> > > Try getting a real mic and compressor.
> > >
> >
> > Gee, how do you REALLY feel?! Nevermind the part where I
> > said I had good experience with both in the past, and also
>
> > disregard that I don't want to spend a lot (over $900
> > total). Glad YOU know what mic and processor works best
> > with MY voice. Would you mind sharing this info with
> me??!
> > Thank you kind sir.
> >
>
>
> I'll jump in here. If you're planning to do freelance
> voiceover work, the RE27/Symmetrix combo isn't the best
> idea. In fact, you can get a better sound for less
> money...Easily.
>
> Rode NT1A, Audio Technica AT4040, Studio Projects C1, Shure
> KSM27, AKG C3000B...These are all mics that will sound
> better than an RE-27 and cost less money. A mid-price
> condenser will alsmost always sound better than a
> higher-priced dynamic.
>
> As far as processors, there are many that will do the job of
> the Symmetrix. Check out the DBX line. Also, if you save
> on the mic, you could spend a little more on the preamp and
> go for a Focusrite Platinum Voicemaster Pro ($600-650),
> which would give you WAY more options and a better sound
> than the 528E.
>
> If your goal is to have the best sound, there are better
> options than the RE27/Symmetrix combo. But if you're trying
> to match the sound of other stations, which you might be
> voicetracking for, that's another story.
>
> Also, if a lot of different people will be using your
> studio, the RE27 wouldn't be a bad idea.
>
> Stations don't use these pieces because they sound good.
> They use the RE20/RE27 because they're nearly indestructable
> and the jocks don't break them. They use the Symmetrix
> because it's small and simple to use, but it doesn't provide
> many options.
>
> Just some things to think about.
>
> Emmett
>
Regarding the RE27/528E combo...that's what Charlie Van Dyke uses. Seems to work for him. I will add that not too many have CVD's natural pipes. I digress...
Igor, go for the 528, not the 528E. There's a BIG difference. The former is MUCH better than the latter! I have a 528. We used them at WMJI, I know they have a nice sound. 528 was paired with the AKG 414 (then to a UREI 1176LN). 528 is a good, solid older pre-amp. Works well with many mics.
I also have a dbx 286a. Nice and clean, and inexpensive. New they go for no more than $200. I also have a vintage Valley 400. Of the three I mentioned; dBX, Symetrix and Valley, I prefer the Valley. Simple and EZ to use. The 401...not recommended.
As far as mics go, I recommend the RODE NT2. IHO the NT2 is as good as the TLM103, but with more crispness. If you recall Igor we used these when I was at WMMS. They're no longer in production, but eBay has some every now and then.
A nice inexpensive priced mic, w/ big price sound is the Apex 460 tube. Retails for about $250-300. I'm thinking of selling mine (hint hint).
If mic cost is not a concern, $1000 or less, the Sennheiser 416 shotgun, aka the "L.A." mic is the way to go. It's my #1 mic. I'll never sell it.
Under $3000? Neumann U87 or a Soundelux.
Mic pre is argubly more important than the mic. VO skills will stand out no matter what combo you have.
Chucker<P ID="signature">______________
Everyone is entitled to my opinion.</P><P ID="edit"><FONT class="small">
Edited by bigwoody on 12/06/05 11:36 PM.</FONT></P>
Someone needs a happy pill. The first time I saw you chime in on this board was a derogatory comment about my personal preference of equipment with no explanation. At least the other posters gave a reason for a different selection, and was actually a great opinion/advice. Thank you Emmett and Woody! I'll slow down and consider other options. Sometime I get buy-happy and have to get something I hardly need! lol <P ID="signature">______________