That's Incredible was not a spinoff of Real People.
Real People was created and produced by George
Schlatter (who also did Laugh-In and that one-night
monstrosity, Turn-On), while That's Incredible was
the work of Alan Landsburg, perhaps best known
prior to that as producer of the original syndicated
Biography series with Mike Wallace as narrator.
That's Incredible was, like so many things on television,
an attempt by one network to cash in on another's big
hit (ABC had had problems on Mondays at 8 for several
years, so their programmers probably figured, why not
bring out our own version of a hot show, which happened
to be on NBC). Even Mark Goodson got into the act,
transforming What's My Line? into That's My Line for CBS.
BTW, I think Manimal came after Fred Silverman had been
fired from NBC; he was axed in 1981 and Manimal debuted
in '83, which puts it in the Grant Tinker/Brandon Tartikoff
era. Oh well. Even the best programming minds have to
fail occasionally.
One other note about Silverman: either in retrospect or
through revisionist history, it's said that he had a knack
for finding hidden elements in a show that could be transformed
into the strongest element (he gets the credit, for example,
for elevating Fonzie into the real star of Happy Days), and
he was certainly the master of the spinoff (Rhoda and Phyllis
from Mary Tyler Moore, Laverne & Shirley from Happy Days--
he'd left ABC before somebody decided to spin off Mork & Mindy).
What he couldn't do was create a schedule from scratch, which
he effectively had to do at NBC; Paul Klein had practically swept
the schedule clean in favor of movies, miniseries, and specials.
Silverman had a few elements in place when he got there: Little
House On The Prairie, Rockford Files, Quincy, CHiPs, The Wonderful
World Of Disney, and that's about it. And Silverman knew that the
audience tends to prefer shows with continuing characters...only
NBC didn't have them. The task he faced was daunting enough,
but some of his ideas (like Supertrain) also made people wonder if
his mental well had run dry.
Real People was created and produced by George
Schlatter (who also did Laugh-In and that one-night
monstrosity, Turn-On), while That's Incredible was
the work of Alan Landsburg, perhaps best known
prior to that as producer of the original syndicated
Biography series with Mike Wallace as narrator.
That's Incredible was, like so many things on television,
an attempt by one network to cash in on another's big
hit (ABC had had problems on Mondays at 8 for several
years, so their programmers probably figured, why not
bring out our own version of a hot show, which happened
to be on NBC). Even Mark Goodson got into the act,
transforming What's My Line? into That's My Line for CBS.
BTW, I think Manimal came after Fred Silverman had been
fired from NBC; he was axed in 1981 and Manimal debuted
in '83, which puts it in the Grant Tinker/Brandon Tartikoff
era. Oh well. Even the best programming minds have to
fail occasionally.
One other note about Silverman: either in retrospect or
through revisionist history, it's said that he had a knack
for finding hidden elements in a show that could be transformed
into the strongest element (he gets the credit, for example,
for elevating Fonzie into the real star of Happy Days), and
he was certainly the master of the spinoff (Rhoda and Phyllis
from Mary Tyler Moore, Laverne & Shirley from Happy Days--
he'd left ABC before somebody decided to spin off Mork & Mindy).
What he couldn't do was create a schedule from scratch, which
he effectively had to do at NBC; Paul Klein had practically swept
the schedule clean in favor of movies, miniseries, and specials.
Silverman had a few elements in place when he got there: Little
House On The Prairie, Rockford Files, Quincy, CHiPs, The Wonderful
World Of Disney, and that's about it. And Silverman knew that the
audience tends to prefer shows with continuing characters...only
NBC didn't have them. The task he faced was daunting enough,
but some of his ideas (like Supertrain) also made people wonder if
his mental well had run dry.