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94.7 is changing formats today

Those of you who think the new programming won't appeal to a sizable segment of the white population and that this format is highly dependent on ethnic listeners for success are mistaken.

Although there are some exceptions, urban stations, in general, usually draw an audience between 30 and 60% white. That may or may not amount to a "sizable segment of the white population," but it's usually a sizable percentage of an urban station's audience. The more segmented urban-based formats, like urban AC, typically don't see the same diversity in audience.

I think my 4 share prediction isn't unreasonable. Over the long haul, this is probably a 2.5 to 2.8 share worthy format, signal limitations notwithstanding.

If it gets enough of the audience within its main signal contour and they listen long enough, I suppose it could happen, but a 4 share out of the gate on signal like that would be TSL driven. I don't follow urban formats much, but I seem to remember your typical urban station is more cume driven than TSL driven. I tend to think it will probably debut in the higher 2-share range and burn into the upper 1's or lower 2's.

So what do you make of Audacy's decision to air the long goodbye? Was the air staff made to sign a legally binding document promising not to go rogue or else forfeit whatever severance pay they're getting? If not, that's an awful lot of trust and faith in WNSH's folks to keep it classy and say nothing bad about management or the new format. I still remember how wrong it all went when WCCC Hartford flipped to Christian music from classic rock after its sale to EMF and the jocks spent the last hour basically ripping Christianity with songs like "Highway to Hell." I'm sure the WNSH jocks' on-air restraint and class will serve them well in their quest for new gigs.

Your guess is as good as mine, though I don't think Katie & Company is going anywhere. So, she probably still has a job after this. Of course, all of us know why companies sack people with no notice and why some come into a new market and blow everyone out. You might or might not agree with what they do, but anyone who has been in this business long enough has encountered the reasons for those decisions. In general, you want to leave in as good of graces as you can when something like this happens. You're probably not going to work for Audacy for a really long time if you trash the company on-air when you're getting laid off.

In the case of WCCC, no one had any incentive NOT to rip EMF. EMF wasn't going to hire the WCCC jocks, and there were no other positions within the company. That might make other companies not want to hire those people, but, depending on the manner in which they do it, it's not going to matter as much.
 
I heard a personality yesterday on WKTU say they were adding more throwbacks that haven't been heard on New York radio in a while. Perhaps they knew about the flip, and now consider 94.7 a competitor.
 
Audio of the 94.7 The Block stream is very poor. Like there is no processing or whatsoever on their stream. Are they still using Omnia.9 over the air and some stream processing for their stream? They need to adjust that.
 
Wouldn't shock me if the new station generates a 4 share or better in its first full ratings survey.

This is gonna draw listeners away from multiple stations in the market. Might even cannibalize New 102.7 to a minor extent.
Even KTU being more rhythmic than New 102.7. It'll go up against BLS too
 
This station is geared toward people who grew up watching rhythm crossover videos on MTV and who grew up listening to Hot 97 primarily.

Isn't Ed Lover going to be featured as a personality on the new station?

Will KTU take a hit? Sure, but it wouldn't surprise me if other stations take a larger hit.

Second Friday in a row where AUD has flipped a major market station. I wonder if another flip will occur next week Friday? I'd keep my eyes on KMNB in Minneapolis and KVIL in Dallas, but there are several other possibilities that come to mind, too.
 
Some of you don't get that this is not specifically an urban format. These are all rhythmic leaning mainstream hits. This format is essentially the modern version of Jammin' Oldies.
Well Jammin' Oldies arrived in New York with a lot of hype but then lasted 3 years before being put out of its misery, so there's the template. Tick tock.
 
Signal Signal Signal

While the initial few songs indicate more of an Hispanic target than Black, it still has a less than perfect signal in the areas it has to cover.
Newark and suburbs have a massive African American population and while the signal has challenges in some of Manhattan it is very strong in the Bronx, Brooklyn and really no issue in Queens either. Only in the canyons of Manhattan did I ever hear the signal fade a bit. Of course inside some of the steel and concrete building will pose a problem although not as much work place listening nowadays anyway.
 
It's very 90's and later targeting that's very tiring to listen to. I hope they throw some 80's in the mix they are really NYC, LL Cool J, Melle Mel and Mantronix etc.
 
Some of you don't get that this is not specifically an urban format. These are all rhythmic leaning mainstream hits. This format is essentially the modern version of Jammin' Oldies.

So far, its playlist seems pretty similar to Hot 103.7 in Seattle. You could certainly describe it a lot worse than a modern version of Jammin' Oldies. It would seem to be a better description than classic hip-hop, at least up to this point. It continues to remind me a lot of my time at KOQL "Q106.1," which called itself a CHR but was really more of an urban station that avoided the hardcore stuff and played a few pop tunes in its place.

If I'm a good barometer, I don't hate this station by any means, and I hate, and I mean HATE, hip-hop. Much like Hot 103.7, however, I will check it out when I'm in the mood for rhythmic music, but I usually don't listen to Hot for very long, and I haven't listened to 94.7 The Block in very long stretches either.
 
Be prepared for Hot 97 and Power 105 to throw in more throwbacks to their rotation.
Happened in Phoenix. A "throwback" station came on the air - on a rim shot signal - and the "heritage" hip hop station (Power 98.3) went heavy on the throwbacks when The Bounce blew up in the ratings.

As far as the bigger picture, is there one? I mean, is Audacy looking to flip some of their other underperforming country outlets?
 
Some of you don't get that this is not specifically an urban format. These are all rhythmic leaning mainstream hits. This format is essentially the modern version of Jammin' Oldies.
not true. This isn't KTU. It is most certainly an urban format. Are you listening?
 
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