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Bygone Stations/Formats/DJs/Etc

That's an interesting point. FM Rock stations were usually classified as Progressive Rock from around 1967 until about 1977 when the term AOR (Album Oriented Rock) took hold.
AOR was originally a term for the stations consulted by Burkhart-Abrams and came out of Abrams' success in North Carolina with what many consider the first "AOR" station.

As the consultancy added more and more stations, that name became widely known as the "Album Rock" format even though what they mostly played were singles releases.
 
94.5-WHDH-FM-Progressive Rock/AOR
100.7-WTTK Progressive Country/AOR
103.3-WEEI-FM- "The Young Sound"
105.7-WKOX-FM-Top 40 (1969-1971)
1260-WEZE-Top 40/Oldies "Z-1260"
1550-WNTN-Progressive Rock/AOR
"Your AM Alternative "

Also:
1280-WEIM-Top 40 (Fitchburg/Leominster)
After a brief stint as WHUE-FM, 100.7 became WKKT “Boston’s Kat”, playing Top 40, in the early 80s. Then in 1985 they switched to “Classic Hits 100.7” WZLX.

Boston seemed to have an affinity for call signs with K and T; to wit,
WTTK, WKKT (both 100.7), and WTKK (96.9).
 
Oh I like the music I just always thought the name was stupid. I don't think I have ever heard a band say they play alternative music. They usually have a better name for it.
 
Oh I like the music I just always thought the name was stupid. I don't think I have ever heard a band say they play alternative music. They usually have a better name for it.
They'll usually just say they play rock, maybe pointing out that they don't play pop or whatever the music CHR (which they still call Top 40) stations play. Although there's so little rock remaining on CHR playlists, which are mostly rhythmic songs or confessional emo pop now, that any further elaboration is probably unnecessary. "Alternative" is like CHR, adult contemporary and active rock -- catch-all terms used to label radio formats rather than actual genres.
 
Sleeping problems lately from a med I have to take has led me to discover a gem on the air. Instead of the late night drivel on most stations (psychics, conspiracy theories, space aliens, etc.), I've discovered that little WCAP Lowell is airing two hours of old time radio from 2-4 AM. "When Radio Was" is the same program heard on Sirius/XM on the Radio Classics channel at noon EST.
 
As the consultancy added more and more stations, that name became widely known as the "Album Rock" format even though what they mostly played were singles releases.
I wouldn't go so far as to say that. Yes, they had set playlists, and many of the songs that were AOR hits were eventually released as singles but often those songs were "over" at AOR by that point.
I'd say that it was select album cuts rotated as if they were singles. A "top 40" of current album tracks. Single versions were almost never played.
 
I wouldn't go so far as to say that. Yes, they had set playlists, and many of the songs that were AOR hits were eventually released as singles but often those songs were "over" at AOR by that point.
I'd say that it was select album cuts rotated as if they were singles. A "top 40" of current album tracks. Single versions were almost never played.
That's the way I remember the format as well. In the summer of 1975, I had a job at a Boston insurance company's snack bar and had WCOZ on often. For some reason, I recall Jefferson Starship's "Spitfire" album getting a big push, which at WCOZ meant three tracks from the album were in the rotation. Despite "With Your Love" being on Top 40 radio at the time, WCOZ instead played "St. Charles," "Dance With the Dragon" and "Cruisin'" "St. Charles" went on to become a Grade A stiff as a single in December (No. 74 peak), while the other two remained album cuts and never got any airplay. That seemed to be the formula for every big-name act that put out an album. AOR was for listeners who liked the singles they were hearing on the Top 40 stations and wanted to hear more.
 
I've read that Turner donated $50,000 in return for the call letters.

Yes, in two $25,000 payments; one when they relinquished them and the second when the FCC approved their use on channel 17 in Atlanta.

Duly noted near the end of this article on the TV station's early history:
 
Automated, with "Captain" Ken Shelton and Clark Schmidt (sp.?)
466484653_10229608522050586_7621907301299403790_n.jpg
 
The early '70s incarnation, yes. I believe the station went live in later years.
I don't ever remember 'BZ-FM being live except for occasional specialty shows. Early 70s I recall them just being a jukebox, if I'm not mistaken they'd simulcast the AM's top of hour newscasts (and not always transitioning very smoothly).

Another bygone format that I don't believe has been mentioned was what WROR was running in the early 70s. It was a syndicated Drake format called "Solid Gold", but contrary to what the name implies was actually about 60% or so currents. Played a lot of interesting tunes that were only mid-charters, many that no one else in the market was playing like "Son Of My Father" by Giorgio or "Gone" by Joey Heatherton. There were some LP cuts mixed in too. They dropped it for a 50s-centric oldies format in early '73, much to my dismay.
 
I don't ever remember 'BZ-FM being live except for occasional specialty shows. Early 70s I recall them just being a jukebox, if I'm not mistaken they'd simulcast the AM's top of hour newscasts (and not always transitioning very smoothly).

Another bygone format that I don't believe has been mentioned was what WROR was running in the early 70s. It was a syndicated Drake format called "Solid Gold", but contrary to what the name implies was actually about 60% or so currents. Played a lot of interesting tunes that were only mid-charters, many that no one else in the market was playing like "Son Of My Father" by Giorgio or "Gone" by Joey Heatherton. There were some LP cuts mixed in too. They dropped it for a 50s-centric oldies format in early '73, much to my dismay.
Shelton and Shmidt were on in 1972 and 1973, definitely. Pre-recorded fake-live shows, including a countdown.
 
Another bygone format that I don't believe has been mentioned was what WROR was running in the early 70s. It was a syndicated Drake format called "Solid Gold", but contrary to what the name implies was actually about 60% or so currents. Played a lot of interesting tunes that were only mid-charters, many that no one else in the market was playing like "Son Of My Father" by Giorgio or "Gone" by Joey Heatherton. There were some LP cuts mixed in too. They dropped it for a 50s-centric oldies format in early '73, much to my dismay.

That was Bill Drake's personal creation, conjured up when KHJ-FM had to stop simulcasting the AM due to new FCC regulations at that time mandating separate programming on co-owned FMs. It had his personal, "square" touch all over it before being upgraded to something stations could actually sell to advertisers.
 
Another bygone format that I don't believe has been mentioned was what WROR was running in the early 70s. It was a syndicated Drake format called "Solid Gold", but contrary to what the name implies was actually about 60% or so currents. Played a lot of interesting tunes that were only mid-charters, many that no one else in the market was playing like "Son Of My Father" by Giorgio or "Gone" by Joey Heatherton. There were some LP cuts mixed in too. They dropped it for a 50s-centric oldies format in early '73, much to my dismay.
I was beside myself when "Stereo 98.5 WROR" began playing music from this format. In fact, I'll be blunt: it sucked. It couldn't hold a candle to what was playing on 68 WRKO at the time. The move in 1973 to a more solid-gold oldies format was a step up, but nowhere near what was to come about 6-7 years later when they were able to hire LIVE DJs and move closer to a Top 40 format.
 
I was beside myself when "Stereo 98.5 WROR" began playing music from this format. In fact, I'll be blunt: it sucked. It couldn't hold a candle to what was playing on 68 WRKO at the time. The move in 1973 to a more solid-gold oldies format was a step up, but nowhere near what was to come about 6-7 years later when they were able to hire LIVE DJs and move closer to a Top 40 format.
Different strokes I guess. I really enjoyed it. This was around the time that 'RKO was doing a hybrid of Top 40 and AOR which to my ears just didn't work. Right around the same time WROR went oldies, WRKO dumped most of the LP tracks and went back to doing top 40. I don't know if Bill Drake's parting ways with the company had anything to do with either flip.
 


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