
I am not going to knock HER, but the music could definitely use an upgrade, and it could be done in a way that makes it less boring while still providing that 'radio as therapy' draw that makes her popular with some demos.
She has nothing to do with the music on an individual station that carries her. Her voice tracks are generic. Same goes with Jon Tesh.
 
They stopped delivering Delilah via satellite years ago. They deliver the raw voicetracks via FTP over the Internet.
As I mentioned, the station likely plays different music than another plus different clocks. That's why individual tracks need to be tailored for a particular station' clock.
Wow, that's crazy. So you can play whatever music you want in between her warm fuzzy banter, as long as the timing works out on the clock? Fascinating, and another reason terrestrial radio needs help. I know Delilah never really PICKED her music on that program, but knowing she isn't even AWARE of the music, or if music is even playing, is disheartening... One of the reasons I left the industry was how detached everything was becoming. This just solidifies my point! Thanks for the info! I knew I'd be learning a lot from this forum, having been away for many years!
 
Wow, that's crazy. So you can play whatever music you want in between her warm fuzzy banter, as long as the timing works out on the clock? Fascinating, and another reason terrestrial radio needs help. I know Delilah never really PICKED her music on that program, but knowing she isn't even AWARE of the music, or if music is even playing, is disheartening... One of the reasons I left the industry was how detached everything was becoming. This just solidifies my point! Thanks for the info! I knew I'd be learning a lot from this forum, having been away for many years!
Yeah, but it had you fooled didn't it? In spite of probably being less relatable for AC formats, she's very adept at creating voicetracks that if the station places them right, don't sound like voicetracks.
 
She has nothing to do with the music on an individual station that carries her. Her voice tracks are generic. Same goes with Jon Tesh.
I thought there was a "with music" full version as well as a workparts version.
 
Not from what I've seen with Delilah or Tesh. The voice tracked files are FTP'ed to a folder, but the individual station is responsible for dropping them into the place in the clock/playlist prior to the show airing. Breaks at different stations fall at different times.
Its still a manual process to place the tracks in the place appropriate for that station/format. Otherwise, it sounds a bad version of voicetracking.

I worked at a station that ran Tesh and I downloaded things manually cuse i was given a heap of crap of a station and had no tech support really.. so i worked with what i had, but i could very well have automated the process
 
Yeah, but it had you fooled didn't it? In spite of probably being less relatable for AC formats, she's very adept at creating voicetracks that if the station places them right, don't sound like voicetracks.
I hated voicetracking. Even though I took it seriously and was pretty good at 'fooling people,' I was still annoyed that it was becoming the norm. So I guess for Delilah, it goes back to the local PDs to stop sucking during her daypart... LOL
(No offense, anyone!)
 
I hated voicetracking. Even though I took it seriously and was pretty good at 'fooling people,' I was still annoyed that it was becoming the norm. So I guess for Delilah, it goes back to the local PDs to stop sucking during her daypart... LOL
(No offense, anyone!)
Other than some AM and PM drive shows, just about everything else is voicetracked. Some folks making tracks do it for several stations in different markets.
 
The thing to know is that B101 is #1 18-34, tied with WDAS. It's #3 in 18-49. That may be surprising, but it explains why this show is so out of step with the rest of their day, and why it's gone.
That's true also of WLTW in NYC, #1 overall and #1 18-34. And it has no plans to discontinue Delilah. Of course, Delilah is syndicated by the same company that owns Lite-FM, iHeartMedia, through co-owned Premiere Networks.

But if Delilah were such a liability for WBEB and WLTW, why are their ratings among young people so good? How did B101 get to be #1 18-34 with Delilah dragging the station down? My guess is that hearing people calling Delilah and weeping about their lost loves may not be the ratings killer some are describing here. Not my cup of tea but I'm not the target audience.
 
But if Delilah were such a liability for WBEB and WLTW, why are their ratings among young people so good? How did B101 get to be #1 18-34 with Delilah dragging the station down? My guess is that hearing people calling Delilah and weeping about their lost loves may not be the ratings killer some are describing here. Not my cup of tea but I'm not the target audience.

The 6:00 PM to midnight timeslot is generally not able to make or break a station. Radio listening goes down after people get home from work. That's why so many stations no longer have live programming in the nighttime.

Delilah is inoffensive enough that the AC listeners who stick with radio after dinnertime will keep listening. She doesn't draw much in new listening, but most stations don't expect that during her timeslot. What few new listeners any station gets at night rarely, if ever, make up for the amount of listeners lost after arriving home for the evening. A free show that won't bleed your audience dry is a pretty good deal, especially in that timeslot.

In the case of WBEB, Delilah obviously wasn't the fit it was hoping she would be. Audacy would either seem to have evidence she wasn't getting the audience it was wanting, and/or it would seem to think it could sell more spots during that slot than it's currently selling with Delilah. Delilah used to take three four minute breaks an hour, and you had to give her network the first minute of every break. So, that meant you had nine minutes per hour to sell. If WBEB can sell 10 minutes an hour without her and has willing buyers for that extra minute each hour, it's coming out ahead by no longer carrying her and airing more music per hour.
 
Delilah used to take three four minute breaks an hour, and you had to give her network the first minute of every break. So, that meant you had nine minutes per hour to sell. If WBEB can sell 10 minutes an hour without her and has willing buyers for that extra minute each hour, it's coming out ahead by no longer carrying her and airing more music per hour.
And we know that B101 isn't beating the sidewalks begging advertisers to buy time. There's no doubt they can fill 10 minutes an hour on their own, without making their audience listen to strangers crying between songs.
 
The thing to know is that B101 is #1 18-34, tied with WDAS. It's #3 in 18-49. That may be surprising, but it explains why this show is so out of step with the rest of their day, and why it's gone.
I remember some folks on this forum mentioning Delilah would be a poor fit for B101 when her show was brought back.
 
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