CTListener: They do play Fairport Convention and a lot of Richard Thompson
Actually, KCSN is very professionally programmed by industry veteran Sky Daniels (KFOG and KMET among others), but targets a different audience base given it's university ownership and listener support financing. It is what others are not; it's almost as if it is what others can not be.
It's not full of train wrecks. Its a spicy blend of eclectic radio.
CTListener: They do play Fairport Convention and a lot of Richard Thompson
CTListener: They do play Fairport Convention and a lot of Richard Thompson
Well, then, that makes it tops in my book!
Seriously, I admit rushing to erroneous judgment on KCSN. I'm thinking now that it must sound a lot like two of SiriusXM's channels, Underground Garage and The Loft (the latter now available only online), both of which, like KCSN, were the pet projects of a single programmer -- Little Steven Van Zandt for the former, Mike Marrone for the latter -- and play all sorts of rock and occasional non-rock tracks. If that's the case, I'm glad it exists. I guess I've become a bit cynical from years of listening to college and community radio here in western New England, much of which is still DJs spinning their personal collections in three-hour blocks and rambling on about the music, politics or the weather between songs.
Now if I can just get them to play Lone Justice...
Hey at this minute they are playing "I Found Love" ha
Check out this thread oldies76--
https://www.radiodiscussions.com/showthread.php?703595-KCSN-KSBR-partnership-about-to-commence
My hometown classic hits station in San Antonio KONO-FM has pretty much gone in the same direction as KRTH. The last 60's song left on the station was Brown Eyed Girl and it's long gone, there are a few early 70's songs remaining and the rest is mid 70's to late 80's, and they've added maybe 4 or 5 90's songs here and there. Most of those 90's songs are from artists that were around in the 80's however (Bryan Adams, The Cure) for the exception of MC Hammer which is surprising for a classic hits station to be playing.
Their AM station is Classic Hits of the 60's and 70's, but I've yet to hear them play anything from before 1964, they mainly play stuff from 64-75.
The last station in the Bay Area I can recall playing anything older than 1964 was James Gabbert's KOFY-AM, "The Nifty 1050." And that was more or less a pet project of James Gabbert, who owned the station and also hosted a Dance Party show on his KOFY-TV. He sold his stations in 2004 or 2005 - so pre-64 music has been missing from Bay Area airwaves for a dozen years. Not too surprising, even I'm too young for that era of rock, and I'm 66!
The only classic hits station we have left is actually branded, "iHeart 80s".
The 60s are pretty much gone altogether in the Bay Area. The only 60s I hear are the occasional classic rock song on K-Fox and The Bone. The 70s are fading fast, other than classic rock, I only hear the occasional 70s song on 98.1 or 94.5.
If you do the math, it's obvious. A person BORN in 1970, who probably has no memory of this music because they were in the diapers to kindergarten era of their lives - are turning 48 this year. I've been in Facebook contact with a woman I dated in 1975, who had an 8 year old brat son, so born in the "Summer of Love" year - 1967. That kid just turned 51.
The really disheartening part of that the unstated sentiment behind this post "old people who are no longer in demo (defined as anyone over the age of 49) are no longer saleable, and thus music and formats they might like really have no business being on the radio". Boil the sentiment down further to its core essence and you come up with "commercial radio is for young people only; old people can find their music elsewhere, it is not deserving of mass media distribution".
The really disheartening part of that the unstated sentiment behind this post "old people who are no longer in demo (defined as anyone over the age of 49) are no longer saleable, and thus music and formats they might like really have no business being on the radio". Boil the sentiment down further to its core essence and you come up with "commercial radio is for young people only; old people can find their music elsewhere, it is not deserving of mass media distribution".
Blame the ad industry, not the stations.
Looking back, I don't think this can be called a recent development in radio. "Middle of the Road" (MOR) formats were huge in the 1960s - think KMPC, KGIL, KLAC for awhile, KHJ pre-Boss; and here in San Francisco KSFO, KNBR, and KFRC pre-Boss. These formats were all gone by the early 1980s, IIRC - when my parents were in their 60s. The prime demo in those days, I assume, consisted of Boomers like me, and we had no interest in Sinatra, Damone, Clooney (Rosemary, not George).
Also disappearing around the same time - "Beautiful Music" stations such as KOST, and KABL, KOIT, and KFOG in the Bay Area. Most of those became "Light Rock" by the early 80s, or album-rock in the case of KFOG.
Llew: MOR kinda evaporated and morphed into Adult Contemporary (hit singles minus the hardest ones played on Top 40 and compatible rock-era oldies) around 1973-75. Made sense. The 35-year-old of 1975 would have been 16 when Elvis hit.
Beautiful music FMs in fact thrived when MOR became AC. The 50-plus base for the KSFOs and KMPCs wasn't happy about the new music and found a lot to like on the KOSTs and KFOGs. But unsalable demos doomed them ten years later (1983-ish) and, as you note, most of them made the fairly easy transition to Adult Contemporary, which, on FM, became a different kind of format based on the success of KOST's "Continuous Soft Hits" approach. In essence, they traded 70-year-old women for 35-year-old women. And, ten or so years ago, those FM ACs re-invented and started playing Katy Perry...because those 35-year-old women had become 60-year-old women.