It's a very strange phenomenon; as time passes people seem to manufacture history or make the past seem better than it was--a sort of nostalgia in a way. Do you know why FREE-FM isn't here anymore? Because it 1) couldn't draw a sustainable audience in multiple day parts, nor could it really get any significant audience even for it's "good" shows. 2) As a result of a relatively low audience and cume, the station couldn't get decent confiscatory ad rates. FREE-FM was a large scale disaster in almost every market and Phoenix wasn't any different.
I find a few other things odd about some of the thoughts posted in this thread, such as, "who cares if the talent is local?" In the next breath, I'm sure some of these same people will wax poetically about how "radio was so much better when you had a local connection, there's too much syndication nowadays".
Speaking to the larger issue of radio and the talent pool--as it was brought up in this thread--there's a huge problem in the business today and it's multi-tiered. Certain formats are demanding the talent be edgy, creative, controversial and entertaining and model entire formats after people that have done this in the past; everyone wants another Howard Stern, Rush Limbaugh, Dr. Laura, etc--so, you end up turning off more of the audience than you turn on, because 24 hours of such nonsense is, generally, a failure in the Hot-Talk arena at least. Rather than growing or molding talent, radio today is more about recycling and cost-cutting, why do you think Imus keeps getting gigs? The Imus star faded out of the industry sky 25 years ago (if it was ever really shining all that brightly to begin with).
So, when reflecting upon FREE-FM, let's bare in mind that outside of Los Angeles and Dallas, it was a failure (even in Dallas it didn't get great ratings, but billed well and that's most important). Why it is that some people will keep insisting that KZON morph back to that abortion of a format is beyond me--maybe because it couldn't be any worse than what's there now (which, by the way, in terms of the numbers isn't really doing ALL that much better, except in the teen demo which has no money, yo yo yo). All of that being said, 101-5 JAMZ isn't going anywhere anytime soon, it's owned by CBS Radio after all, they'll hold on to formats that fail for a long time (and 1.5 years was a long time to hold on to FREE-FM considering how much it cost the company), JACK should be your number one example, oof what a disaster.