everydayguy said:
I'm not an engineer, but a programing guy, but was wondering this:
An expensive powerful audio processor like the omnia 6 can make stations sound real loud, but does that mean people who live near the edge of the signal will pick up the station more clearly?
Another words, is there a relationship between a big loud processor and being able to hear an FM station a little further out even though the station power is the same?
Thanks in advance for your answer.
My experience? Yes!
But...
In the good old analog days when the most sophisticated processor was the 8100, my first really serious CE job included a little class A FM (3kW) whose main competitor was a full class B (50kW). Our 8100 was at the studio, with a 950MHz composite STL to the transmitter site.
The PD drove me around the coverage area. On his car radio, there were some pretty important town parts where our signal was adequate, but occasionally a little noisy. Where our signal was good we were the same loudness as the class B. The area was flat (beach community) so there wasn't much in the way of multi-path. It was just weak signal. Was there anything (cheap!) we could do?
Having heard some stories about composite clipping that were mostly positive, I asked the GM if we might try out a Modulation Sciences CP-803 at the transmitter.
By backing off the high-frequency processing of the Optimod and judiciously increasing input to the CP-803, we gained in overall level, and those little problem areas simply disappeared. I was impressed, because we had lost no perceptible quality, yet were louder. The PD and GM were equally impressed, because the little $900 gamble (cost of CP-803) had paid off.
My conclusion was/is that, in the huge span of processing possibilities that ranges from no processing -> pure distortion, every step you can take to increase your loudness level and its consistency allows you to overcome background noise, even with 'noise-free' FM. Some of these steps are simply overcoming inefficiencies, such as in this case, where overshoots caused by the STL were hurting our modulation level.
Some of it is simply keeping the level
consistent, so the moments of low level (perceived as noisy) audio are rare.
But as they say,
use a light hand. At the point of diminishing returns, you will begin to reduce quality in ways that are
much worse than a few clicks and pops!
Today's digital processors are much more sophisticated and can hide their distortion really well, for the most part. But they are still a
knife through the heart if pushed too far.
Kind Regards,
David
PS: Yes, we kicked the class B's butt. At least until
they discovered composite processing! LOL!