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AM Frequency of the Week: 900

Nothing in the log here except for WURD in Philly -- long, long ago classical mx and strict SRS-SSS daytimer WFLN -- and nighttimes is CHML. Here's WURD's day signal.
WURD-AM Radio Station Coverage Map

Lol -- back in the old old days back near JFK Airport, I got a QSL letter from WCME in Maine because of maybe a solid 4 seconds of reception. Nearing SSS one afternoon I heard 'the weather for Bath, Brunswick and Vicinity' and sent them a report. Gosh-darn if they didn't verify it.

That was years before CHML raised to 50,000 watts and sent maybe an ERP of 50,000 killowatts up our variable capacitors.
 
There's nothing in the daytime log here except for WURD Philly, long long ago a strict daytimer as Classical WFLN. Here is their 2021 day pattern. We're at the very bottom right corner of that 'local - fringe - distant' box.
WURD-AM Radio Station Coverage Map

A long, long time ago in the DXing days near JFK Airport, I got a QSL letter back from WCME in Maine after a rugged four seconds' monitoring. The guy gave the words 'The weather for Bath, Brunswick and vicinity', and I sent them the full report. Gosh darn, they VERIFIED it.

That was, of course, long before CHML went super-laser 50,000 watts and sent maybe 50,000 killowatts ERP in our direction and right up our variable capacitors.

Never heard XEW there, though.
 
Last night when I nulled out CHML I heard someone else playing Supertramp's "Logical Song" on 900 kHz. Maybe WCPA (Classic Hits) from Clearfield, PA?
 
Here are some pictures of XEW in 1963, including the three 250 kw transmitters that alternated every 2 hours, every day.


(That's me as a 17-year-old inside one of the transmitters)
Great stuff, David. The pics of XENK in particular got my attention, given that it was one Mexico City station I never expected to hear in this country...;due to the fact that it was on a "regional" channel (620). But one night inmy hotel room in Covington, Louisiana, there it was. Blowing out WJDX, the usual nighttime occupant of 620 in the New Orleans are. on my Sony SRF-37 Walkman. I remember hearig a couple of positive IDs and English-language pop music.
 
XEOY used to come in when WCFL was off and sometimes KTOK too.
I've heard XEOY a few times UNDER WCFL/WMVP at my home location. Of course, at my college location in Iowa during the late 1960s, it was pretty much a nightly battle between WCFL and XEOY.
 
Generally, Canadian stations are discouraged from trying to serve areas outside the country. The lobes were designed to hit Toronto and Hamilton mainly. The Day back lobe is symmetrical and serves points West. So its just happenstance.
 
Most Canadian broadcasters and advertisers have no interest in reaching an American audience. The directional antennas most often serve the dual purpose of keeping signals out of the U.S. while enhancing (if only slightly) coveraage in their home markets. j
 
Most Canadian broadcasters and advertisers have no interest in reaching an American audience.
Canada has long had fewer stations per market than comparably sized US markets, so Canadian station generally have a very fertile ad sales environment at home.

CKLW was the exception as, other than one 1-A clear channel, in the mid and late 60's it did not have big signals. WJR and WWJ were, at that time, committed to full service and MOR formats, and there was Top 40 on pretty dreadful signals like Keener and Storer's "build a few more towers" WJBK.

And the areas stations in Vancouver could cover in WA are lesser populated towns like Blaine, not Seattle metro.

The situation that originated Canada's rules on advertising on foreign stations began when McLendon (the KLIF McLendon) used a TV station in Pembina, ND, to sell advertising in Winnipeg, Manitoba. The local broadcasters did not like it, the CBC did not like it and that gradually resulted in restrictions on cross border advertising.
 
Between the decline of AM 800 and the restrictions of CanCon when they tried to move a similar format to 93.9 FM, that is definitely not the case for AM 800 except in Windsor today.
And the FM intent was very much hampered by the Canadian regulations that limited the number of times a "hit" could be played. While US stations could play the top song or songs every 90 minutes or so, in Canada the restriction only allowed a few plays a day (I don't remember the exact number, but it was more like traditional AC rotation in the US...).
 
And the FM intent was very much hampered by the Canadian regulations that limited the number of times a "hit" could be played. While US stations could play the top song or songs every 90 minutes or so, in Canada the restriction only allowed a few plays a day (I don't remember the exact number, but it was more like traditional AC rotation in the US...).
If you want to hear the downside of CanCon and format restrictions, ask a Border Area Canadian private broadcaster.

I'm sure that WHYT 96.3, WKQI 95.5, and other Detroit stations benefited greatly form the CanCan restrictions to CKLW-FM and whatever other callsign and format variation they tried.
 
Canada has long had fewer stations per market than comparably sized US markets, so Canadian station generally have a very fertile ad sales environment at home.

CKLW was the exception as, other than one 1-A clear channel, in the mid and late 60's it did not have big signals. WJR and WWJ were, at that time, committed to full service and MOR formats, and there was Top 40 on pretty dreadful signals like Keener and Storer's "build a few more towers" WJBK.

And the areas stations in Vancouver could cover in WA are lesser populated towns like Blaine, not Seattle metro.

The situation that originated Canada's rules on advertising on foreign stations began when McLendon (the KLIF McLendon) used a TV station in Pembina, ND, to sell advertising in Winnipeg, Manitoba. The local broadcasters did not like it, the CBC did not like it and that gradually resulted in restrictions on cross border advertising.
As you and others here are possibly aware, for a period of about twenty years, I was in Canada roughly every two or three monthss. I really enjoyed it, because my competitors tried to cover the territory on the phone, so I pretty much had the entire country all to myself. And my Canadian customers loved reaching customers in America because they all did business in U.S, dollars, but paid their employees and suppliers in U.S. dollars. (Exchange rate typically mean the Canadian dollar was worth about 80 cents U.S.)

Anyway, over the course of my time up there, not only did I meet and work with a lot of great people, but I also got pretty familiar with how broadcasters operated up there. One of the first things I noticed, aside from Can Con rules, was that Canadian Cable companies pre-empted U.S. network TV shows anytime the same program was being fed to both countries. They just dropped the U.S. signal and replaced it with the Canadian one on the same cable channel. I also remember U.S. TV stations like Channel 12 in Pembina, North Dakota, (I forget the calls, maybe KCND?) that basically was intended for the purpose of extracting advertising revenue from Winnipeg. WPTZ in Plattsburgh, New York, Channel 5 had at least some aspects of that business model involving Montreal. On the radio side, to this day, there are American versions of border blasters with brokered basically religious programming aimed at Canadian cities. WTOR in Youngstown, NY is a highly directional daytimer on 770 from Youngstown, New York beamed directly across Lake Ontario at Toronto. The major lobe is listenable for about 100 miles beyond the Toronto metro. I believe WTOR is owned by Baruch Broadcasting....a group owner of brokered stations.

For me, the most revealing comment regarding Can Con came from Burton Cummings, lead singer of the Guess Who, who also hosted afternoon drive on CKY in Winnipeg for a few years in the 1990s. One afternoon, I was in the car driving back to Minneapolis and he was talking with his guest about Can Con. He said that when Can Con was first launched, he, and most of the Community actually opposed it on grounds that it was an infringment on free speech. But he went on to say that as years passed, he grudgingly came to the realization that the Can Con rules helped a number of succesful careers....even if only domestically....for scores of performers who might otherwise only be playing local gigs in bars, weddings, etc.
 
And the FM intent was very much hampered by the Canadian regulations that limited the number of times a "hit" could be played. While US stations could play the top song or songs every 90 minutes or so, in Canada the restriction only allowed a few plays a day (I don't remember the exact number, but it was more like traditional AC rotation in the US...).
I had asked Pat Holiday that on Facebook, I think once it hit the top 40 it was 12 times a week. Also, how in the world does it not sound like you're playing stiffs? Apparently getting on the tunes as "hitbounds", climbing the charts was part of it.

We had an earlier thread (or several) about 800 and CKLW's pattern being the equivalent of 5KW over most of the metro. It makes me think a lot of that 50kW got dropped on West Central Ohio and East Central Indiana. We had an amazingly powerful signal
 
WTOR 770 Youngstown, NY is owned by Sima Birach, who has upgraded several AM stations on third adjacent channels to Class As and other stations in large markets, such as WMFN 640, now in Peotone, IL.
 
We were smack in. that southwestern lobe which was also a night null
That must've been weird getting such good day reception of CKLW and having difficulty at night.
In the Chicago area, much further away we could barely hear CKLW during the day and not much better at night.
 
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