I thought that the idea of groups owning multiple stations in one market was supposed to be so they could appeal to multiple audiences while paring down the back-office, sales, and support numbers in order to justify overpaying for many of the stations they acquired post-1996. How many signals languish with a 1 or 2 share, acting a flankers for successful stations, instead of programming to an underserved audience in the market? Go back to the beginning of rock radio, and the target was teens. There was an awareness that they had money to spend too, just not as much as mom & dad. If everybody targets mom & dad, there's cash on the table that's going to go somewhere. That's where format-agnostic services like Spotify, Pandora, Amazon Music, YouTube Music and others serve up all kinds of music and develop algorithms to direct listeners toward either perceived preferences or what advertisers are pushing toward their particular demographic.
Radio's place in the market is to deliver content that adds value to pure-play music by creating content that relates to listeners. Sure, music can be part of it, but there are other relevant content options that are at their best when focused on a local or regional audience. Sports is a great example. In Buffalo, we want to hear about the Bills and Sabres, not so much about the NY Knicks or Philadelphia Eagles. With music, there's a much greater interest in Canadian content here at the border than there is in LA or NY. Seasonal changes here make LA radio sound out of sync with our experience.
There was a time when owners handed the reins of loser stations over to "kids" who were allowed to program to a younger audience with the hope of becoming self-sufficient. It's amazing how well that worked out at times, and created more than a few of today's "legacy" stations. It sure seems to me that it might have a better chance of being effective than another computer in a closet pumping out bland syndication to a 1-share audience.
Radio's place in the market is to deliver content that adds value to pure-play music by creating content that relates to listeners. Sure, music can be part of it, but there are other relevant content options that are at their best when focused on a local or regional audience. Sports is a great example. In Buffalo, we want to hear about the Bills and Sabres, not so much about the NY Knicks or Philadelphia Eagles. With music, there's a much greater interest in Canadian content here at the border than there is in LA or NY. Seasonal changes here make LA radio sound out of sync with our experience.
There was a time when owners handed the reins of loser stations over to "kids" who were allowed to program to a younger audience with the hope of becoming self-sufficient. It's amazing how well that worked out at times, and created more than a few of today's "legacy" stations. It sure seems to me that it might have a better chance of being effective than another computer in a closet pumping out bland syndication to a 1-share audience.