Several things.
How many people have a Carver tuner at their fingertips? Even I don't (couldn't afford it when it came out...I worked in radio then).
Then there are the samples. As best as I can determine, they're variable bit-rate MP3s at an estimated rate of 192 kbps. Some people may hear artifacts. There also may be interaction with that gawdawful Voltair.
The samples are voice and not music. They also weren't made at the same time. This isn't a huge obstacle but should be noted nonetheless.
I'm assuming the Carver tuner does not support the NRSC de-emphasis curve, so it's possible that the AM high end is exaggerated a bit. I hear that on sample 1. Samples 1 and 2 actually do sound pretty close, but I hear less Voltair mangling on sample 1 as compared to sample 2. So that confuses the picture.
So---all you need is a...43-year-old tuner?
All other things being equal, that shouldn't make a difference, other than for the absence of NRSC de-emphasis. Most hi-fi tuners focused on their FM performance, with AM being an afterthought. That's been true for decades. Even on FM, tuners from 30 or 40 years ago, properly maintained, will sound better than newer tuners. But...tuners often need to be realigned and re-capped after a period of time. I do much of my FM listening on a 36-year-old tuner that was recapped and realigned about 20 years ago. To my ears, it sounds better than newer radios or tuners I have, except for the Qodosen DX-286 portable radio, which uses the TEF6686 chip that many car radios employ. But that's on FM. On AM, I still have one working Sony SRF-A100 radio, famous for its wideband reception on AM but that model is notorious for having leaky capacitors, which will affect sound quality or even the ability to work at all. So the point here is that there are multiple variables that can affect what you hear, and all other things usually aren't equal in the real world.
And, frankly---neither of those samples sounds very good. If I have to guess, I'll say sample 1 is the AM and sample 2 is the FM, but a more instructive A/B would be to take recordings made from that same tuner 43 years ago and today. Between "make it as loud as possible" processing and Voltair, the sound of most commercial radio has been massively degraded.
Particularly on sample #2, I think the Voltair was cranked way up. The traffic anchor at the start of #1 had, in my opinion, a particularly harsh and grating voice, which also makes comparison more difficult. I'm guessing #1 is AM and #2 is FM because of just a bit of "peakiness" on #1 caused by the mismatch between the tuner's AM section and NRSC pre-emphasis of the signal, something it wasn't designed for.
In any event....
Quote:
"So here we are. The experts say AM is dead, yet as I have been saying for years, most of AM’s problems are self-inflicted. It is the programming more than anything else, as it is with FM, or any entertainment source, since humanity began."
He's not entirely wrong, but he misses his own point. People went to FM for a variety of reasons, including the programming. They're now leaving FM for streaming because of the programming, even at the expense of differently degraded sound quality. So why is he spending so much effort on comparisons of sound quality?