I figured semoochie would have said the Running Gag of the Seattle/Tacoma board. "Kokomo"
Maybe KMRI will run that song too?
First, we changed the calls to KOSL several weeks ago. Second, I am not playing anything newer than 1978 on this station. "Kokomo" came too late to be included.
Got it pulled up on the stream now... am I listening to the mono mix of "The Way You Do the Things You Do?"
Before I go any further ... unless you are accessing the stream via the station domain name,
please do not bookmark it. We are temporarily feeding the output of the modulation monitor to a locally generated stream with a
(gasp) numeric IP address. We will switch the domain to the real stream once we have it in place. The feed to the transmitter is L+R stereo summed mono; I did not have the time or the energy to conduct a scavenger hunt of original mono mixes.
Edit: I'm guessing the stream might just be mono, or I've got something mono'd out on my end, as I'm hearing "Some Kind of Wonderful" from Grand Funk now, also in mono.
Yes, the modulation monitor output is mono since we are an AM and not trying to resurrect AM stereo. It's officially for internal purposes; since we are originating the program feed from the Radio New Mexico facilities in Albuquerque, streaming the mod monitor is how we know the transmitter is still on the air.
Actually... I'm curious... why golden oldies? I hear time and time again on this board that it's pretty much D.O.A. but I can't imagine you getting involved with it unless you believed in it. For it to be on a 10kw AM (granted, at the upper end of the dial) is interesting! Anything you can share as to the reasoning behind the format switch?
@K.M. Richards
Condensed version of the backstory: KOSL was acquired out of bankruptcy by longtime FCC attorney Barry D. Wood and was originally running the Sports Byline network with a local show in afternoons. Then the host of the afternoon show became unavailable, and Barry asked his client Don Davis at RNM to manage the facility for him. They decided on Oldies and since Don has me on retainer and loves what I am doing with KRKE he asked me to program it.
I think there is a misconception about my personal tastes and my professional work. The main reason that I have concentrated on the 80's is that the music from that decade resonates not only with those who grew up with it but also with younger demographics. It has become a mass appeal format, and while it happens to be the music I know best from my active on-air years, I have been in the business since 1973 and so I am also very knowledgeable on Oldies. It's not a case of like/dislike, it's a question of attracting a saleable audience. We have a standalone AM (no translator, no sister stations) so we had to do something that has a chance against the clusters in SLC.
To their credit, Barry and Don left me to my own devices in designing and executing the format. It is focused 1966 to 1978, but I also have a twice-hourly "Super Classic" which includes lesser songs from the core years and also goes back all the way to Bill Haley and The Comets. Don has been calling it "today's Oldies format".
We're running it cost-effectively, I am not out of my comfort zone programming it, and to be honest it's kind of fun to be able to do this again. (But I still think The Eighties Channel™ should be running in more markets than just ABQ.)
It does seem that there have been quite a few AM stations that have dropped talk formats in favor of oldies/classic hits in the post-covid era, presumably partially because they've got FM translators with 'em.
Obviously, that wasn't part of the decision process here. Barry simply didn't want to keep his station running a sports network 24/7. Believe it or not, I put this whole thing together in less than two months.