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AAC to MP3 @320Kb

We wish to use Adobe Audition 3, with an AAC plug-in, to name songs, save as an MP3 at 320Kb for use in our automation. Is there a better way, other than a lossless original, and if not are we creating another coding generation? Will the MP3 320Kb generation sound much worse than the AAC?
 
Better way?

Yes. Called a CD. Save as 44 kHZ 16 bit WAV audio file.

A "red Book" CD has a certain amount of data compression, but is the closest to the original master you're going to find. Saving as a wav file as described above is essentially loss less.

Sure it takes a lot of hard disk space, but large hard drives are cheap.

MP3 is a lossy data compression method. Fine for e-mailing voice commercials, but what's the point to doing this for music.

Unless, of course, you are talking about either urban or country. For those formats, I would suggest saving to an audio cassette. The kind with that ultra-thin tape that stretches the first time you try to play it.
 
Yes, it's another coding generation, and MP3 tends to handle this especially poorly, likely due to its rather large "small" block size which hinders its ability to handle transients (such as claps, snares, snaps).

If you have no choice, you have no choice, but is MP3 really the only format supported by the automation system? MP2 at 320 or 384 would be preferable to MP3 at 320 (as it handles transcoding much better -- it's a simpler codec). Wave would indeed be best -- even if the source was lossy to begin with, you've avoided a second generation.

///Leif
 
Thank-you to Leif and ChiefOperator for the usful info. Although I have a cursory knowledge of coding, the observation regarding MP2 @320 is very interesting.
Best regards.
 
wking601 said:
Thank-you to Leif and ChiefOperator for the usful info. Although I have a cursory knowledge of coding, the observation regarding MP2 @320 is very interesting.
Best regards.
Use MP2 at 384 kbps. MP3 is limited to 320 kbps, but MP2 can go up to 384 kbps, and that's really the only bitrate you want to use.

Of course, a lossless codec such as FLAC, WMA Lossless, or Apple Lossless would be best, but I assume that is not a possibility in this circumstance?
 
True. Better wording might be that there is minimal data loss, or loss of fidelity with the "red Book" standard. A musician could tell the difference between an original master at 15 or 30 ips on low noise tape (or now, sampled at 96 khz.) compared to a CD made from a PCM master tape.

Still, in this day of terrabyte hard drives for under $100, I can't figure out why anyone would bother storing anything in any kind of lossy scheme. Even MP2, and especially any MP3 configuration.
 
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