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Frank Barber's Music

Hello, everyone.
I've been a fan of Frank Barber's music for a long time. I first discovered it on stations like KHOY in Laredo, TX, and KLUX in Corpus Christi, TX.
Some of my favorite tracks are Nice To Be With You, Run to Me, Lonely People, and others.
As is often the case with this kind of music, I haven’t been able to find any songs online other than direct radio recordings. Does anyone know where I could find his music, or who currently owns the rights to it?
 
Hello, everyone.
I've been a fan of Frank Barber's music for a long time. I first discovered it on stations like KHOY in Laredo, TX, and KLUX in Corpus Christi, TX.
Some of my favorite tracks are Nice To Be With You, Run to Me, Lonely People, and others.
As is often the case with this kind of music, I haven’t been able to find any songs online other than direct radio recordings. Does anyone know where I could find his music, or who currently owns the rights to it?
Here is a complete guide to the music of Frank Barber....

 
Thank you, but unfortunately, that list does not include the recordings that are abundant on this type of radio station.

That's likely because a lot of it is out of print. From what I can see, he recorded mainly for a small record label. Have you looked at eBay? I did a quick search there and found pages of old albums and singles listed for very low prices.
 
Thank you, but unfortunately, that list does not include the recordings that are abundant on this type of radio station.
The recordings he made for the Independent Beautiful Music Association in 1980 and the early 80s were not released commercially as far as I know. You would need to find someone who worked at one of these stations and saved the tapes containing particular selections.
 
Thank you, but unfortunately, that list does not include the recordings that are abundant on this type of radio station.

The recordings he made for the Independent Beautiful Music Association in 1980 and the early 80s were not released commercially as far as I know. You would need to find someone who worked at one of these stations and saved the tapes containing particular selections.

Agreed. That would be like expecting to find recordings made by TM or Bonneville's "house orchestra" to have been released on consumer albums.

It was those exclusive recordings that used to be part of the sales pitch for Beautiful Music: "As part of your on-air library, you will have arrangements of popular songs commissioned by us and recorded exclusively for us by orchestras in the U.K."
 
Agreed. That would be like expecting to find recordings made by TM or Bonneville's "house orchestra" to have been released on consumer albums.

It was those exclusive recordings that used to be part of the sales pitch for Beautiful Music: "As part of your on-air library, you will have arrangements of popular songs commissioned by us and recorded exclusively for us by orchestras in the U.K."
I did some research on that, and apparently, recordings from at least some of those UK orchestras, which also recorded for other providers, eventually got released commercially.

However, there are a number of other Bonneville-exclusive recordings that remain unavailable, save for the odd one here and there that might be found on various airchecks and at least one archive where maybe a dozen or so of original tapes were digitized and made available.

Given the pervasiveness of the modern Internet, it seems inevitable that someone will eventually find and publish them all, but I won't hold my breath.

c
 
I did some research on that, and apparently, recordings from at least some of those UK orchestras, which also recorded for other providers, eventually got released commercially.

I suppose the problem then becomes identifying which orchestra recorded which songs for which syndicator, and then scour the net for copies of whatever albums they released.

It doesn't seem to matter now: The OP apparently joined only to start this thread, and has only logged in once since Kat's original reply ... and that login was over three months ago. I am inclined to think he has abandoned his quest at this point.
 
Hi, I check back on the replies every now and then, and I was happy to see that there’s been some activity here over the past month.

Between August and October 2025, I recorded this orchestra’s music from various radio stations and compiled over 40 tracks. After listening to them carefully, I posted a compilation on YouTube in November.

A few days after posting the video, a kind person wrote to my personal email to let me know that I was missing five tracks from the sessions recorded by Frank Barber for the IBMA (Independent Beautiful Music Association). According to the information he provided, the recordings are currently owned by Greater’s Media, and he kindly provided me with the remaining five tracks to complete the original sessions recorded in London in 1980. Incidentally, he didn’t mention that he was someone involved in the music production industry, but rather just another listener who was fortunate enough to know someone who did have first-hand access to this music and digitized the original tapes in January 2002.

I took the liberty of re-uploading the tracks separately, organizing them by volume according to the information provided. I can’t confirm the information he gave me, as I really haven’t found anything about this, so if anyone can provide me with more information, I’d appreciate it.

I’m sharing the playlist I mentioned; best regards to all.
 
I suppose the problem then becomes identifying which orchestra recorded which songs for which syndicator, and then scour the net for copies of whatever albums they released.
I can cite my own example. In the 80's I owned "Música en Flor" which syndicated a Beautiful Music format to Latin America. We produced several hundred instrumental versions of Spanish language pop hits from the 60's and 70's. I found a company that did what we might call karaoke tracks today... full instrumentals but open for a lead vocal. Instead, we had them add a lead instrument... piano, saxophone, guitar, woodwinds, etc. For relatively little money we got covers of all the big hits of the time.

In some cases, with the "biggest" songs, we did several versions with each having a different lead instrument. When I discontinued the service, I sold the masters to a background music service in Puerto Rico. I doubt that they have survived.
It doesn't seem to matter now: The OP apparently joined only to start this thread, and has only logged in once since Kat's original reply ... and that login was over three months ago. I am inclined to think he has abandoned his quest at this point.
And we need to keep in mind that 50-year-old tapes, unless carefully stored, are not going to be of much use today.
 
Hi, I check back on the replies every now and then, and I was happy to see that there’s been some activity here over the past month.

Between August and October 2025, I recorded this orchestra’s music from various radio stations and compiled over 40 tracks. After listening to them carefully, I posted a compilation on YouTube in November.

A few days after posting the video, a kind person wrote to my personal email to let me know that I was missing five tracks from the sessions recorded by Frank Barber for the IBMA (Independent Beautiful Music Association). According to the information he provided, the recordings are currently owned by Greater’s Media, and he kindly provided me with the remaining five tracks to complete the original sessions recorded in London in 1980. Incidentally, he didn’t mention that he was someone involved in the music production industry, but rather just another listener who was fortunate enough to know someone who did have first-hand access to this music and digitized the original tapes in January 2002.

I took the liberty of re-uploading the tracks separately, organizing them by volume according to the information provided. I can’t confirm the information he gave me, as I really haven’t found anything about this, so if anyone can provide me with more information, I’d appreciate it.

I’m sharing the playlist I mentioned; best regards to all.
Thank you very much for sharing these. Most I have never heard but some of my favorites are on there as well. These are from the Fall of 1980 I believe, commissioned by the Independent Beautiful Music Association. A number of good and effective things here. Very lush. I think John Sbarra may have produced some of these sessions for the IBMA at which he had them record some of his orchestral originals that Bill Wertz of Fairfield later released on CDs.

I am grateful to you. Thank you for thinking of me. And a belated New Years greeting six months later! I had forgotten all about your message.
 
I think I’m repeating what’s already been written, The Frank Barber material I think you are asking about was commissioned by Bob Chandler (WGAY), along with Greater Media and was never offered in a public distribution, was originally intended for WGAY, and later offered up as”Beautiful Hits” with IBMA members, I was told as an attempt to recover costs, a consortium of companies in a club sort of way affiliated together to gain reach to new material. Clever idea, Bill Wertz of Kalamusic could define all this better than I and my statements here are off the cuff, recollection without digging but the overall is true. Bill did some of his own commissions too, mostly Gregory and a few others such as the Acton Strings, Johnny Arthey, Nick Ingman. John Sbarra was the arranger on most of the Frank Barber, you can really tell on those, Sbarra was a great artiste and some of my very favorite arrangements were produced in this project along with John Gregory. Great stuff. I will add some to my YouTube and you can hear them here.

Funny, I have as of yet to add any Barber tracks to my YouTube page, thus far I’ve avoided more common material. The Barber stuff was shared about 25 years ago from some sub-master reels by a fellow name Don Hobson, they were excellent really but had some high level flaws from the reels BV had in Seattle. A few Gregory arrangements landed on the BV Ultra library 1990. It wasn’t until the masters (mothers) reels were discovered and captured his catalog along with the others were truly preserved. They are astonishing in quality.

This link below must have been from Don’s sub-master captures from BV in the 00’s that were passed around. They are not “complete” as stated but missing several more. We lost a man recently that was obsessed over accuracy in this field. Unfortunately his untimely passing has halted his work. I’m trying to keep his work alive but unfortunately I simply do not have the resources he was accustomed to.

Maybe if we all work together we can get all this sorted out. The first thing that needs to happen is this underlying fear of legal action by these people that originated its production. Obviously at this point these owners have no interest in its original planned use anymore, so devotion has occurred in the private sector over decades in the making, you will not find any of this material in Gracenote (Shazam). Already there are discrepancies in what’s floating about online. You guys that were there, please add as much as you can to this history.

For me getting past the cranky old-fellow in a dark room with a cane tapping away at his army of lawyers hollering about his legal rights to keep this art he commissioned locked up until its death is certified is a big deal. Not just this catalog, but all of them. They are still out there, and watching. Also some new guys are asserting themselves now. DMCA Fair Use allows me to share materials on YouTube without monetizing, and if the owners speak up they can file thier copyrights which is exactly what I want them to do; but in some cases the music had been preserved but no way to license it so we can offer it to the public. And streaming is impossible because the streaming platforms will not allow files that cannot be verified on Gracenote AI. In the meantime DMCA Fair Use and YouTube will remove them if a copyright owner requests it. There is so much to do. It’s all part of our history and so important.

Some materials from Greater Media
 
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I think I’m repeating what’s already been written, The Frank Barber material I think you are asking about was commissioned by Bob Chandler (WGAY), along with Greater Media and was never offered in a public distribution, was originally intended for WGAY, and later offered up as”Beautiful Hits” with IBMA members, I was told as an attempt to recover costs, a consortium of companies in a club sort of way affiliated together to gain reach to new material. Clever idea, Bill Wertz of Kalamusic could define all this better than I and my statements here are off the cuff, recollection without digging but the overall is true. Bill did some of his own commissions too, mostly Gregory and a few others such as the Acton Strings, Johnny Arthey, Nick Ingman. John Sbarra was the arranger on most of the Frank Barber, you can really tell on those, Sbarra was a great artiste and some of my very favorite arrangements were produced in this project along with John Gregory. Great stuff. I will add some to my YouTube and you can hear them here.

Funny, I have as of yet to add any Barber tracks to my YouTube page, thus far I’ve avoided more common material. The Barber stuff was shared about 25 years ago from some sub-master reels by a fellow name Don Hobson, they were excellent really but had some high level flaws from the reels BV had in Seattle. A few Gregory arrangements landed on the BV Ultra library 1990. It wasn’t until the masters (mothers) reels were discovered and captured his catalog along with the others were truly preserved. They are astonishing in quality.

This link below must have been from Don’s sub-master captures from BV in the 00’s that were passed around. They are not “complete” as stated but missing several more. We lost a man recently that was obsessed over accuracy in this field. Unfortunately his untimely passing has halted his work. I’m trying to keep his work alive but unfortunately I simply do not have the resources he was accustomed to.

Maybe if we all work together we can get all this sorted out. The first thing that needs to happen is this underlying fear of legal action by these people that originated its production. Obviously at this point these owners have no interest in its original planned use anymore, so devotion has occurred in the private sector over decades in the making, you will not find any of this material in Gracenote (Shazam). Already there are discrepancies in what’s floating about online. You guys that were there, please add as much as you can to this history.

For me getting past the cranky old-fellow in a dark room with a cane tapping away at his army of lawyers hollering about his legal rights to keep this art he commissioned locked up until its death is certified is a big deal. Not just this catalog, but all of them. They are still out there, and watching. Also some new guys are asserting themselves now. DMCA Fair Use allows me to share materials on YouTube without monetizing, and if the owners speak up they can file thier copyrights which is exactly what I want them to do; but in some cases the music had been preserved but no way to license it so we can offer it to the public. And streaming is impossible because the streaming platforms will not allow files that cannot be verified on Gracenote AI. In the meantime DMCA Fair Use and YouTube will remove them if a copyright owner requests it. There is so much to do. It’s all part of our history and so important.

Some materials from Greater Media
I would have guessed it was you who supplied these originally. Hi Erik! The 1977 Greater Media John Gregory custom sessions were financed in part by Bonneville which gave them access to that music. That was before IBMA was formed. After it was formed they decided to exclude Bonneville from any further involvement since they were no longer considered as "independent". I would question whether in fact John Sbarra did arrange the Barber cuts since they are in the style of earlier released Barber material. My information has always been that Sbarra produced the Fall 1980 Barber sessions (or some of them) for IBMA and paid to have some of his original scores recorded. Glad to find you posting on here. Dick
 


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