RealityCheckr said:
Well, lets see, here are a few:
-Broadcast equipment companies offer free, unlimited, support. No matter how stupid or ignorant you are they will stay with you till it works.
-A closed environment means that the system won't suddenly stop working because your OS gets a patch, or someone installed some new software.
-Usually far more rugged than the typical laptop. Not to mention rack mount models.
- Professional grade inputs outputs (e.g. balanced, pro quality analog, plus AES).
-(usually) down to earth unnecessarily complicated user interface. Since they offer free support it behooves them to make sure the thing is easy to use.
-etc
Just a few reasons. But feel free to use any old software...
Usually I don't agree with the "reality checker", but the main point I would like to echo is DO NOT USE SKYPE. The Comrex units that feature internet connectivity have been used successfully across the public internet with very few problems, when set up it just works. However, I realize people don't want to pay the super high price tag for these boxes (I don't), but I would advise against using Skype for two reasons:
1. Despite how reliable you think it is, remember Skype's backend is Peer-To-Peer, so you are probably bouncing your broadcast across someone else's crappy DSL connection that could be overloaded at anytime...
2. While the quality seems pretty good, it's not as good as the AAC+ or MP3 coders used by the expensive boxes. The good middleground is to buy Audio Compass which uses Speex at 44.1khz which I would consider more than broadcast quality (just don't transmit music).
If you are someone who plans on sending music across during your remote you'll need to buy those boxes or purchase AudioTX. If you need a really cheap solution with no error correction then use EddCast and mp3 encoding to a shoutcast server (or AAC+ if you know what you're doing you can add this capability). On the studio end there is a program called RX (found here:
http://www.burnill.co.uk/rx.html ) That will connect to a shoutcast or icecast server and play back the stream, in case of buffer underrun it will slow the audio playback speed gradually until the buffer fills again so there is SOME protection against dead air with this solution.
Now to respond to his points:
1. Yes it's great free support however keep in mind these units cost $3500 PER END so they had better give free support for that price. As an internet station I don't have that kind of money and I would assume that small market radio doesn't either?
2. The software I use would only break if someone messed with the soundcard drivers. I would recommend not allowing anyone to touch your dedicated remote laptop (and test it before leaving). If you don't have anyone at the station who is really good with computers you will probably just have to bite the bullet and buy those expensive boxes. It's basically a trade off: if you are good with computers you can make your own little cheap and reliable solution.
3. Yep, be careful with it!
4. This being the age of cheap quality digital recording studios you can easily find USB or Firewire powered interfaces with pro-grade connections (what I use).
5. If set up correctly beforehand, all that needs to be done on the remote end with this audio compass software is to boot the computer and connect to the internet. My solution mentioned earlier is a little more complicated but that is mainly because there isn't anyone at the studio and I have to put myself on the air with remote control...