I did not want to detour Lauren's Jamz/Power/Kiss thread, but did want to
delve more into Bob's historical notes in his comment...
The 16" turntables, were they Gates, or the old RCA 70-D model in the cabinet?
BTW, how far did you have to back cue a 45 so as not to wow the beginning?
My experience with a 12" Gates (with the red rocker switch) meant half a turn
on a 45, quarter-turn on an LP.
16 cart machines--was this an automation system with the "carousel-o-carts"?
(Or five ITC triple-decks and a single cart with a record unit?
)
I remember Myron Drake (Scott's dad) on KT'R 620 in his later years, I've also
seen his name earlier on in the yearbook PDFs on the Old Gringo's site.
Ray Hughes doesn't ring a bell. Paul Hughes maybe, whose name rings only a
slight bell. Anita Ward on the other hand... ;D
delve more into Bob's historical notes in his comment...
Bob Dreste said:...when my last day included three 16" turntables, two reel-to-reel Ampex's and 16 cart machines,
rotary dial meter readings and the required squeeky chair wheels -- but no computers.......
Wonder who remembers, as I do, Ray Hughes and Myron Drake?
The 16" turntables, were they Gates, or the old RCA 70-D model in the cabinet?
BTW, how far did you have to back cue a 45 so as not to wow the beginning?
My experience with a 12" Gates (with the red rocker switch) meant half a turn
on a 45, quarter-turn on an LP.
16 cart machines--was this an automation system with the "carousel-o-carts"?
(Or five ITC triple-decks and a single cart with a record unit?
I remember Myron Drake (Scott's dad) on KT'R 620 in his later years, I've also
seen his name earlier on in the yearbook PDFs on the Old Gringo's site.
Ray Hughes doesn't ring a bell. Paul Hughes maybe, whose name rings only a
slight bell. Anita Ward on the other hand... ;D