That was why I used the example of Pacific & Southern's Top 40 attempt on 970. A suburban signal that did not cover the whole market. Either a poor signal finds a niche, or it sells time to ethnic broadcasters.Absolutely, and good for them. But there are a number of other signals that are severely challenged in that same market, such as WXBK, and I'm not sure what the future holds for that one.
92.7 is a horrible signal for a country format.How about country?
I think this market would be great for a station like Radio Milwaukee. It's multi-platform and culturally inclusive, but not advertising dependent. What's a Bay Area KEXP or KUTX sound like? I think that's a model that should be explored.So far only religious groups have discovered that the radio itself is viable for transmission of content, but not strictly as an advertising vehicle. If other non-profits would realize this, such as various music groups, they could be start of a real radio rebirth.
What's a Bay Area KEXP or KUTX sound like? I think that's a model that should be explored.
For those unfamiliar with Lorenzo Milam, here is is most famous publication: https://worldradiohistory.com/BOOKSHELF-ARH/Business/Sex-and-Broadcasting.o.pdfGreat idea. All it takes is a person to lead the process. Some of us were inspired the late Lorenzo Milam, who started KRAB in Seattle in the 60s.
If anywhere, San Francisco, Portland, Seattle and perhaps Boston and "the other Portland" in Maine.The concept of community radio is still alive, and San Francisco is a perfect place for it to flourish. San Francisco has the culture, the resources, and the heritage to make it work. It just takes one person.
The Portland in Oregon is named after the Portland in Maine.For those unfamiliar with Lorenzo Milam, here is is most famous publication: https://worldradiohistory.com/BOOKSHELF-ARH/Business/Sex-and-Broadcasting.o.pdf
I was never a full fan of his philosophy, as he also advocated strike applications and other disruptive actions.
If anywhere, San Francisco, Portland, Seattle and perhaps Boston and "the other Portland" in Maine.
And those are named after the Isle of Portland in England.The Portland in Oregon is named after the Portland in Maine.
I'm sure Crazy Ed will ask a reasonable price for a property that has no listeners, revenue or a decent signal.Ed Stolz Tells Bankruptcy Court He Wants To Sell San Francisco FM As Part Of Reorganization.
Would you buy it if you had the money to invest and it was any other owner selling the station? Even the way it is now? How about anyone else reading this? Could you make a living with it? Not getting rich just making a decent living?I'm sure Crazy Ed will ask a reasonable price for a property that has no listeners, revenue or a decent signal.
Personally, if I had the money.. the way the industry is now, it would not be a business venture or investment, or a way to make money. I would only buy this one station, and no others, and it would be a fun HOBBY station for me. I'm already imagining how much it would be, adding new songs everyday from my eclectic taste in music. It may not attract very many listeners Lol , but then I'm doing it for me. I wouldn't have to worry about demo's, the hell with Nielsen, no worries about finding advertisers, it would be non commercial. I just know it would be very unconventional, and definitely have everyone on Radio Discussions talking about it , but I wouldn't rant back at everyone like Buddy Shula... I'll be nice.Would you buy it if you had the money to invest and it was any other owner selling the station? Even the way it is now? How about anyone else reading this? Could you make a living with it? Not getting rich just making a decent living?
I would only buy this one station, and no others, and it would be a fun HOBBY station for me.
I wouldn't rant back at everyone like Buddy Shula... I'll be nice.
In fact, a while back he mentioned that he took out loans to get started but has paid them off already. It's a business.It's not a hobby for him. It's a business. He is very serious.
In fact, a while back he mentioned that he took out loans to get started but has paid them off already. It's a business.
Or at least well into the mid to high 8-figures. We looked at buying a station or two in the Coachella Valley market and saw that for every $1 million investment, the annual cost would be a loss of about $40,000 in investment income or around $80,000 in interest. We just could not see tolerating the startup costs and risk of capital with the probability of not even being profitable.Exactly. A hobby radio station, especially in a major market, is not something for millionaires. Their pockets aren't deep enough. They have to be billionaires.
I somehow doubt that the talented Steveland Morris considers his ownership of KJLH to be as a "hobby station", as he has now owned that facility for 43 years.Stevie Wonder owns a hobby station in LA.
I somehow doubt that the talented Steveland Morris considers his ownership of KJLH to be as a "hobby station", as he has now owned that facility for 43 years.
Not really. It is actually quite profitable as many accounts see it as "community support". Pre-pandemic, it was billing just under $10 million a year.You're right...he more likely considers it a tax write-off.![]()
There were a bunch of country artists who owned smaller market stations around Tennessee and the deep south. I think those are all gone now....At one time, quite a few successful recording artists owned radio stations. I think Stevie is the last one.
Not really. It is actually quite profitable as many accounts see it as "community support". Pre-pandemic, it was billing just under $10 million a year.
There were a bunch of country artists who owned smaller market stations around Tennessee and the deep south. I think those are all gone now....