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The Spot

Meanwhile I don't see Coolio on KJKK or Chili Peppers on KJKK.
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KJKK played the following Red Hot Chili Peppers songs today:

4:48 p.m. - Scar Tissue
3:19 p.m. - Otherside
1:47 p.m. - Dani California

I understand that songs aren’t unique to a format. I’m not and have never argued that point. However, I don’t really think there’s much difference with the presentation of KSPF and KJKK, besides the fact that 98.7 has a few jocks. When the Adult Hits format was introduced, Classic Hits was much different. Now, both formats are very similar. Classic Hits and Adult Contemporary formats are also sounding similar.

Formats change and evolve and you can continue to believe nothing will happen to 100.3, but myself and others on this board believe that there is a change in the works. Lance also seemed to indicate that things are, “progressing on that front.”
 
KJKK played the following Red Hot Chili Peppers songs today:

What I said is I don't see them. I looked again, and they get 4 spins a week. I still don't see Coolio, so maybe that was the only time it was played. The surprise to me is that Jack played One Direction from 2011. Perhaps in the context of Liam Payne. That stood out to me.

One other thing about Jack is that if Audacy is going to use the Jack brand, they have to follow some musical guidelines. I know that KJKK is programming their own music, and that the person doing it also programs the music at KSPF.

When the Adult Hits format was introduced, Classic Hits was much different. Now, both formats are very similar. Classic Hits and Adult Contemporary formats are also sounding similar.

Because they're all going after the same demo. So the songs are similar, but the way they're played (as in frequency) is different. If you look at the playlists in Mediabase, which is organized by the amount of plays, the lists are very different.

There was a lot more format separation in the 70s and early 80s. Run DMC and several others broke hip hop into the mainstream in the late 80s. When you look at the radio charts in the early 90s, you see a lot of the same songs in several formats. That's having an effect on the classic hits format now.

Formats change and evolve and you can continue to believe nothing will happen to 100.3, but myself and others on this board believe that there is a change in the works. Lance also seemed to indicate that things are, “progressing on that front.”

What he's talking about is a possible merger of Cumulus and Audacy. If that were to happen, it would lead to some station sales in Dallas. This is Lance's article from last April.


That leaves just eight full clusters from one company or the other that all or most would need to be spun-off: Chattanooga, Chicago, Dallas, Kansas City, Memphis, New Orleans, San Francisco, and Scranton/Wilkes-Barre.

The Audacy bankruptcy plan was just approved by the FCC. There are still some issues that need to be resolved (foreign ownership waiver). I think it's a long way off. The main thing is that somebody has to come up with a lot more money. Right now, the money on the table isn't enough, and they aren't going back in debt to do this. There are other ways to combine operations without an actual merger.
 
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There is no real genre exclusivity in radio. For a long time, classic hits stations around the country have been adding more rock or other genres to their playlists to appeal to a wider audience. The reason for this is we're seeing a breakdown in genre walls among music listeners. People like songs, not genres or formats. So when they start listening to songs outside of pop, that changes the songs you're likely to hear on classic hits stations.

Consider this past year, Beyonce released Texas Holdum, a song from her country album. This song was played on 8 different radio formats, including AAA. She wasn't the first. The #1 song this week on country radio is by Post Malone. How could that be? Genre walls are disappearing in music and in popular culture. Here is what a country artist named Hardy said about genre barriers:


So get used to hearing unusual songs on the radio, because people like songs, not genres. The thing that will separate radio stations won't be songs, but presentation. Not individual songs, but the overall groupings. That's what distinguishes one station from another.
That really just seems like a reversion to the past -- because Top 40 radio was like that in the sixties, seventies, and well into the eighties.

The difference is that back then we had far fewer different formats than we do today, but just because radio formats splintered, that doesn't necessarily mean that listener tastes splintered to anywhere near the same extent.
 
The difference is that back then we had far fewer different formats than we do today, but just because radio formats splintered, that doesn't necessarily mean that listener tastes splintered to anywhere near the same extent.

Radio follows the music, and the music is becoming less about genre, and more about making hits. The only purpose for formats is for achieving certain demographics. Otherwise they don't matter.
 
Formats change and evolve and you can continue to believe nothing will happen to 100.3, but myself and others on this board believe that there is a change in the works.

When in doubt, no major changes are in the works. You'll be wrong occasionally on that assumption, but you'll be right far more often (and I mean FAR more often).

Lance also seemed to indicate that things are, “progressing on that front.”

As The Big A mentions, that's about a possible shotgun marriage between Cumulus and Audacy. Should such a merger happen, some spin-offs would be mandated. Hard to say exactly what would happen in DFW, but the market share is such that the DOJ is unlikely to get very involved. It might force a combined Audulus to choose between The Ticket and The Fan or otherwise divest some sports rights, but the two country stations should easily be able join with any three FM's in the Audacy cluster. It should also be able to get WBAP and KLIF under the same roof as KRLD with minimal issues.

The Audacy bankruptcy plan was just approved by the FCC. There are still some issues that need to be resolved (foreign ownership waiver).

I seem to remember Cumulus already has approval to be up to 100% foreign owned. Not sure how a merger would affect that ruling. I suspect that, should such a deal happen, the resulting company would be called Audacy but would, for all practical purposes, be Cumulus. I would assume the FCC would revisit the foreign ownership waiver, though we probably can’t rule out the possibility of not having to go through the waiver process all over again should a merger go that way. I also understand Cumulus would have to report should its share of foreign ownership exceed or go back below certain benchmarks.

I think it's a long way off. The main thing is that somebody has to come up with a lot more money. Right now, the money on the table isn't enough, and they aren't going back in debt to do this. There are other ways to combine operations without an actual merger.

At this point, everything is speculation, though at least one shareholder of both companies seems intent on forcing a merger sooner or later. Cumulus has also been pretty clear that it's trying to stave off him buying any more of the company, though equally apparent is that its efforts aren’t gaining much traction. I tend to think any sort of merger would likely resemble a hostile takeover. Those usually take time, but, if enough shareholders are willing to deal, it will look like it happened pretty suddenly.
 
What I said is I don't see them. I looked again, and they get 4 spins a week. I still don't see Coolio, so maybe that was the only time it was played. The surprise to me is that Jack played One Direction from 2011. Perhaps in the context of Liam Payne. That stood out to me.

One other thing about Jack is that if Audacy is going to use the Jack brand, they have to follow some musical guidelines. I know that KJKK is programming their own music, and that the person doing it also programs the music at KSPF.



Because they're all going after the same demo. So the songs are similar, but the way they're played (as in frequency) is different. If you look at the playlists in Mediabase, which is organized by the amount of plays, the lists are very different.

There was a lot more format separation in the 70s and early 80s. Run DMC and several others broke hip hop into the mainstream in the late 80s. When you look at the radio charts in the early 90s, you see a lot of the same songs in several formats. That's having an effect on the classic hits format now.



What he's talking about is a possible merger of Cumulus and Audacy. If that were to happen, it would lead to some station sales in Dallas. This is Lance's article from last April.




The Audacy bankruptcy plan was just approved by the FCC. There are still some issues that need to be resolved (foreign ownership waiver). I think it's a long way off. The main thing is that somebody has to come up with a lot more money. Right now, the money on the table isn't enough, and they aren't going back in debt to do this. There are other ways to combine operations without an actual merger.
had the Cumulus/Audacy merger happened, then indeed Dallas would have to see a few stations be divested to new owners due to both companies having a cluster of stations


the Cumulus Cluster:
570 AM KLIF
820 AM/93.3 FM WBAP
1310 AM/96.7 FM KTCK (The Ticket).
96.3 FM KSCS (New Country 96.3)
99.5 FM KPLX (99.5 The Wolf)

The Audacy cluster:
1080 AM KRLD-AM (Newsradio 1080 AM KRLD)
98.7 FM KSPF (98.7 The Spot)
100.3 FM KJKK (100.3 Jack FM)
103.7 FM KVIL (Alt 103.7)
105.3 FM KRLD-FM (105.3 The Fan)
106.7 FM KMVK FM (La Grande 107.5)

so there for, if the merger ever happened, they would have 4 AM stations and 9 FM stations, which would be way past the limit for how many stations a company can own in the area so yeah, they have to split the combined cluster up and most likely, KLIF & KMVK would most likely be the first to go, while the rest would have to come via tough decisions to see which one of the remaining stations gets the max profits from the merged company and they most likely may have to keep WBAP AM and spin off 93.3 for one of the stronger stations in the cluster reception wise to keep WBAP, same goes for KTCK FM, i can also see 105.3 being spun off and sold to the Dallas Cowboys or Texas Rangers so they can own their radio broadcast home. i can see 99.5 and 100.3 being kept if they can keep it to switch to a simulcast of the AM stations. but i don't think the FCC, DOJ and SEC would a merger between Audacy & Cumulus.
 
i can see 99.5 and 100.3 being kept if they can keep it to switch to a simulcast of the AM stations. but i don't think the FCC, DOJ and SEC would a merger between Audacy & Cumulus.

Should such a merger happen, the combined company would keep all the Class C Cedar Hill sticks.

So long as divestitures are agreed upon and don’t involve any potential ownership overlap, the FCC can’t realistically stop it. A merger of Audacy and Cumulus wouldn’t have much overlap nationwide.

The DOJ might require one of the sports stations to be divested, but there is likely no combination of those stations that would result in the combined company holding a 40% share of the radio advertising dollars. This could've changed since the Great Recession, but I seem to remember the Cumulus and CBS clusters didn’t even do a combined 40% share of the market revenue. iHeart and Univision do significant shares of the market revenue. Urban One and Service are no slouch either.

The SEC wouldn’t be able to do much to stop a merger either. Audacy is no longer a publicly traded company, and no one is going to attempt a deal like that until it has enough Cumulus shares or the support of enough Cumulus shareholders to make it happen.
 
The SEC wouldn’t be able to do much to stop a merger either. Audacy is no longer a publicly traded company, and no one is going to attempt a deal like that until it has enough Cumulus shares or the support of enough Cumulus shareholders to make it happen.

The person pushing for this merger is billionaire Manoj Bhargava, owner of 5 Hour Energy. He currently has connections to both companies. This from RadioWorld:

The new company’s second largest shareholder is expected to MBX Commercial Finance, which will hold approximately 9.5% of the new Audacy stock. MBX is controlled by Manoj Bhargava, founder of 5-Hour Energy. Bhargava also has ties to Renew Group Private Ltd., which holds a 10% stake in Cumulus Media and hopes to eventually acquire a 20% stake in that company; Cumulus earlier this year adopted measures to try to prevent Bhargava from doing so.

So he would need to either buy controlling interest in Cumulus, or convince the current shareholders of his idea. As of now, Cumulus is opposed to such an idea.
 
I think you meant Audacy, not EMF.

You misinterpreted my post. I was saying that Audacy could change its mind and decide to sell 100.3 after all. And EMF management's current attitude towards acquisitions could shift as well. Not holding my breath.

Given where the evangelicals are concentrated in the DFW market KBOC would likely meet EMF's needs. Best of the MediaCo signals.

I'm keeping an eye on their stations in Austin, as well as whether they'll get rid of the 250 watt true daytimer AM in Houston (KIKK).
How can you possibly know where "evangelicals" are concentrated in the DFW market?
 
So he would need to either buy controlling interest in Cumulus, or convince the current shareholders of his idea. As of now, Cumulus is opposed to such an idea.

Cumulus is trying to stave off his attempts to roughly double his share of the company. Unless something has changed in the last few months, the company's offer wasn't getting many takers. Cumulus is trading at just over $1/share. It was trading north of $14/share when Jeff Warshaw offered to buy the company two and a half years ago. I have to think the current shareholders are regretting not taking that offer. Bhargava might or might not be successful in his efforts, but Cumulus will be opposed until it's not.

How can you possibly know where "evangelicals" are concentrated in the DFW market?

Simple. Dallas and Tarrant Counties are highly segregated by race, and the evangelical population is roughly 85% white. EMF's K-Love and Air1 formats are focused on a white audience. EMF isn't after the slightly more than 15% of the Black and Hispanic evangelical population. It knows exactly where it needs to reach to cover the population it's after. The research was done a long time ago.
 
Today's question about the Spot...

Did Audacy make a mistake in giving up the (K-Love) brand? Numbers suggest, maybe yes.

6.06.44.84.44.03.2KSPF-FM98.7 The SpotClassic HitsAudacy881,600
The Spot got caught in a rut, Leethal. If you listen to it today, it sounds a bit different than just a couple weeks ago. It's delving deeper into the 90's, relaxing some of the crispy critters they've been playing since 98.7 morphed into The Spot, and getting a little more in line with the playlist featured on 95.7 The Spot down in Houston.

The problem with that, of course, is that they now risk cutting into Jack's listeners by trying to freshen up The Spot. Truthfully, one or the other needs to go, be it Jack or The Spot. Running two similar adult/variety hit jukeboxes is a recipe for disaster.
 
The Spot got caught in a rut, Leethal. If you listen to it today, it sounds a bit different than just a couple weeks ago. It's delving deeper into the 90's, relaxing some of the crispy critters they've been playing since 98.7 morphed into The Spot, and getting a little more in line with the playlist featured on 95.7 The Spot down in Houston.

The problem with that, of course, is that they now risk cutting into Jack's listeners by trying to freshen up The Spot. Truthfully, one or the other needs to go, be it Jack or The Spot. Running two similar adult/variety hit jukeboxes is a recipe for disaster.
Seems to work out for The Wolf and KSCS. If Audacy let one go there's a chance a competitor could expand in that direction and siphon off revenue.
 
Are they going to do anything with this station? Like changing their music around
Yeah. They are. I noticed the tweaks a few months ago. I heard Kylie Minogue today. Did not care for that either. But I am not in the demo, so I understand. They are probably just trying to put some distance between themselves and The Eagle, which I get. Now that KGLK/KHPT has finally grown a pair musically and are calling themselves a "Classic Rock" station, I guess The Spot felt they had to pick another lane, kinda-sorta. Their messaging and imaging is essentially the same, but I do not know how much it really drives the point home. It is cute and all, and the dude who does it is great (really great) but it needs a few more voices and personalities with passion for the city and the music IMHO.
 
Yeah. They are. I noticed the tweaks a few months ago. I heard Kylie Minogue today. Did not care for that either. But I am not in the demo, so I understand. They are probably just trying to put some distance between themselves and The Eagle, which I get. Now that KGLK/KHPT has finally grown a pair musically and are calling themselves a "Classic Rock" station, I guess The Spot felt they had to pick another lane, kinda-sorta. Their messaging and imaging is essentially the same, but I do not know how much it really drives the point home. It is cute and all, and the dude who does it is great (really great) but it needs a few more voices and personalities with passion for the city and the music IMHO.
Was she on 98.7?
 
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