Wasn't Motown (and the other girl groups) earlier? I seem to remember they took over after the payola scandal of the late 50's. I remember because I hated Motown.And Motown?
Wasn't Motown (and the other girl groups) earlier? I seem to remember they took over after the payola scandal of the late 50's. I remember because I hated Motown.And Motown?
For earlier, you are probably thinking of the Brill Building era on Tin pan alley with writers Leiber/Stoller, Carol King, E. Greenwich, Doc Pomus ,J.Barry, and yes Spector (and others). They were between say 59-63 and predate Motown which was more mid-late 60's.Wasn't Motown (and the other girl groups) earlier? I seem to remember they took over after the payola scandal of the late 50's. I remember because I hated Motown.
Motown had early '60s success with songs such as "You Really Got a Hold on Me," "Heat Wave," "The One Who Really Loves You," etc., but the label didn't really hit its stride until the mid-'60s with the Supremes, Temptations, Four Tops, Stevie Wonder, etc.For earlier, you are probably thinking of the Brill Building era on Tin pan alley with writers Leiber/Stoller, Carol King, E. Greenwich, Doc Pomus ,J.Barry, and yes Spector (and others). They were between say 59-63 and predate Motown which was more mid-late 60's.
Don't forget "Shop Around".Motown had early '60s success with songs such as "You Really Got a Hold on Me," "Heat Wave," "The One Who Really Loves You," etc., but the label didn't really hit its stride until the mid-'60s with the Supremes, Temptations, Four Tops, Stevie Wonder, etc.
Yes, the Miracles and Mary Wells were the cornerstones of the label in its early years.Don't forget "Shop Around".
The "Motown" name was not even originated until around 1960, although Barry Gordy had been active several years prior, mostly in deals with Chess out of Philly.Wasn't Motown (and the other girl groups) earlier? I seem to remember they took over after the payola scandal of the late 50's. I remember because I hated Motown.
And it was Jan Berry who convinced Brian Wilson to use the Wrecking Crew on Beach Boys records, after Jan & Dean had success making records that way.Actually they were friends. Brian Wilson wrote "Surf City" and gave it to Jan & Dean. That didn't make Brian's father very happy.
Also, Dean Torrence was often at the Wilson home jammin with the Beach Boys.
Good idea. I know Brian Wilson always wanted Carol Kaye, Hal Blaine and others whenever they were available.And it was Jan Berry who convinced Brian Wilson to use the Wrecking Crew on Beach Boys records, after Jan & Dean had success making records that way.
That would be "Chantays".With Dick Dale, the Ventures, the Shantays and others providing the atmospheric instrumental soundtrack.
Yes, "Pipeline" great record.That would be "Chantays".
Same Monkees song, or another track by them apparently played for the benefit of stations that have failed to sell all their ad breaks?Last week I heard The Monkees, then the DJ talked, and during what may be a commercial break on some stations, The Monkees again. I don't know that Good Time Oldies plays songs during selected commercial breaks but America's Best Music does.
Different song.Same Monkees song, or another track by them apparently played for the benefit of stations that have failed to sell all their ad breaks?
What's even stranger is a station that plays Jan & Dean and the Jefferson Airplane back to back. So called 'oldies" stations shouldn't mix pre-1964 songs with post-1964 songs.I used to not know the difference, but it seems strange to play such similar-sounding acts together.
Seriously......why?What's even stranger is a station that plays Jan & Dean and the Jefferson Airplane back to back. So called 'oldies" stations shouldn't mix pre-1964 songs with post-1964 songs.
I have no problem with that.What's even stranger is a station that plays Jan & Dean and the Jefferson Airplane back to back. So called 'oldies" stations shouldn't mix pre-1964 songs with post-1964 songs.
Nor do I. "Dead Man's Curve" into "Somebody to Love"? Go for it! Unlike a lot of pre-British Invasion pop, surf music (and the Jan & Dean song is surf music, even though it's not about surfing) blended comfortably with later music in oldies formats right through the '90s, when the culling of ancient songs began in earnest. Other '50s genres, like doo-wop and standards-style pop, disappeared from oldies radio a lot sooner. I was hearing "Surf City" and "Little Cobra" on my local classic hits station many years after "Get a Job" and "Harbor Lights" had been banished from the playlist.I have no problem with that.
And now those songs are no longer banished on Saga's "Pure Oldies" format.. I was hearing "Surf City" and "Little Cobra" on my local classic hits station many years after "Get a Job" and "Harbor Lights" had been banished from the playlist.