Josh: we are all getting "wrapped around the axle" with a lot of terminology double-talk.
Somewhere, digital based audio content has to be converted to analog output. IF (great big if) IF we woke up some morning and under FCC rules ALL transmitters transmitted DIGITAL audio and ONLY digital, then your computer would NOT need a soundcard.... for output. Send the digital stream of audio down the IP to the newly designed transmitter which would then broadcast the digital stream through the air to my home receiver which would actually be a SOUND CARD on steroids.
If you own a transmitter that has an exciter which can receive digital audio and then convert that digital audio to analog INSIDE THE TRANSMITTER for it's analog signal, and convert the traditional IP digital audio into the format of the FCC approved digital broadcast audio, then you could abolish sound cards for output in the studio automation computers. (Being out of the industry, I am not up to speed on this question: does any transmitter available TODAY allow for digital audio input.) If we did this, then we have moved the sound card OUT of the computer, and INTO the transmitter.
Now. You seem to be rather put out or disgusted with the quality of sound cards and would like to get rid of them I gather people are using computer sound cards that range in price from maybe $100 to $1,600. And if you don't like the one you have, for something between $100 to $1,600 you can put a substitute player into the game.
What if you buy a transmitter and it comes with built in sound card and you find out you don't like the quality or tonality of the card. At this point you are likely looking at a proprietary built-in component. You deal with the vendors of broadcast equipment. You and I know that the transmitter manufacturer can pull a "Steve Jobs" and design a transmitter that WILL NOT accept a third party sound conversion apparatus. What do you think the manufacturer might charge you for an alternate card to change the quality or tonality? $6,000? Maybe $13,500?
Consider this possibility: 82% of your audience does not have the ability to tell the difference between an automation machine with a $56.00 sound card and an automation machine with a $1,600 card. (My 82% number is a made-up number. Who knows. Maybe 93% is more accurate.)
What's it really worth to you to have maybe 7 to 18% of your audience muttering "That is one sweet sounding sucker!"